Bøger af Marjorie Bowen

The Master of Stair, has been acknowledged as a major work throughout human history, and we have taken precautions to assure its preservation by republishing this book in a modern manner for both present and future generations. This book has been completely retyped, revised, and reformatted. The text is readable and clear because these books are not created from scanned copies.

"[This] series of Christmas ghost stories, miniature books chosen and illustrated by the cartoonist Seth ... [offers] chills-and charm."-New York Times Book ReviewWorld-renowned cartoonist Seth returns with three new ghost stories for 2023.Maitland returns to his ancestral estate after having lived a largely solitary life. He soon finds himself increasingly obsessed with the magnificent field of poppies surrounding his home, as well as the man harvesting them.

The Viper of Milan depicts 14th century Italy as a place of danger and fractious warfare, as disparate groups of nobles fought to achieve and maintain supremacy.A novel steeped in darkness and conflict, we are plunged into the rivalries which rend the province of Lombardy in the early Renaissance. That the reader be immersed, Marjorie Bowen researched the period extensively, noting the rise of the Visconti family who would dominate Milan for decades. Although this novel is not historically accurate, its general depiction of Italian society and nobility of the time - of its priorities, cruelties and caprices - is founded in factual incidents.Marjorie Bowen specialized in historical romances, publishing over a hundred fictional works set in a variety of time periods and locales, together with several biographies of famous figures of yore. Often they contain a romantic element, alongside a gothic or dark aspect; such idiosyncrasy made Bowen a favorite of authors such as Graham Greene. The Viper of Milan, which appeared in 1906, is her earliest published work, the warm reception spurring the young author to further writing.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Kings-at-Arms , a classic since it was first published. Has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dirk Renswoude is a craftsman and loner of noble birth who has been mistreated by his family. He meets Thierry, a young scholar on his way to study at the university at Basle and they soon discover that they share a fascination with the black arts. Thierry is initially cautious and afraid of blasphemy, whilst Dirk is ambitious and thirsts for power. Dirk leads them on to experiments with mystic circles drawn on the floor in chalk, the chanting of arcane incantations and the evocation of grotesque, demonic visions writhing in the speculum.

The book "" The Governor of England "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Seth's newly illustrated version of a classic Christmas Ghost Story by horror master M.R. James.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Margaret Gabrielle Vere Long (née Campbell; 1 November 1885 - 23 December 1952), who used the pseudonym Marjorie Bowen, was a British author who wrote historical romances, supernatural horror stories, popular history and biography. Her total output numbers over 150 volumes with the bulk of her work under the 'Bowen' pseudonym. She also wrote under the names Joseph Shearing, George R. Preedy, John Winch, Robert Paye. After The Viper of Milan (1906), she produced a steady stream of writings until the day of her death. Bowen's work under her own name was primarily historical novels.

Black Magic begins with this ominous first line: 'In the large room of a house in a certain quiet city in Flanders, a man was guilding a devil'. That person is Dirk Renswoude, a craftsman and loner of noble birth who has been mistreated in some unspecified way by his family. He meets Thierry, a young scholar on his way to study at the university at Basle and they soon discover that they have a shared fascination with the black arts. However, Thierry is initially cautious and afraid of blasphemy, whilst Dirk is ambitious to be "as great as the Master we serve can make his followers" and thirst for power. Dirk leads them on to experiments with mystic circles drawn on the floor in chalk, the chanting of arcane incantations and the evocation of grotesque, demonic visions writhing in the speculum. Thierry still wavers, but when their experiments lead to murder the die is cast for both of them. One of the best gothic novels ever written!