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The readings, which are fully contextualized by a general introduction, section introductions, and bibliographical notes, represent the work of many influential writers and theorists. This multi-disciplinary anthology will be welcomed by students and scholars of the Holocaust.
This book argues that the antisemitic interpretation of modernist form as a symptom of a mobile, contagious Jewish spirit needs to be treated as integral to the history of European modernism. The notion of modernist form as Jewified lies at the heart of both a certain modernism's hostile reception, and its self-conception.
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