Bøger af Paul Laurence Dunbar

A PRAYER O Lord, the hard-won miles Have worn my stumbling feet: Oh, soothe me with thy smiles, And make my life complete. The thorns were thick and keen Where'er I trembling trod; The way was long between My wounded feet and God. Where healing waters flow Do thou my footsteps lead. My heart is aching so; Thy gracious balm I need. PASSION AND LOVE A maiden wept and, as a comforter, Came one who cried, "I love thee," and he seized Her in his arms and kissed her with hot breath, That dried the tears upon her flaming cheeks. While evermore his boldly blazing eye Burned into hers; but she uncomforted Shrank from his arms and only wept the more. Then one came and gazed mutely in her face With wide and wistful eyes; but still aloof He held himself; as with a reverent fear, As one who knows some sacred presence nigh. And as she wept he mingled tear with tear, That cheered her soul like dew a dusty flower,¿ Until she smiled, approached, and touched his hand![Pg 12]

A collection of poetry that celebrates the joys of African American life, exploring themes of love, nature, and spirituality. Dunbar's lyrical verses capture the beauty and struggles of his community with grace and power.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Die Entstehung des stehenden Heeres in Hessen-Kassel sowie dessen Formationen und Entwicklung bis zum Ende des Dreißigjährigen Krieges. Ein historisches Werk mit tiefgehender Analyse und umfangreichen Informationen zur Kriegsführung und Militärgeschichte.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A collection of stories and sketches about life on southern plantations in the 19th century, written by African American authors. Includes themes of race, class, and culture.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Uncalled: A Novel is a literary work by Paul Laurence Dunbar, published in 1898. The story revolves around a young African American man named Richard Bruce, who is born into a wealthy family in the American South. Despite his privileged upbringing, Richard struggles to find his place in society and is haunted by a sense of disillusionment and alienation.As he grows older, Richard becomes increasingly disillusioned with the world around him and begins to question the values and beliefs of his family and community. He becomes involved with a group of radical intellectuals who challenge his worldview and push him to question the social and political structures that perpetuate inequality and injustice.Throughout the novel, Dunbar explores themes of race, class, and identity, and offers a powerful critique of the social and economic systems that have historically oppressed African Americans. The Uncalled is a thought-provoking and deeply moving work of literature that continues to resonate with readers today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Lyrics of Lowly Life is a collection of poems written by Paul Laurence Dunbar, an African-American poet, novelist, and playwright. The book was originally published in 1896 and is considered one of Dunbar's most important works. The poems in this collection explore the experiences of African Americans living in the late 19th century, including themes of poverty, racism, and discrimination. The language used in the poems is a mixture of standard English and African American dialect, which was a common feature of Dunbar's writing. Despite the difficult subject matter, the poems in Lyrics of Lowly Life are often uplifting and celebrate the resilience and strength of the human spirit. The collection includes some of Dunbar's most famous poems, such as ""We Wear the Mask"" and ""Sympathy"", which is also known as ""I Know Why the Caged Bird Sings"". Overall, Lyrics of Lowly Life is a powerful and important work of American literature that continues to resonate with readers today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Paul Laurence Dunbar (June 27, 1872 - February 9, 1906) was an American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began to write stories and verse when still a child; he was president of his high school's literary society. He published his first poems at the age of 16 in a Dayton newspaper. Much of Dunbar's more popular work in his lifetime was written in the Negro dialect associated with the antebellum South, though he also used the Midwestern regional dialect of James Whitcomb Riley. Dunbar's work was praised by William Dean Howells, a leading editor associated with the Harper's Weekly, and Dunbar was one of the first African-American writers to establish an international reputation. He wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway in New York. The musical later toured in the United States and the United Kingdom. Dunbar also wrote in conventional English in other poetry and novels. Since the late 20th century, scholars have become more interested in these other works. Suffering from tuberculosis, which then had no cure, Dunbar died in Dayton at the age of 33.Paul Laurence Dunbar was born at 311 Howard Street in Dayton, Ohio, on June 27, 1872, to parents who had been enslaved in Kentucky before the American Civil War.[2] After being emancipated, his mother Matilda had moved to Dayton with other family members, including her two sons Robert and William from her first marriage. Dunbar's father Joshua had escaped from slavery in Kentucky before the war ended. He traveled to Massachusetts and volunteered for the 55th Massachusetts Infantry Regiment, one of the first two black units to serve in the war. The senior Dunbar also served in the 5th Massachusetts Cavalry Regiment. Paul Dunbar was born six months after Joshua and Matilda married on Christmas Eve, 1871.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Poems Of Cabin And Field Paul Laurence Dunbar, Alice Morse, Hampton Institute. Camera Club Dodd, Mead, 1899

