Bøger af Matthew Rice

Oxford is a feast of hundreds of delightful watercolour illustrations and an informed and witty text. More than any other city, Oxford offers a living history of English architecture.

A guide to the glories of Rome, conveyed by means of an artist's sketchbookMatthew Rice is a long-time observer and illustrator of cities, buildings and all those who inhabit them, with an uncanny ability to express the energy of a place through a few lines of ink and splashes of paint. In the first book in this new sketchbook series, he explored the glittering canals of Venice: now he turns his attention to Rome, the Eternal City. Rome is a place where the ancient, the baroque and the modern clash, and this tension runs through Matthew's paintings. In this guide, he makes sly juxtapositions of people and animals against the backdrop of the city's architectural and artistic wonders, its ruins and its ristoranti. Matthew's ability to notice detail, his sense of light and dark, his expert's knowledge of architecture and how it creates an atmosphere allows him to present Rome, in these pages, in its all its living, breathing splendour. Following the same landscape format as Matthew's real-life sketchbooks, Rome: A Sketchbook will combine enchanting watercolour illustrations with an informed, personal and witty text, and promises to delight all visitors to Rome, armchair or actual.

A guide to the wonders of Venice, conveyed by means of an artist's sketchbookMatthew Rice is a long-time observer and illustrator of cities, buildings and all those who inhabit them, with an uncanny ability to express the energy of a place through a few lines of ink and splashes of paint. For years, Venice has been a source of deep creative inspiration for him; and now, in Venice: A Sketchbook Guide, he captures the highlights of this most beguiling of Italian cities. Unsurprisingly, given his abiding passion for architecture, Matthew provides a wealth of information about the 'stones' of Venice, including an illustrated guide to the main building styles of the city - Byzantine, Gothic, Renaissance, Baroque and Modern - and exemplars of its balconies, bridges and campaniles. Further sections explore the city's sestieri - its six residential quarters - as well as its history, paintings, festivals, wildlife and, not least, its cicchetti and aperitivi. Following the same landscape format as Matthew's real-life sketchbooks, Venice: A Sketchbook Guide will combine enchanting watercolour illustrations with an informed, personal and witty text, and promises to delight all visitors to Venice, armchair or actual.

A beautifully packaged, idiosyncratic introduction to British building styles, by the acclaimed illustrator and architectural enthusiast Matthew Rice.The Language of Buildings covers the grammar and vocabulary of British buildings, explaining the evolution of styles from Norman castles to Norman Foster. Its aim is to enable the reader to recognize, understand and date any British building. As Matthew Rice says, "Once you can speak any language, conversation can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it." The Language of Buildings will explain the language of architecture. With it in your hand, buildings will break down beguilingly into their component parts, ready for inspection and discussion. There will be no more references to that curly bit on top of the thing with the square protrusions. Ungainly and inept descriptions will be a thing of the past and, fluent in the world of volutes, hood moulds, lobed architraves and bucrania, you will be able to leave a cathedral or country house with as much to talk about as a film or play. The Language of Buildings starts with an explanation of the basic "Grammar" of buildings: elevation, plan, roof, gable and eave. This will enable the reader to better make use of what is to follow. It will also cover the Orders of Architecture--Doric, Tuscan, Ionic, Corinthian and Composite--so that the vital basics of Classicism are covered. Following this is the "Vocabulary." This will be a chronological reference section covering, period by period, the windows, doors and doorcases, columns, chimneys, arches, balustrades and pediments that make up the built environment.

The countryside, towns and cities of Britain are full of churches. They represent some of the most iconic, beautiful and occasionally bizarre buildings in the country. They have a lot to say about our history, our art and our ideas. But how do you read them? Through charming illustrations, Rice's Church Primer reveals the basic grammar and vocabulary of church architecture throughout the United Kingdom. As Matthew Rice says, 'Once you can speak any language, conversations can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it.' Rice's Church Primer explains the language of architecture in churches, from the restrained Norman style of William the Conqueror to the gilded excesses of the Baroque. The primer begins with an explanation of the basic 'Grammar' of churches: elevation, plan, fronts, vaults and towers. This allows the reader to easily understand what follows. Next comes the 'Vocabulary' of styles in chronological order, from ancient Saxon churches to modern cathedrals. Each period covers component parts like doors, windows, towers, pews, panelling and pulpits. Finally, there is a map pinpointing some of the best churches around the country, so you can practise your newfound fluency in real life.With Matthew Rice's elegant and witty illustrations to guide you, suddenly you'll understand why naves are necessary, why towers are built as tall as possible and why sometimes even the most respectable church needs a good flying buttress.