Bøger af Robert Geal

Ecological Film Theory and Psychoanalysis argues that these films exploit cinemäs inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction.

Ecological Film Theory and Psychoanalysis argues that these films exploit cinema's inherent Cartesian grammar to construct texts in which not only small groups of protagonist survivors, but also vicarious spectators, pleasurably transcend the fictionalised destruction.

This book develops a new approach for the study of films adapted from canonical 'originals' such as Shakespeare's plays.