In Old Plantation Days is a collection of short stories and poems written by Paul Laurence Dunbar and published in 1903. The book provides a glimpse into the lives of African Americans during the era of slavery in the United States. The stories and poems are written in dialect, capturing the unique language and culture of African Americans in the South.The book includes tales of love, loss, and the struggles of everyday life on the plantation. The stories highlight the harsh realities of slavery, including the separation of families and the brutality of slave owners. However, they also showcase the resilience and strength of the African American community in the face of adversity.The poems in the book are written in a variety of styles, ranging from ballads to sonnets. Many of the poems explore themes of love, nature, and the beauty of the South. Others address social and political issues, such as the fight for civil rights and the struggle for equality.Overall, In Old Plantation Days is a powerful and evocative collection of stories and poems that provides a unique perspective on the African American experience during the era of slavery. It is a testament to the enduring legacy of Paul Laurence Dunbar and his contributions to American literature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The Love of Landry is a novel written by Paul Laurence Dunbar and first published in 1900. The story follows the life of Landry, a young African American man who falls in love with a wealthy white woman named Eugenie. Despite the racial and social barriers of their time, Landry and Eugenie embark on a forbidden romance that challenges their families and communities.As the novel progresses, Landry's love for Eugenie becomes increasingly complicated as he struggles to balance his own desires with the expectations of his family and society. Along the way, he must confront issues of race, class, and identity, as well as the prejudices and injustices that continue to divide America.Through Landry's journey, Dunbar offers a powerful critique of the racial and social hierarchies of his time, while also exploring the complexities of love, identity, and self-discovery. The Love of Landry is a poignant and thought-provoking novel that remains relevant to contemporary discussions of race, class, and social justice.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Paul Laurence Dunbar (June 27, 1872 - February 9, 1906) was an American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began to write stories and verse when still a child; he was president of his high school's literary society. He published his first poems at the age of 16 in a Dayton newspaper. Much of Dunbar's more popular work in his lifetime was written in the Negro dialect associated with the antebellum South, though he also used the Midwestern regional dialect of James Whitcomb Riley. Dunbar's work was praised by William Dean Howells, a leading editor associated with the Harper's Weekly, and Dunbar was one of the first African-American writers to establish an international reputation. He wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway in New York. The musical later toured in the United States and the United Kingdom. Dunbar also wrote in conventional English in other poetry and novels. Since the late 20th century, scholars have become more interested in these other works. Suffering from tuberculosis, which then had no cure, Dunbar died in Dayton at the age of 33. Early life: Paul Laurence Dunbar was born at 311 Howard Street in Dayton, Ohio, on June 27, 1872, to parents who had been enslaved in Kentucky before the American Civil War. After being emancipated, his mother Matilda had moved to Dayton with other family members, including her two sons Robert and William from her first marriage. Dunbar's father Joshua had escaped from slavery in Kentucky before the war ended. He traveled to Massachusetts and volunteered for the 55th Massachusetts Infantry Regiment, one of the first two black units to serve in the war. The senior Dunbar also served in the 5th Massachusetts Cavalry Regiment. Paul Dunbar was born six months after Joshua and Matilda married on Christmas Eve, 1871. The marriage of Dunbar's parents was troubled and Dunbar's mother left Joshua soon after having their second child, a daughter.Joshua died on August 16, 1885; Paul was then 12 years old. Dunbar wrote his first poem at the age of six and gave his first public recital at the age of nine. His mother assisted him in his schooling, having learned to read expressly for that purpose. She often read the Bible with him, and thought he might become a minister in the African Methodist Episcopal Church. It was the first independent black denomination in America, founded in Philadelphia in the early 19th century. Dunbar was the only African-American student during his years at Central High School in Dayton; Orville Wright was a classmate and friend. Well-accepted, he was elected as president of the school's literary society, and became the editor of the school newspaper and a member of the debate club...................

