Bøger af Rigoberto Gonzalez

This landmark Latinx poetry collection offers "a wondrous journey through the passions, the ideas, and the diversity of a people redefining what it means to be American" (Héctor Tobar, Pulitzer Prize winner) Includes more than 180 poets, spanning from the 17th century to today, and presents those poems written in Spanish in the original and in English translation For nearly five centuries, the rich tapestry of Latino poetry has been woven from a wealth of languages and cultures--a "tremendous continental mixturao," in the words of the poet Tato Laviera. Now, in an unprecedented anthology edited by the poet and critic Rigoberto González, Library of America brings together more than 180 poets whose poems bear witness to the beauty and power of this vital and expanding tradition: its profound engagement with pasts both mythical and historical, its reckoning with the complexities of language, land, and identity, and its vision of a nation enriched by the stories of immigrants, exiles, refugees, and their descendants. There are a brilliant array of contemporary voices here as well, spinning out the tapestry of Latino poetry in daring new directions. Taking the measure of this current renaissance, the anthology culminates with the most comprehensive survey of twenty-first century Latino poetry yet published. Featured poets include: José MartíJulia de BurgosSandra CisnerosPedro PietriJuan Felipe HerreraJaime ManriqueJavier ZamoraAracelis GirmayNatalie Diaz, andU.S. Poet Laureate Ada Limón.This groundbreaking collection captures as never before the richness, diversity, and power of the Latino poetic imagination.

Heartbreaking, poetic, and intensely personal, Butterfly Boy is a unique coming out and coming-of-age story of a first-generation Chicano who trades one life for another, only to discover that history and memory are not exchangeable or forgettable.

"To the Boy Who Was Night collects the poetry published by Rigoberto Gonzâalez since 1999, including selections from five previous books as well as new work. Mirroring Gonzâalez's personal trajectory, the arc of this work articulates the course of a life: these poems recall leaving a beloved homeland, confront masculinity and sexuality in new adulthood, imagine the earth devoid of human inhabitants, descend into the realm of ghosts, and return to arrive at Dispatches from the Broken World. This latest section ventures into foreign terrain -- an autobiographical confrontation with isolation and the aging body."--Publisher marketing.

These poems consider the history of the Americas and their uncertain future, particularly regarding the danger of climate change, and suggest a line from colonialism toward a shattering "Apocalipsixtlán."

Bilingual English/Spanish. A tender story about a boy struggling to express his love for his mother and her partner in a nontraditional family.

Standing over two graves, Rigoberto González studies the names "Ramon" and "María" under the family name "González." "She was María Carrillo, not María González," he thinks. His grandmother is missing. So begins González's memoir, a journey to recover a more complete picture of his grandmother, who raised him following his mother's death. González travels to his abuela's birthplace, Michoacán, Mexico, and along the way recovers his memories of a past he had tried to leave behind. A complex woman who was forced to take on maternal roles and suffered years of abuse, his grandmother simultaneously resisted traditional gender roles; she was kind yet unaffectionate, and she kept many secrets in a crowded household with little personal space. Sifting through family histories and anecdotes, González pieces together the puzzling life story of a woman who was present in her grandson's life yet absent during his emotional journey as a young man discovering his sexuality and planning his escape from a toxic and abusive environment. From fragments of memory and story, González ultimately creates a portrait of an unconventional yet memorable grandmother, a hard-working Indigenous Mexican woman who remained an enigma while she was alive. A grandmother, he shows, is more than what her descendants remember; she is also all that has been forgotten or never known. Through this candid exploration of his own family, González explores how we learn to remember and honor those we've lost.

In the grim reality of Southern California's grape fields, even the sun is a dark spot. For the migrant grape pickers in Crossing Vines, Rigoberto Gonzalez's novel that spans a single workday, the sun is a constant, malevolent force. The characters endure back-breaking, monotonous work as they succumb to the whims of their corrupt bosses.

Burdened by poverty, illiteracy, and vulnerability as Mexican immigrants to California's Coachella Valley, three generations of Gonzalez men turn to vices or withdraw into depression. As brothers Rigoberto and Alex grow to manhood, they are haunted by the traumas of their mother's early death, their lonely youth, their father's desertion, and their grandfather's invective.

In the Mexican Catholic tradition, retablos are ornamental structures made of carved wood framing an oil painting of a devotional image, usually a patron saint. Acclaimed author and essayist Rigoberto González commemorates the passion and the pain of these carvings in his new volume Red-Inked Retablos, a moving memoir of human experience and thought. The collection offers an in-depth meditation on the development of gay Chicano literature and the responsibilities of the Chicana/o writer.

Gathers Rigoberto Gonzalez's most important essays and book reviews that consider the work of emerging poets whose identities and political positions are transforming what readers expect from contemporary poetry. Many of these voices represent intersectional communities, such as queer writers of colour, and many writers have deep connections to their Latino communities.

Heartbreaking, poetic, and intensely personal, Butterfly Boy is a unique coming out and coming-of-age story of a first-generation Chicano who trades one life for another, only to discover that history and memory are not exchangeable or forgettable.

Presents the poems that are rooted in the fertile soil beneath poverty's dust, the border's violence, and longing's desolation.