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Louis Rubin's people on his father's side were odd, inscrutable, and remarkable. In My Father's People, Rubin tells "as best I can about them all." It is a searching, sensitive story of Americanization, assimilation, and the displacement - and survival - of a religious heritage.
One of America's more perceptive younger critics, Louis Rubin is well known for his commentaries on the literature of the South. These essays - selected from his critical works over a period of more than a dozen years - reflect his wider concern with the whole spectrum of American literature.
Louis D. Rubin, Jr., brings forty years of critical integrity and imaginative involvement with the history and literature of the South to his inquiry into the foundations of the southern literary imagination. His exploration centers on three of the most important writers of the pre-Civil War South: Poe, William Gilmore Simms, and Henry Timrod.
John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren--each began his career as one of the coterie of southern poets centered at Vanderbilt University who attracted national attention with their publication of The Fugitive magazine in the early 1920s and the celebrated essays in I'll Take My Stand. Collectively known as the Fugitives (or Agrarians as they were later called) they became ardent and influential participants in the regionalist-proletarian literary controversies of the Depression decades. Each of the four poets was personally concerned with the connection between their creative work and the social realities around them. In The Wary Fugitives Louis Rubin masterfully explores and illustrates the relationships between their poetry, novels, and literary criticism, and their work as social critics. He conducts, in the process, a revealing and provocative inquiry into the connection between American history and the twentieth-century South.
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