Bøger af Peter James Harris

(Createspace edition - Black and white version. The version with colour pictures at the back is also available on Amazon. It is of course dearer! But exactly same content.) If you have ever wanted to sculpt or build in a permanent material that is extremely strong and can be moulded to any shape, ferrocement is the medium for you - and this concise book shows you how to do it all. Tools, techniques and sample projects - a garden pot, angel, dome, and more - are all logically described and illustrated. The many photos showing the building of Cafe Eutopia by the author and his family will inspire as well as inform, while the introduction and 'Origins' story and updates on the progress of a ferrocement cafe and 'temple' to Love, Beauty, Truth, and Freedom add a deeper dimension to this book which shows the struggle to marry an abstract ideal with a (literally) concrete realisation.

In December 1921 the Anglo-Irish Treaty was signed, which led to the creation of the Irish Free State and the partition of Ireland the following year. The consequences of that attempt to reconcile the conflicting demands of republicans and unionists alike have dictated the course of Anglo-Irish relations ever since. This book explores how the reception of Irish plays staged in theatres in London's West End serves as a barometer not only of the state of relations between Great Britain and Ireland, but also of the health of the British and Irish theatres respectively. For each of the eight decades following Irish Independence a representative production is set in the context of Anglo-Irish relations in the period and developments in the theatre of the day. The first-night criticism of each production is analysed in the light of its political and artistic context as well as the editorial policy of the publication for which a given critic is writing. The author argues that the relationship between context and criticism is not simply one of cause and effect but, rather, the result of the interplay of a number of cultural, historical, political, artistic and personal factors.