Bøger af Ramie Targoff

"A remarkable work about women writers in the Renaissance explodes our notion of the Shakespearean period and brings us in close to four women who were committed to their craft before there was any possibility of "a room of one's own." In a sparkling and engaging narrative of everyday life in Shakespearean England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid 16th century into the private lives of four women writers working without acknowledgment at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Amelia Lanyer, the first woman to publish a book of poetry in the 17th century, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land, in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own whose doors had been shut for centuries. Targoff flings them open to uncover the treasures left by these extraordinary women by helping us see the period in a fresh light and by supplying an expanded reading of history and a much-needed female perspective on life in Shakespeare's day"--]cProvided by publisher.

The series of publications of Friedrich Schlegel Graduate School of Literary Studies at Freie Universitat Berlin stands for internationally oriented literary studies which go beyond an exclusive focus on the Western tradition and turn towards the European, American, Arabic and Asian literatures of modernity, medieval times and antiquity. The publication forum offers monographs and anthologies which present an exemplary effort within their subject and at the same time cross its boundaries into the philologies and literatures of the world. The purpose is the integration of single disciplinary and comparative research involving neighbouring discursive practices. Friedrich Schlegel's approach obliges to do research of literary cultures from a universal-poetic perspective. International Board Ute Berns (Universitat Hamburg) Hans Ulrich Gumbrecht (Stanford University) Stefan Keppler-Tasaki (University of Tokyo) Renate Lachmann (Universitat Konstanz) Ken'ichi Mishima (Osaka University) Glenn W. Most (Scuola Normale Superiore Pisa) Jean-Marie Schaeffer (EHESS Paris) Janet A. Walker (Rutgers University) David Wellbery (University of Chicago) Christopher Young (University of Cambridge)

For centuries readers have struggled to fuse the seemingly scattered pieces of John Donne's works into a complete image of the poet and priest. This book offers a way to read Donne as a writer who returned again and again to a single great subject, one that connected to his deepest intellectual and emotional concerns.

For Dante and Petrarch, posthumous love was a powerful conviction. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, this book seeks to understand this shift and its consequences for English poetry.