Bøger af Paul Costello

Improvisation for Classical, Fingerstyle, and Jazz Guitar - Creative Strategies, Technique and Theory:Is the product of over twenty five years experience as a professional musician and guitar tutor.Contains more than sixty exercises, in both standard notation and guitar tablature, ranging from simple, clear examples of the topics under discussion, to longer more complex sections of music that illustrate how these ideas can be developed.Suggests new techniques, and strategies, offering guitarists practical ideas for solo or group performance, recording, music exams, and expanding musical horizons.Demonstrates how to use improvisation as a universal way of making music, enabling Classical, Fingerstyle, and Jazz players to learn the essential skills to create sophisticated and rewarding improvised pieces.Places theory and practice in a much broader context, by including discussions on the historical development of improvisation, along with supplementary information on a wide range of inter-related literature and listening.Contains an extensive appendix showing how to adapt and apply the CAGED system, demonstrating how its five basic patterns can be transformed into hundreds of interlocking modes, scales, arpeggios and chords.www.paulcostelloguitar.co.ukwww.facebook.com/pages/Paul-Costello-Guitar/328473160531215

Costello analyzes paradigms of world history, focusing on seven twentieth-century historians, from H. G. Wells to William H. McNeill. He interprets central models of the history of civilizations as responses to modernism and as efforts to rescue meaningful patterns of history as a whole. Costello locates his study in the post-Nietzschean context, in which the "death of God" and modernism's threat to progressive ideology stimulated a perception of the crisis of Western civilization. He analyzes H. G. Wells's sense of "progress threatened," in which the catastrophic potentials of modernity demand a world state; the cyclical "decline of civilizations" theories of Oswald Spengler, Arnold J. Toynbee, Pitirim Sorokin, Christopher Dawson, and Lewis Mumford; and the ecological metahistory of William H. McNeill. These historians, Costello finds, develop a pattern of the past that incorporates a history of the future—a pattern that perpetuates those they perceive in their study of the rise and fall of civilizations. Costello describes a reciprocal process between the historians' analyses of the past and their personal visions of the future. Such visions, he suggests, present the historian with moral imperatives that demand action in line with the hidden ends of history. Each chapter includes a biographical sketch, a study of the intellectual influences on its subject's thought, an evaluation of his goals, and a brief review of relevant criticism. The various theories are examined in light of each historian's moral and philosophic intentions and polemical goals in writing.