Bøger af Margaret Ziolkowski

Mega-Dams in World Literature reveals the varied effects of large dams on people and their environments as expressed in literary works, focusing on the shifting attitudes toward large dams that emerged over the course of the twentieth century. Margaret Ziolkowski covers the enthusiasm for large-dam construction that took place during the mid-twentieth-century heyday of mega-dams, the increasing number of people displaced by dams, the troubling environmental effects they incur, and the types of destruction and protest to which they may be subject. Using North American, Native American, Russian, Egyptian, Indian, and Chinese novels and poems, Ziolkowski explores the supposed progress that these structures bring. The book asks how the human urge to exploit and control waterways has affected our relationships to nature and the environment and argues that the high modernism of the twentieth century, along with its preoccupation with development, casts the hydroelectric dam as a central symbol of domination over nature and the power of the nation state. Beyond examining the exultation of large dams as symbols of progress, Mega-Dams in World Literature takes a broad, international, cultural approach that humanizes and personalizes the major issues associated with large dams through nuanced analyses. Particular attention is given to issues engendered by high modernism and settler colonialism. Both general and specialist readers interested in human-environment relationships will enjoy this prescient book.

Focuses on the Russian literary and folkloric treatment of five rivers - the Dnieper, Volga, Neva, Don, and Angara. Each chapter traces, within a geographical and historical context, the evolution of the literary representation of one river.

Soviet epic compositions of the 1930s and 1940s, the so-called noviny ("new songs"), have often been the subject of folkloristic controversy. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.

A study of the cultural implications of portraits of Stalin and his era since his death in 1953.

This study comprises an introduction, translation, and commentary to a 17th-century Russian account of the spiritual development and inspired resistance of a prominent female dissident.