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Paul Laurence Dunbar (June 27, 1872 - February 9, 1906) was an American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began to write stories and verse when still a child; he was president of his high school's literary society. He published his first poems at the age of 16 in a Dayton newspaper. Much of Dunbar's more popular work in his lifetime was written in the Negro dialect associated with the antebellum South, though he also used the Midwestern regional dialect of James Whitcomb Riley. Dunbar's work was praised by William Dean Howells, a leading editor associated with the Harper's Weekly, and Dunbar was one of the first African-American writers to establish an international reputation. He wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway in New York. The musical later toured in the United States and the United Kingdom. Dunbar also wrote in conventional English in other poetry and novels. Since the late 20th century, scholars have become more interested in these other works. Suffering from tuberculosis, which then had no cure, Dunbar died in Dayton at the age of 33. Early life: Paul Laurence Dunbar was born at 311 Howard Street in Dayton, Ohio, on June 27, 1872, to parents who had been enslaved in Kentucky before the American Civil War. After being emancipated, his mother Matilda had moved to Dayton with other family members, including her two sons Robert and William from her first marriage. Dunbar's father Joshua had escaped from slavery in Kentucky before the war ended. He traveled to Massachusetts and volunteered for the 55th Massachusetts Infantry Regiment, one of the first two black units to serve in the war. The senior Dunbar also served in the 5th Massachusetts Cavalry Regiment. Paul Dunbar was born six months after Joshua and Matilda married on Christmas Eve, 1871. The marriage of Dunbar's parents was troubled and Dunbar's mother left Joshua soon after having their second child, a daughter.Joshua died on August 16, 1885; Paul was then 12 years old. Dunbar wrote his first poem at the age of six and gave his first public recital at the age of nine. His mother assisted him in his schooling, having learned to read expressly for that purpose. She often read the Bible with him, and thought he might become a minister in the African Methodist Episcopal Church. It was the first independent black denomination in America, founded in Philadelphia in the early 19th century. Dunbar was the only African-American student during his years at Central High School in Dayton; Orville Wright was a classmate and friend. Well-accepted, he was elected as president of the school's literary society, and became the editor of the school newspaper and a member of the debate club.................

Paul Laurence Dunbar (June 27, 1872 - February 9, 1906) was an American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began to write stories and verse when still a child; he was president of his high school's literary society. He published his first poems at the age of 16 in a Dayton newspaper. Much of Dunbar's more popular work in his lifetime was written in the Negro dialect associated with the antebellum South, though he also used the Midwestern regional dialect of James Whitcomb Riley. Dunbar's work was praised by William Dean Howells, a leading editor associated with the Harper's Weekly, and Dunbar was one of the first African-American writers to establish an international reputation. He wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway in New York. The musical later toured in the United States and the United Kingdom. Dunbar also wrote in conventional English in other poetry and novels. Since the late 20th century, scholars have become more interested in these other works. Suffering from tuberculosis, which then had no cure, Dunbar died in Dayton at the age of 33. Early life: Paul Laurence Dunbar was born at 311 Howard Street in Dayton, Ohio, on June 27, 1872, to parents who had been enslaved in Kentucky before the American Civil War. After being emancipated, his mother Matilda had moved to Dayton with other family members, including her two sons Robert and William from her first marriage. Dunbar's father Joshua had escaped from slavery in Kentucky before the war ended. He traveled to Massachusetts and volunteered for the 55th Massachusetts Infantry Regiment, one of the first two black units to serve in the war. The senior Dunbar also served in the 5th Massachusetts Cavalry Regiment. Paul Dunbar was born six months after Joshua and Matilda married on Christmas Eve, 1871. The marriage of Dunbar's parents was troubled and Dunbar's mother left Joshua soon after having their second child, a daughter.Joshua died on August 16, 1885; Paul was then 12 years old. Dunbar wrote his first poem at the age of six and gave his first public recital at the age of nine. His mother assisted him in his schooling, having learned to read expressly for that purpose. She often read the Bible with him, and thought he might become a minister in the African Methodist Episcopal Church. It was the first independent black denomination in America, founded in Philadelphia in the early 19th century. Dunbar was the only African-American student during his years at Central High School in Dayton; Orville Wright was a classmate and friend. Well-accepted, he was elected as president of the school's literary society, and became the editor of the school newspaper and a member of the debate club............

