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This study discusses every phase of Dickens' development within his fiction, while particular attention is paid to those writings which fall into the category of first person narrative.
A collection of essays about the art of the last thirty years from the Curator of Works at Jesus College, Cambridge.
This critical study of Hardy's short stories provides a thorough account of the ruling preoccupations and recurrent writing strategies of his entire corpus as well as providing detailed readings of several individual texts.
Henry Green's strange and heady writings derive their power in some way from their very secretiveness. In this 1982 study, Dr Mengham sets out to uncover the systematic basis of this quality in Green's writing, and to account for it in terms of the 'conditions of knowledge' of each text.
Mengham offers two books in one, prose and poetry, landscape and history.
British sculptor Alison Wilding's work explores inherent contrasts through her innovative approach to material. Using her recent work as a starting point, this volume provides a retrospective on the artist's varied career. Wilding's sculptures often consist of two separate elements - which suggest opposites such as positive/negative, male/female, light/dark - through bringing together a range of different materials. With a special focus on recent works Tracking (2007) and Vanish & Detail (2004), this beautifully illustrated catalogue shows the subtle surfaces and shifts in scale seen within the artist's work. Accompanying full-colour illustrations, texts by poet and curator Rod Mengham, artist Sam Porrit and critic Judy Collins explore different aspects of Wilding's sculptures and their relation to changes within sculptural practice during late 1980s Britain.
This book provides consistently nuanced readings of individual texts as well as a broad view of the whole field of British writing during the period 1930s .
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