Bøger af Mary Cholmondeley

Red Pottage is a 1899 novel by English author Mary Cholmondeley. The subject of the novel-Red Pottage follows a period in the lives of two friends, Rachel West and Hester Gresley. Rachel is a wealthy heiress who falls in love with the weak-willed Hugh Scarlett after he has broken off an affair with Lady Newhaven (which he does not originally realize has been discovered by her husband). Hester, a novelist, lives with her judgmental brother, the pompous vicar of the fictional village of Warpington. Hester's brother disapproves of her writing and eventually burns the manuscript of a novel she has been writing. This leads Hester into a prolonged nervous illness. Scarlett who has not been entirely frank with Rachel about his past commits suicide when his dishonourable behaviour is revealed to her and she breaks off their engagement. History--Red Pottage caused a scandal when it was first published, in 1899, due to its themes of adultery, the emancipation of women and its satire of the clergy. It was adapted into a silent film in 1918 by Meyrick Milton starring C. Aubrey Smith, Mary Dibley and Gerald Ames.The novel has been republished several times since the 1960s. Mary Cholmondeley (8 June 1859 - 15 July 1925) was an English novelist.Mary Cholmondeley (usually pronounced was born at Hodnet near Market Drayton in Shropshire, the third of eight children of Rev Richard Hugh Cholmondeley (1827-1910) and his wife Emily Beaumont (1831-1893). Her great-uncle was the hymn-writing bishop Reginald Heber and her niece the writer Stella Benson. An uncle, Reginald Cholmondeley of Condover Hall was host to the American novelist Mark Twain on his visits to England.Her sister Hester, who died in 1892, wrote poetry and kept a journal, selections of both appearing in Mary's family memoir, Under One Roof (1918).After brief periods in Farnborough, Warwickshire and Leaton, Shropshire, the family returned to Hodnet when her father was appointed rector in 1874 in succession to his father. Much of the first 30 years of her life was taken up with helping her sickly mother run the household and her father with parish work, although she was debilitated with asthma. She entertained her brothers and sisters with stories from an early age.After her father retired in 1896, she moved with him and her sister Diana to Condover Hall, which they had inherited from Reginald. They sold it and moved to Albert Gate Mansions in Knightsbridge, London. After her father died, she lived with her sister Victoria, moving between Ufford, Suffolk, and 2 Leonard Place, Kensington. During the war she did clerical work in the Carlton House Terrace Hospital. The sisters moved in 1919 to 4 Argyll Road, Kensington, where Mary died on 15 July 1925. She never married....

COLONEL TEMPEST and his miniature ten-year-old replica of himself had made themselves as comfortable as circumstances would permit in opposite corners of the smoking carriage. It was a chilly morning in April, and the boy had wrapped himself in his travelling rug, and turned up his little collar, and drawn his soft little travelling cap over his eyes in exact, though unconscious, imitation of his father. Colonel Tempest looked at him now and then with paternal complacency.

Mary Cholmondeley (usually pronounced was born at Hodnet near Market Drayton in Shropshire, the third of eight children of Rev Richard Hugh Cholmondeley (1827-1910) and his wife Emily Beaumont (1831-1893). Her great-uncle was the hymn-writing bishop Reginald Heber and her niece the writer Stella Benson. An uncle, Reginald Cholmondeley of Condover Hall was host to the American novelist Mark Twain on his visits to England. Her sister Hester, who died in 1892, wrote poetry and kept a journal, selections of both appearing in Mary's family memoir, Under One Roof (1918).

