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This is the story of a girl growing up in Bangladesh during the turbulent post-liberation period, a time of enormous transition, as the country went through numerous social experiments ranging from socialism to capitalism, secularism to religious fundamentalism, and class hierarchy to upward mobility. It brings to life an increasingly forgotten perspective about what it feels like to grow up as a girl in a traditional society. Through the prisms of love, pain, and nostalgia, what emerges is the picture of a city where harmony, difference, and intellectual possibility prevailed side by side, allowing the people of Dhaka to weave together the kind of life they each favored as individuals.
This book is an in-depth analysis of the phenomenon of the takeover of politics by entertainment. The author looks for answers in the parallel evolution of satire, the media, and politics, and how each has influenced the other and the implications of this interconnectedness for political discourse.
While it aspires to analyze the meaning of citizenship in America from the multiple perspectives of history, politics, and policy, it pays special attention to the critical junctures where rhetoric and reality clash, allowing for the production of certain paradoxes that define citizenship rights and shape political discourse.
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