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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Complete Poetical Works, Volume 1; Complete Poetical Works; Percy Bysshe Shelley Percy Bysshe Shelley George Edward Woodberry Houghten, Mifflin, 1892
The Devil, I safely can aver, Has neither hoof, nor tail, nor sting; Nor is he, as some sages swear, A spirit, neither here nor there, In nothing--yet in everything.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. On 8th July 1822 a month before his 30th birthday, during a sudden storm, his tragic early death by drowning robbed our culture of many fine expected masterpieces. But in his short spell on earth he weaved much magic. The Cenci, A Tragedy in Five Acts was a verse play that Shelley tried to have performed at Covent Garden in his lifetime. He was unsuccessful despite the play being his only work to be published in a second edition and many acclaiming the work as a tragic masterpiece. He was inspired to dramatise this real life story of the tragic execution of a young Italian woman in 1599 for the pre meditated murder of her father after viewing a portrait of her, Beatrice Cenci by the painter Guido Reni. After seeing a performance of the play in 1886 George Bernard Shaw commented that: Shelley and Shakespeare are the only dramatists who have dealt in despair of this quality
Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. On 8th July 1822 a month before his 30th birthday, during a sudden storm, his tragic early death by drowning robbed our culture of many fine expected masterpieces. But in his short spell on earth he weaved much magic. Whilst Prometheus Unbound is a four act lyric play it was not written to be performed as a play but staged within the imagination of the reader. It is a reply to Aeschylus' Prometheus Bound which has the hero stealing fire from the gods to give to mortals. Many think this work is Shelley's masterpiece as it represents a culmination of the poet's political thought and displays his considerable gift of lyrical expression. The play was written over 4 years as its progress was severely impeded by the tragic death of first his daughter Clara Everina in 1818 and then his son William in 1819. The fourth act, a warning that evil must be checked lest tyranny reign, was added many months after the first three had been completed and revised. Shelley compares his Prometheus to Milton's Satan in Paradise Lost: But Prometheus is, as it were, the type of the highest perfection of moral and intellectual nature, impelled by the purest and the truest motives to the best and noblest ends.
Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. On 8th July 1822 a month before his 30th birthday, during a sudden storm, his tragic early death by drowning robbed our culture of many fine expected masterpieces. But in his short spell on earth he weaved much magic. The Witch of Atlas was composed in the summer of 1820 whilst Shelley attended the San Guiliano Baths near Pisa. The central character of this light hearted visionary rhyme, the Witch creates a sexless creature of both male and female form who becomes her companion in her travels, adventures and pranks on humanity. Mary Shelley wrote that The Witch of Atlas "is a brilliant congregation of ideas such as his senses gathered, and his fancy coloured, during his rambles in the sunny land he so much loved."
The Masque of Anarchy (or The Mask of Anarchy) is a British political poem written in 1819 (see 1819 in poetry) by Percy Bysshe Shelley following the Peterloo Massacre of that year. In his call for freedom, it is perhaps the first modern statement of the principle of nonviolent resistance.
Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. On 8th July 1822 a month before his 30th birthday, during a sudden storm, his tragic early death by drowning robbed our culture of many fine expected masterpieces. But in his short spell on earth he weaved much magic. The Revolt of Islam: A Poem in 12 Cantos has little to do with Islam although is set within the Ottoman Empire but focuses more on revolutionary themes of social reform and anti religious sentiments that were inspired by the French Revolution. It was composed in 1817 and consists of nearly 5,000 lines written in Spenserian stanzas, namely verses of nine lines with 8 of iambic pentameter and the final line in iambic hextameter. The publishers, Charles and James Ollier, refused to print the work without changes to the statements on religion and the dilution of the incest within the poem. Shelley also changed the title and said of the poem that: I felt that it was in many respects a genuine picture of my own mind. I felt that the sentiments were true, not assumed. And in this have I long believed that my power consists; in sympathy and that part of the imagination which relates to sentiment and contemplation.
Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. On 8th July 1822 a month before his 30th birthday, during a sudden storm, his tragic early death by drowning robbed our culture of many fine expected masterpieces. But in his short spell on earth he weaved much magic. Queen Mab was Shelley's first major poem and he pressed only 250 copies intended for friends and not a wider distribution. It is a fairy tale that offers a vision for a utopian society that might have a history of oppression and at present be riddled with misery but can have a future where humanity's nobler characteristics can be in harmony with the world and work with nature to create a better society for all. Mary Shelley expressed his intentions as such: He saw, in a fervent call on his fellow-creatures to share alike the blessings of the creation, to love and serve each other, the noblest work that life and time permitted him. In this spirit he composed Queen Mab.
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Epipsychidion is a major poetical work published in 1821 by Percy Bysshe Shelley. The work was subtitled: "Verses addressed to the noble and unfortunate Lady, Emilia V--, now imprisoned in the convent of --." The title is Greek for "concerning or about a little soul" from epi, "around", and psychidion, "little soul". The theme of the work is a meditation on the nature of ideal love. Shelley advocates free love, criticising conventional marriage, which he described as "the weariest and the longest journey". "Epipsychidion" opens with an invocation to Emilia as a spiritual sister of the speaker. He addresses her as a "captive bird" for whose nest his poem will be soft rose petals. He calls her an angel of light, the light of the moon seen through mortal clouds, a star beyond all storms.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Alastor, or The Spirit of Solitude is a classic poem by Percy Bysshe Shelley, written from 10 September to 14 December in 1815 in Bishopsgate, London and first published in 1816. The poem was without a title when Shelley passed it along to his contemporary and friend, Thomas Love Peacock. The poem is 720 lines long. It is considered to be one of the first of Shelley's major poems.
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Poetical Works, Volume 2; The Poetical Works; Percy Bysshe Shelley Percy Bysshe Shelley
"A Defence of Poetry" is an essay by the English poet Percy Bysshe Shelley, written in 1821 and first published posthumously in 1840 in Essays, Letters from Abroad, Translations and Fragments by Edward Moxon in London.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Complete Poetical Works Of Percy Bysshe Shelley: The Text Carefully Revised By William Michael Rossetti, Volume 1; The Complete Poetical Works Of Percy Bysshe Shelley: The Text Carefully Revised By William Michael Rossetti; William Michael Rossetti Percy Bysshe Shelley William Michael Rossetti John Slark, 1885
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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