Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
This Is A New Release Of The Original 1822 Edition.
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Castle Rackrent, a short novel by Maria Edgeworth published in 1800, is often regarded as the first historical novel, the first regional novel in English, the first Anglo-Irish novel, the first Big House novel and the first saga novel. Plot summary The novel is set prior to the Constitution of 1782 and tells the story of four generations of Rackrent heirs through their steward, Thady Quirk. The heirs are: the dissipated spendthrift Sir Patrick O'Shaughlin, the litigious Sir Murtagh Rackrent, the cruel husband and gambling absentee Sir Kit Rackrent, and the generous but improvident Sir Condy Rackrent. Their sequential mismanagement of the estate is resolved through the machinations-and to the benefit-of the narrator's astute son, Jason Quirk............. The Absentee is a novel by Maria Edgeworth, published in 1812 in Tales of Fashionable Life, that expresses the systemic evils of the absentee landlord class of Anglo-Irish and the desperate condition of the Irish peasantry. Just before coming of age, Lord Colambre, the sensitive hero of the novel, finds that his mother Lady Clonbrony's attempts to buy her way into the high society of London are only ridiculed, while his father, Lord Clonbrony, is in serious debt as a result of his wife's lifestyle. His mother wishes him to marry an heiress, Miss Broadhurst, who is a friend of Grace Nugent. However, Colambre has already fallen in love with his cousin, Grace Nugent, who lives with the family as a companion to Lady Clonbrony. Worried that his mother will pressure him into a marriage with someone he does not love, Colambre decides to leave the London social scene and visit his ancestral home in County Wicklow in Ireland. Upon arriving in Dublin, Colambre becomes good friends with Sir James Brooke, who is a good influence on Colambre and warns him against the schemes of some new arrivals on the Dublin social scene: Lady Dashfort and her widowed daughter, Lady Isobel. It is generally known that Lady Dashfort is looking to ensnare a new, rich Irish peer for her equally unscrupulous daughter, and by any means necessary. Despite a pointed warning from Sir James, Colambre falls under the influence of the persuasive Lady Dashfort, who wishes to secure him as the next husband for Lady Isobel. Chance intelligence from a former maid in the Clonbrony household reveals to Lady Dashfort that Lord Colambre is, in fact, in love with his cousin, Grace Nugent. To discourage the match, Lady Dashfort slyly lets slip that Grace was born out of wedlock, and is therefore illegitimate. This is confirmed by letter by his mother, who while a social climber and generally frivolous, is very loving to Grace and has never told her about her parentage. Colambre is heart broken and feels he can never love a woman with such a heritage. He visits his family estate and discovers that his father's agents are oppressing the local peasantry and probably cheating his father as well. He reveals himself to the evil agents, and there is a race back to London, Colambre trying to stop his father from signing documents that would ruin some of the good peasants, the agent's agent trying to get the papers signed. Colambre makes it back just in time to stop his father from ruining the people, and he then assists his father in paying off his debts, on condition that the Clonbrony family return to live in Ireland. The final section concerns Colambre's love for Grace and how it is discovered that she is both legitimate and an heiress. There are many turns of plot and lots of information about Ireland as well as Irish dialect and details of shallow London fashionable life, and the egregious results of the propertied classes treating their Irish lands as a resource to be exploited rather than as a relationship among classes and with the land.....Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature....
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
"If Miss Barton knows any thing of a letter that was left at Mrs. Stokes's, the milliner's, last night, she may receive an answer to her questions from the bearer; who, being no scholar, hopes she will not take no offence at the shortness of these lines, but satisfy him in the honour of drinking tea with her, who waits below stairs for an answer."
Our great lexicographer, in his celebrated eulogium on Dr. Watts, thus speaks in commendation of those productions which he so successfully penned for the pleasure and instruction of the juvenile portion of the community. 'For children, ' says Dr. Johnson, 'he condescended to lay aside the philosopher, the scholar, and the wit, to write little poems of devotion, and systems of instruction adapted to their wants and capacities, from the dawn of reason to its gradation of advance in the morning of life. Every man acquainted with the common principles of human action will look with veneration on the writer who is at one time combating Locke and at another time making a catechism for children in their fourth year. A voluntary descent from the dignity of science is perhaps the hardest lesson which humility can teach.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Maria Edgeworth came of a lively family which had settled in Ireland in the latter part of the sixteenth century. Her father at the age of five-and-twenty inherited the family estates at Edgeworths-town in 1769. He had snatched an early marriage, which did not prove happy. He had a little son, whom he was educating upon the principles set forth in Rousseaus Emile, and a daughter Maria, who was born on the 1st of January, 1767. He was then living at Hare Hatch, near Maidenhead. In March, 1773, his first wife died after giving birth to a daughter named Anna. In July, 1773, he married again, Honora Sneyd, and went to live in Ireland, taking with him his daughter Maria, who was then about six years old. Two years afterwards she was sent from Ireland to a school at Derby. In April, 1780, her fathers second wife died, and advised him upon her death-bed to marry her sister Elizabeth. He married his deceased wifes sister on the next following Christmas Day. Maria Edgeworth was in that year removed to a school in London, and her holidays were often spent with her fathers friend Thomas Day, the author of Sandford and Merton, an eccentric enthusiast who lived then at Anningsley, in Surrey.
