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Bringing critical theory and musical theatre together, Millie Taylor and Dominic Symonds explore the musical stage from a broad range of theoretical perspectives. Part 1 focuses on the way we understand musicals as texts and Part 2 then looks at how musical theatre negotiates its position in the wider world.
Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway, this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances.
This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company.
This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company.
Topics covered include:An introduction to the vocal mechanismReleasing tension from the body and the voiceWarm-up exercises for groups and individualsExercises for improving techniqueInterpreting and shaping a song for musical theatre performanceTechniques for exploring character in songSongs in different styles including rock, pop, character and comedy
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