Bøger af Peter Timms

Silliness is to be savoured. It exposes the cracks in our reasoning, raising a gleeful two-finger salute to convention and common sense. In a world awash with stupidity and cruel politics, silliness is childish, anarchic, mischievous, rude and sometimes shocking.But it's not new.This delightful yet informative book reveal...

In and Around Swindon Works covers further aspects of the famous manufacturing centre of the Great Western Railway during its heyday of 1930 to 1960. This is the second half of a detailed work begun with the book Working at Swindon Works 1930 - 1960. In piecemeal form, much has been written about Swindon Works but many aspects of it have remained, until now, neglected. From ex-employees, both male and female, and printed material such as surviving GWR circulars and internal documents, the author has compiled a comprehensive study. Manufacturing processes, factory conditions, senior staff, office routines, design and development, training and the significance of the Works within the railway company are all covered to some extent. There are chapters on: raw materials and General Stores, the Drawing Office, steam and diesel locomotive building and overhaul, the Carriage and Wagon department and its staff, wartime conditions and war work, CME accounts, fires, accidents, housing, medical care and, as the title suggests, there is something of the home and social life of the staff as well. The end result is not complete but so long after the events, it's 'near enough' as old Swindonians would have said.

Silliness is to be savoured. It exposes the cracks in our reasoning, raising a gleeful two-finger salute to convention and common sense. In a world awash with stupidity and cruel politics, silliness is childish, anarchic, mischievous, rude and sometimes shocking.But it's not new. This delightful yet informative book reveals the surprisingly rich history of silliness, going all the way back to the madcap plays of Aristophanes in the fourth century BC. Medieval fools and jesters, strange 'epidemics of silliness' in the sixteenth and eighteenth centuries, and the charming nonsense of Lewis Carroll and Edward Lear, lead us to the often dark and nihilistic silliness of modern times, including Buster Keaton, Monty Python and 'Cats that Look Like Hitler'.

A social & industrial study of those who worked on the Great Western Railway 1930-1960

Peter Timms asks why is contemporary art so in thrall to spruikers and promoters, and why do their extravagant claims so rarely match the reality? Why does the market have such power, and how does it dictate the art we are allowed to see? Why are art schools, museums and the media apparently so eager to fall in line with commercial expectations?