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Paul Laurence Dunbar (June 27, 1872 - February 9, 1906) was an American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began to write stories and verse when still a child; he was president of his high school's literary society. He published his first poems at the age of 16 in a Dayton newspaper. Much of Dunbar's more popular work in his lifetime was written in the Negro dialect associated with the antebellum South, though he also used the Midwestern regional dialect of James Whitcomb Riley. Dunbar's work was praised by William Dean Howells, a leading editor associated with the Harper's Weekly, and Dunbar was one of the first African-American writers to establish an international reputation. He wrote the lyrics for the musical comedy In Dahomey (1903), the first all-African-American musical produced on Broadway in New York. The musical later toured in the United States and the United Kingdom. Dunbar also wrote in conventional English in other poetry and novels. Since the late 20th century, scholars have become more interested in these other works. Suffering from tuberculosis, which then had no cure, Dunbar died in Dayton at the age of 33. Early life: Paul Laurence Dunbar was born at 311 Howard Street in Dayton, Ohio, on June 27, 1872, to parents who had been enslaved in Kentucky before the American Civil War. After being emancipated, his mother Matilda had moved to Dayton with other family members, including her two sons Robert and William from her first marriage. Dunbar's father Joshua had escaped from slavery in Kentucky before the war ended. He traveled to Massachusetts and volunteered for the 55th Massachusetts Infantry Regiment, one of the first two black units to serve in the war. The senior Dunbar also served in the 5th Massachusetts Cavalry Regiment. Paul Dunbar was born six months after Joshua and Matilda married on Christmas Eve, 1871. The marriage of Dunbar's parents was troubled and Dunbar's mother left Joshua soon after having their second child, a daughter.Joshua died on August 16, 1885; Paul was then 12 years old. Dunbar wrote his first poem at the age of six and gave his first public recital at the age of nine. His mother assisted him in his schooling, having learned to read expressly for that purpose. She often read the Bible with him, and thought he might become a minister in the African Methodist Episcopal Church. It was the first independent black denomination in America, founded in Philadelphia in the early 19th century. Dunbar was the only African-American student during his years at Central High School in Dayton; Orville Wright was a classmate and friend. Well-accepted, he was elected as president of the school's literary society, and became the editor of the school newspaper and a member of the debate club...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Ere sleep comes down to soothe the weary eyes, Which all the day with ceaseless care have sought The magic gold which from the seeker flies; Ere dreams put on the gown and cap of thought, And make the waking world a world of lies, - Of lies most palpable, uncouth, forlorn, That say life's full of aches and tears and sighs, - Oh, how with more than dreams the soul is torn, Ere sleep comes down to soothe the weary eye

Paul Laurence Dunbar, introduced to the American public by William Dean Howells, was the first native-born African American poet to achieve national and international fame. While there have been many valuable editions of his works over time, gaps have developed when manuscripts were lost or access to uncollected works became difficult. "In His Own Voice" brings together previously upublished and uncollected short stories, essays, and poems. This volume also establishes Dunbar's reputation as a dramatist who mastered standard English conventions and used dialect in musical comedy for ironic effects. "In His Own Voice" collects more than seventy-five works in six genres. Featured are the previously unpublished play Herrick and two one-act plays, largely ignored for a century, that demonstrate Dunbar's subversion of the minstrel tradition. This generous expansion of the canon also includes a short story never before published. Herbert Woodward Martin, renowned for his live portrayal of Dunbar, and Ronald Primeau provide a literary and historical context for this previously untreated material, firmly securing the reputation of an important American voice.