Bøger af Marcelline Block

SOLEDAD #3 contains Essays by Dave Stewart, Marcelline Block, Laura Kupp Beerman, Tara Hanks and Jeremy R Richey.Fiction by Les Bohem and Robert Monell.Interviews with John Greco, Steven Darrow and Teenage Cavegirl. Photography by Amy Pangburn and Jeremy R Richey.Poetry by Emily Claire Bryant

Founded by the Puritans in 1630 and the site of many of the American Revolution's major precursors and events (including the Boston Massacre, the Boston Tea Party and Paul Revere's midnight ride, among others), Boston has played - and continues to play - an influential role in the shaping of the historic, intellectual, cultural and political landscapes of the United States. And Boston has a significantly rich tradition of cinematic representation. While Harvard is central to many of the films set in the Greater Boston area, World Film Locations: Boston considers the full spectrum of Boston's abundant aesthetic potential, reviewing films located within as well as far beyond Harvard's hallowed halls and ivy-covered gates. Many iconic American classics, blockbusters, romantic comedies and legal thrillers, as well as films examining Boston's criminal under-side, particularly in juxtaposition to the city's elitist high society, were filmed on location in the city's streets and back lots. World Film Locations: Boston looks in depth into a highly select group of forty-six films such as Love Story, Good Will Hunting, The Friends of Eddy Coyle, and The Social Network, among many others, presented at the intersection of critical analysis and stunning visual critique (with material from the films themselves as well as photographs of the contemporary city locations). Featuring articles and film scene reviews written by a variety of leading contemporary film writers, critics and scholars, this book is a multimedia resource that will find a welcome audience in movie lovers in Beantown and beyond.

Born Norma Jeane Mortenson, Marilyn Monroe was an actress, singer, and sex symbol whose influence far outlasted her short life. These essays explore representations of Monroe in visual culture by looking at the ways she is reimagined in visual art and considering how her posthumous appearance and image are appropriated in current advertisements.