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This illustrated book provides an overview of Islamic art and architecture during a time that witnessed the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India.
This classic work of art history examines the symbolism and mythology of the unicorn in art from ancient times to the present. A fascinating exploration of the enduring appeal and power of this iconic creature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
""The Unicorn: Studies In Muslim Iconography"" is a book written by Richard Ettinghausen that explores the symbolism and significance of the unicorn in Islamic art and culture. The book delves into the history of the unicorn in Islamic mythology and how it has been depicted in various forms of art, including textiles, ceramics, and manuscripts. The author also examines the cultural and religious contexts in which these depictions were created, providing insights into the beliefs and values of Muslim societies throughout history. Through detailed analysis and interpretation of these works of art, Ettinghausen sheds light on the complex and fascinating world of Muslim iconography and the role of the unicorn within it. This book is a valuable resource for scholars, students, and anyone interested in Islamic art and culture.Freer Gallery Of Art, Occasional Papers, V1, No. 3.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Contributing Authors Include L. A. Mayer, Ernst Herzfeld, R. B. Serjeant, And Many Others.
Freer Gallery Of Art, Occasional Papers, V1, No. 3.
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