Bøger af Paul Fleet

This volume is a journey through musics that emerged at the turn of the 20th Century and were neither exclusively tonal nor serial. They fall between these labels as they are metatonal, being both with and after tonality, in their reconstruction of external codes and gestures of Common Practice music in new and idiosyncratic ways. The composers and works considered are approached from analytic, cultural, creative, and performance angles by musicologists, performers and composers to enable a deeper reading of these musics by scholars and students alike. Works include those by Frank Bridge, Ferruccio Busoni, Mikalojus Konstantinas ¿iurlionis, Rebecca Clarke, John Foulds, Percy Grainger, Mary Howe, Carl Nielsen, Franz Schreker, Erwin Schulhoff, Cyril Scott and Alexander Scriabin. In the process of engaging with this book the reader, will find an enrichment to their own understanding of music at the turn of the 20th Century.

This book explores the various reconstructions of Ferruccio Busoni (1866-1924) as a musician and an aesthetician, and then demonstrates how Husserlian Phenomenology can act as a complementary structure to Busoni''s music and aesthetic beliefs. Prior models of phenomenological analysis are discussed, and a fresh methodology is introduced alongside a new form of analysis: Temporal Intentionality Graphs. Further, a new term is created, metatonal, which reflects music like Busoni''s that is both ¿with'' and ¿after'' tonality but is not ¿free atonal'' in the manner of the Second Viennese School nor just a matter of tonal harmony with chromatic colouration. Five analyses are presented that employ this new methodology and which uncover the inner workings of Busoni''s compositions: Nach der Wendung (1907), Fantasia nach J.S. Bach (1909), Berceuse Élégiaque (1909), Sonatina Seconda (1912) and Nocturne Symphonique (1913). The book concludes with a critical appraisal of the method and its application, and an outline for how the analysis can be used by music theorists to explore similarly woven compositions.