Bøger af May Sarton

Set in the academic world of Harvard and Cambridge, this novel dramatizes the plight of the embattled American liberal in the 1950s.

This is the first journal Sarton wrote after she moved in 1973 from New Hampshire to the seacoast of Maine.

Appearing in book form for the first time, this treasure trove of letters illuminates the life of the beloved poet/writer from early childhood into middle age.

The author chronicles her efforts to regain her health after having suffered a stroke at the age of seventy-three, describes her self-proclaimed life of solitude, and offers keen observations on the natural world surrounding her.

It is the death of Persis Bradford, Francis's mother, a most unusual woman with an intense feeling for living, that starts the son on his road to maturity. Grief opens his eyes, not only to himself but to Alan Bradford, the stepfather he has always disliked. A summer in Paris is to Francis a journey of the spirit in which he learns, through Solange Bernard, to love and finds through love, how integrate his mixed heritage and how to make use of it. The strange summer, partly idyllic, partly miserable, brings Francis to himself and sends him home to Ann, the young woman whom he has never had the courage to love.

Compilation of intense, spirited verse which explores the realms of religion, politics, nature, violence, and old age.

"May Sarton's provocative novel is about a wife who has outgrown her husband, and after twenty-seven years of marriage decides that she has had enough. . . . she is altogether believable." -The Atlantic

Sarton's memoir begins with her roots in a Belgian childhood and describes her youth and education in Cambridge, Massachusetts, her coming-of-age years, and the people who influenced her life as a writer.

When Laura Spelman learns that she will not get well, she looks on this last illness as a journey during which she must reckon up her life, give up the nonessential, and concentrate on what she calls "the real connections."

The steady growth of May Sarton's following and critical importance in recent years has revealed a creative writer of remarkable scope-equally at home in three literary forms: fiction, autobiography, and poetry. It is in her poetry, however, where she achieves the full extent of her revelation as artist and human.

When Harriet Hatfield opens a bookstore for women in a blue-collar neighborhood near Boston, she is bombarded by anonymous threats. And when the Boston Globe reports "Lesbian Bookstore Owner Threatened", her education in the narrow-mindedness of her fellow man-and woman-begins.

In poems gathered into three sections under the titles "Letters from Maine," "A Winter Garland," and "Letters to Myself," Sarton's inspiration was a new, brief, and passionate love affair.