Comic Dramas: In Three Acts is a collection of three plays written by Maria Edgeworth, a prominent Irish author of the late 18th and early 19th centuries. The three plays included in this book are Love and Law, The Two Guardians, and The Rose, Thistle and Shamrock. Love and Law is a comedic play that explores the themes of love, marriage, and societal expectations. The plot follows the story of two young lovers, who must overcome obstacles and navigate the complexities of their respective families in order to be together. The Two Guardians is a play that focuses on the theme of inheritance and the responsibilities that come with it. The story follows two guardians who are tasked with overseeing the upbringing of two young women who are set to inherit a large fortune. The play explores the challenges and conflicts that arise as the guardians attempt to fulfill their duties and protect the young women from harm. The Rose, Thistle and Shamrock is a play that examines the theme of national identity and patriotism. The plot revolves around a group of characters from Ireland, Scotland, and England who come together to celebrate their respective national holidays. The play explores the cultural differences and similarities between the characters and highlights the importance of national pride and unity. Overall, Comic Dramas: In Three Acts is a collection of lighthearted and entertaining plays that offer insight into the social and cultural issues of the time period in which they were written. Maria Edgeworth's witty and insightful writing style makes this book a delightful read for fans of classic literature and theater.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Works, Volume 13; Works; Richard Lovell Edgeworth Maria Edgeworth, Richard Lovell Edgeworth S. H. Parker, 1825
Essays on Practical Education Volume 2 is a book written by Maria Edgeworth and R.L. Edgeworth, originally published in 1822. The book is a collection of essays that discuss the practical aspects of education, including topics such as teaching methods, discipline, and the role of parents in education. The authors draw on their own experiences as educators and parents to provide practical advice and insights on how to best educate children. The book is divided into several sections, each focusing on a different aspect of education, such as moral education, physical education, and the education of girls. The essays are written in a clear and accessible style, making them easy to understand and apply in real-life situations. Overall, Essays on Practical Education Volume 2 is a valuable resource for anyone interested in education, whether they are parents, teachers, or students themselves.In Three Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The Parent's Assistant is the first collection of children's stories by Maria Edgeworth, published by Joseph Johnson in 1796. The first edition (Part I) had five stories: Lazy Lawrence, Tarlton, The Little Dog Trusty, The Orange Man and The False Key. Barring Out was included in the second edition of Part I published the same year. In later editions more material was added, most notably, "The Purple Jar", and a play for children, Old Poz.[1] The 1865 American edition contained the following stories: "Lazy Lawrence", "Tarlton", "The False Key", "The Birthday Present", "Simple Susan", "The Bracelets", "The Little Merchants", "Old Poz", "The Mimic", "Mademoiselle Panache", "The Basket Woman", "The White Pigeon", "The Orphans", "Waste Not, Want Not", "Forgive and Forget", "The Barring Out, or Party Spirit", and "Eton Montem" ................. Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. Early life: Maria Edgeworth was born at Black Bourton, Oxfordshire. She was the second child of Richard Lovell Edgeworth (who eventually fathered 22 children by four wives) and Anna Maria Edgeworth; Maria was thus an aunt of Francis Ysidro Edgeworth. She spent her early years with her mother's family in England, until her mother's death when Maria was five. When her father married his second wife Honora Sneyd in 1773, she went with him to his estate, Edgeworthstown, in County Longford, Ireland. Maria was sent to Mrs. Lattafière's school in Derby after Honora fell ill in 1775. After Honora died in 1780 Maria's father married Honora's sister Elizabeth (then socially disapproved and legally forbidden from 1833 until the Deceased Wife's Sister's Marriage Act 1907). Maria transferred to Mrs. Devis's school in London. Her father's attention became fully focused on her in 1781 when she nearly lost her sight to an eye infection. Returning home at the age of 14, she took charge of her many younger siblings and was home-tutored in law, Irish economics and politics, science, and literature by her father. She also started her lifelong correspondences with learned men, mainly members of the Lunar Society. She became her father's assistant in managing the Edgeworthstown estate, which had become run-down during the family's 1777-1782 absence; she would live and write there for the rest of her life. With their bond strengthened, Maria and her father began a lifelong academic collaboration "of which she was the more able and nimble mind." Present at Edgeworthstown was an extended family, servants and tenants. She observed and recorded the details of daily Irish life, later drawing on this experience for her novels about the Irish. She also mixed with the Anglo-Irish gentry, particularly Kitty Pakenham (later the wife of Arthur Wellesley, 1st Duke of Wellington), Lady Moira, and her aunt Margaret Ruxton of Black Castle. Margaret supplied her with the novels of Anne Radcliffe and William Godwin and encouraged her in her writing. Though Maria Edgeworth spent most of her childhood in England, her life in Ireland had a profound impact on both her thinking and views surrounding her Irish culture. Fauske and Kaufman conclude, "[She] used her fiction to address the inherent problems of acts delineated by religious, national, racial, class based, sexual, and gendered identities." Edgeworth used works such Castle Rackrent and Harrington to express her feelings on controversial issues.............
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
In a beautiful and retired part of England lived Mrs. Villars, a lady whose accurate understanding, benevolent heart, and steady temper, peculiarly fitted her for the most difficult, as well as most important of all occupations-the education of youth. This task she had undertaken; and twenty young persons were put under her care, with the perfect confidence of their parents.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Novels Of Maria Edgeworth: Vivian. The Absentee; Volumes 5-6 Of The Novels Of Maria Edgeworth; Maria Edgeworth Maria Edgeworth Dent, 1893
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.