Moth And Rust: Together With Geoffrey�������s Wife And The Pitfall (1902) is a novel written by Mary Cholmondeley. The book follows the story of Geoffrey and his wife as they navigate through the ups and downs of their marriage. As the couple struggles to maintain their relationship, they face various challenges such as infidelity, financial problems, and social pressures. Along the way, they encounter a cast of intriguing characters, including the enigmatic Moth and Rust, who add layers of complexity to their already complicated lives. The novel explores themes of love, betrayal, and the consequences of one's actions. With its vivid descriptions and engaging plot, Moth And Rust: Together With Geoffrey�������s Wife And The Pitfall is a compelling read for fans of classic literature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Mary Cholmondeley (usually pronounced was born at Hodnet near Market Drayton in Shropshire, the third of eight children of Rev Richard Hugh Cholmondeley (1827-1910) and his wife Emily Beaumont (1831-1893). Her great-uncle was the hymn-writing bishop Reginald Heber and her niece the writer Stella Benson. An uncle, Reginald Cholmondeley of Condover Hall was host to the American novelist Mark Twain on his visits to England. Her sister Hester, who died in 1892, wrote poetry and kept a journal, selections of both appearing in Mary's family memoir, Under One Roof (1918).

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

"Le vent qui vient à travers la montagne M'a rendu fou!" Victor Hugo. Annette leaned against the low parapet and looked steadfastly at the water, so steadfastly that all the brilliant, newly-washed, tree-besprinkled city of Paris, lying spread before her, cleft by the wide river with its many bridges, was invisible to her. She saw nothing but the Seine, so tranquil yesterday, and to-day chafing beneath its bridges and licking ominously round their great stone supports-because there had been rain the day before.

Mary Cholmondeley (8 June 1859 - 15 July 1925) was an English novelist.Mary Cholmondeley (usually pronounced ) was born at Hodnet near Market Drayton in Shropshire, the third of eight children of Rev Richard Hugh Cholmondeley (1827-1910) and his wife Emily Beaumont (1831-1893). Her great-uncle was the hymn-writing bishop Reginald Heber and her niece the writer Stella Benson. An uncle, Reginald Cholmondeley of Condover Hall was host to the American novelist Mark Twain on his visits to England.Her sister Hester, who died in 1892, wrote poetry and kept a journal, selections of both appearing in Mary's family memoir, Under One Roof (1918). After brief periods in Farnborough, Warwickshire and Leaton, Shropshire, the family returned to Hodnet when her father was appointed rector in 1874 in succession to his father. Much of the first 30 years of her life was taken up with helping her sickly mother run the household and her father with parish work, although she was debilitated with asthma. She entertained her brothers and sisters with stories from an early age.After her father retired in 1896, she moved with him and her sister Diana to Condover Hall, which they had inherited from Reginald. They sold it and moved to Albert Gate Mansions in Knightsbridge, London. After her father died, she lived with her sister Victoria, moving between Ufford, Suffolk, and 2 Leonard Place, Kensington. During the war she did clerical work in the Carlton House Terrace Hospital. The sisters moved in 1919 to 4 Argyll Road, Kensington, where Mary died on 15 July 1925. She never married.Mary Cholmondeley began writing with serious intent in her teens. She wrote in her journal in 1877, "What a pleasure and interest it would be to me in life to write books. I must strike out a line of some kind, and if I do not marry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want some definite occupation, besides the home duties."[5] She succeeded in publishing some stories in The Graphic and elsewhere. Her first novel was The Danvers Jewels (1887), a detective story that won her a small following. It appeared in the Temple Bar magazine published by Richard Bentley, after fellow novelist Rhoda Broughton had introduced to George Bentley. It was followed by Sir Charles Danvers (1889), Diana Tempest (1893) and A Devotee (1897).The satirical Red Pottage (1899) was a best-seller on both sides of the Atlantic and is reprinted occasionally.It satirises religious hypocrisy and the narrowness of country life, and was denounced from a London pulpit as immoral. It was equally sensational because it "explored the issues of female sexuality and vocation, recurring topics in late-Victorian debates about the New Women."Despite the book's great success, however, the author received little money for it because she had sold the copyright.A silent film, Red Pottage was made in 1918. Diana Tempest was reissued in 2009 for the first time in a century.Later works such as Moth and Rust (1902) and Notwithstanding (1913) were less successful. The Lowest Rung (1908) and The Romance of his Life (1921) were collections of stories, the latter, her final book, dedicated to the essayist and critic Percy Lubbock.Lubbock later commemorated her in Mary Cholmondeley: A Sketch from Memory (1928)

