Bøger af Philippe Lacoue-Labarthe

The first authoritative study of the emergence of the modern concept of literature in German romanticism.

Poetics of History places Rousseau at the origin of modern speculative philosophy by showing that his thinking on the theater, despite its dependence on a false and conventional reading of Aristotle, nonetheless articulates a radical thinking of originary mimesis, and, well before Hegel, an understanding of catharsis as Aufhebung.

Translation of a posthumous work by Philippe Lacoue-Labarthe on Maurice Blanchot. Discusses such topics as literature, myth, the experience of death, autobiography, metaphysics, psychoanalysis, and deconstruction, as well as the political and ethical implications thereof.

This is a pioneering attempt to rearticulate the relationship between music and the problem of mimesis, of presentation and re-presentation. Four "scenes" compose this book, all four of them responses to Wagner: two by French poets (Baudelaire and Mallarme), two by German philosophers (Heidegger and Adorno).

This book assembles the key essays of two of the most celebrated continental philosophers and provides a sharp and highly original recasting of the notion of the political today.

Three renowned philosophers discuss the work of Martin Heidegger, and the moral quandary of engaging with a major philosopher who was also a Nazi. In February 1988, philosophers Jacques Derrida, Hans-Georg Gadamer, and Philippe Lacoue-Labarthe came together in Heidelberg before a large audience to discuss the philosophical and political implications of Martin Heidegger's thought. Heidegger's involvement in Nazism has always been an unsettling stain on his legacy. But what is its real relation to his work in phenomenology or hermeneutics? What are the responsibilities of those who read, analyze, and elaborate this thought? And what is at stake should this important but compromised philosopher be completely dismissed? The reflections presented by three of the most prominent of Heidegger's readers, spoken in French and transcribed here, were an attempt to approach these questions before a broad public while maintaining a nuanced view of the questions at issue. Ranging over two days and including exchanges with one another and with the audience, the discussions pursued by these major thinkers remain highly relevant today. Also included are a forward by Jean-Luc Nancy and a preface by Reiner Wiehl.

Heidegger's politically motivated use of poetry and its relation to currents of modern thought

Det politiskes fiktion er Philippe Lacoue-Labarthes (1940-2007) hovedværk. Bogen diskuterer Martin Heideggers forhold til politikken, den historiske betydning af nazismen samt kulminationen på metafysikken – alt sammen set gennem ”kunstens” prisme, i overensstemmelse med Heideggers udlægning af den græske technê – der både oversættes med ”viden” og ”kunst”.Det er på denne baggrund, at man kan forstå dels Heideggers tilslutning til NSDAP, og dels nazismen som kulminationen af Vestens metafysik. Denne kulmination finder sted i udryddelseslejren, der fuldbyrder den vestlige udlægning af technê som moderne teknik. Det er denne specifikke kulmination, som Heidegger aldrig selv har villet tænke – hvorfor han er genstand for Lacoue-Labarthes fordømmelse –, til trods for at Heideggers filosofi, paradoksalt nok, er nøglen til at begribe forholdet mellem nazisme og filosofi.Indledning ved Esben Korsgaard Rasmussen

An analysis of the historical position of Paul Celan's poetry, this book addresses the question of a lyric language that would not be the expression of subjectivity. Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action, a figure not only of domination but of the extermination of everything other than itself.