Mary Cholmondeley (usually pronounced was born at Hodnet near Market Drayton in Shropshire, the third of eight children of Rev Richard Hugh Cholmondeley (1827-1910) and his wife Emily Beaumont (1831-1893). Her great-uncle was the hymn-writing bishop Reginald Heber and her niece the writer Stella Benson. An uncle, Reginald Cholmondeley of Condover Hall was host to the American novelist Mark Twain on his visits to England. Her sister Hester, who died in 1892, wrote poetry and kept a journal, selections of both appearing in Mary's family memoir, Under One Roof (1918).

I was on the point of leaving India and returning to England when he sent for me. At least, to be accurate-and I am always accurate-I was not quite on the point, but nearly, for I was going to start by the mail on the following day. I had been up to Government House to take my leave a few days before, but Sir John had been too ill to see me, or at least he had said he was. And now he was much worse-dying, it seemed, from all accounts; and he had sent down a native servant in the noon-day heat with a note, written in his shaking old hand, begging me to come up as soon as it became cooler. He said he had a commission which he was anxious I should do for him in England.

Mary Cholmondeley (8 June 1859 - 15 July 1925) was an English novelist.Mary Cholmondeley (usually pronounced) was born at Hodnet near Market Drayton in Shropshire, the third of eight children of Rev Richard Hugh Cholmondeley (1827-1910) and his wife Emily Beaumont (1831-1893). Her great-uncle was the hymn-writing bishop Reginald Heber and her niece the writer Stella Benson. An uncle, Reginald Cholmondeley of Condover Hall was host to the American novelist Mark Twain on his visits to England.Her sister Hester, who died in 1892, wrote poetry and kept a journal, selections of both appearing in Mary's family memoir, Under One Roof (1918).After brief periods in Farnborough, Warwickshire and Leaton, Shropshire, the family returned to Hodnet when her father was appointed rector in 1874 in succession to his father. Much of the first 30 years of her life was taken up with helping her sickly mother run the household and her father with parish work, although she was debilitated with asthma. She entertained her brothers and sisters with stories from an early age.After her father retired in 1896, she moved with him and her sister Diana to Condover Hall, which they had inherited from Reginald. They sold it and moved to Albert Gate Mansions in Knightsbridge, London. After her father died, she lived with her sister Victoria, moving between Ufford, Suffolk, and 2 Leonard Place, Kensington. During the war she did clerical work in the Carlton House Terrace Hospital. The sisters moved in 1919 to 4 Argyll Road, Kensington, where Mary died on 15 July 1925. She never married.

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Red Pottage is an unchanged, high-quality reprint of the original edition of 1899.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Lowest Rung by Mary Cholmondeley has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Notwithstanding, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Hand On The Latch is a novel written by Mary Cholmondeley and published in 1909. The story revolves around a young woman named Sarah Burton, who moves into a new house in a small English village with her husband and child. However, Sarah soon discovers that the house is haunted by the ghost of a former resident, a woman who died in mysterious circumstances.As Sarah becomes more and more obsessed with the ghostly presence in her home, she begins to unravel the secrets of the village's past. She uncovers a web of deceit, betrayal, and murder that has been hidden for years, and she must confront the dark forces that threaten to destroy her family and her sanity.The Hand On The Latch is a haunting and atmospheric tale of suspense and mystery. Cholmondeley's vivid descriptions of the English countryside and the eerie presence of the ghost create a sense of unease that builds throughout the novel. The characters are complex and well-drawn, and the plot twists and turns in unexpected ways.Overall, The Hand On The Latch is a gripping and unforgettable read that will appeal to fans of classic gothic literature and psychological thrillers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.