Bøger af Romain Rolland

This is a new release of the original 1947 edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1914 Edition.

This book has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The life of Michelangelo offers one of the most striking examples of the influence that a great man can have on his time. At the moment of his birth in the second half of the fifteenth century the serenity of Ghirlandajo and of Bramante illuminated Italian art. Florentine sculpture seemed about to languish away from an excess of grace in the delicate and meticulous art of Rossellino, Disiderio, Mino da Fiesole, Agostino di Duccio, Benedetto da Maiano and Andrea Sansovino. Michelangelo burst like a thunder-storm into the heavy, overcharged sky of Florence. Michelangelo di Lodovico Buonarroti Simoni or more commonly known by his first name Michelangelo (6 March 1475 - 18 February 1564) was an Italian sculptor, painter, architect and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art.[1] Considered by some the greatest living artist during his lifetime, he has since been described as one of the greatest artists of all time.[1] Despite making few forays beyond the arts, his artistic versatility was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his rival, the fellow Florentine and client of the Medici, Leonardo da Vinci. A number of Michelangelo's works of painting, sculpture and architecture rank among the most famous in existence.[1] His output in these fields was prodigious; given the sheer volume of surviving correspondence, sketches and reminiscences, he is the best-documented artist of the 16th century. He sculpted two of his best-known works, the Pietà and David, before the age of thirty. Despite holding a low opinion of painting, he also created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture.[2] At the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. He transformed the plan so that the western end was finished to his design, as was the dome, with some modification, after his death. Michelangelo was the first Western artist whose biography was published while he was alive.[1] In fact, two biographies were published during his lifetime. One of them, by Giorgio Vasari, proposed that Michelangelo's work transcended that of any artist living or dead, and was "supreme in not one art alone but in all three".[3] In his lifetime, Michelangelo was often called Il Divino ("the divine one").[4] His contemporaries often admired his terribilità-his ability to instil a sense of awe. Attempts by subsequent artists to imitate[5] Michelangelo's impassioned, highly personal style resulted in Mannerism, the next major movement in Western art after the High Renaissance. Michelangelo, with Leonardo da Vinci and Raphael, is one of the three giants of the Florentine High Renaissance. Although their names are often cited together, Michelangelo was younger than Leonardo by 23 years, and older than Raphael by eight. Because of his reclusive nature, he had little to do with either artist and outlived both of them by more than forty years. Michelangelo took few sculpture students. He employed Francesco Granacci, who was his fellow pupil at the Medici Academy, and became one of several assistants on the Sistine Chapel ceiling.[40] Michelangelo appears to have used assistants mainly for the more manual tasks of preparing surfaces and grinding colours. Despite this, his works were to have a great influence on painters, sculptors and architects for many generations to come. While Michelangelo's David is the most famous male nude of all time and destined to be reproduced in order to grace cities around the world, some of his other works have had perhaps even greater impact on the course of art.

This is a new release of the original 1930 edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Jean-Christophe: The Market-place, Volume 3; Jean-Christophe: The Market-place; Romain Rolland Romain Rolland Gilbert Cannon H. Holt and company, 1913

Ce drame historique de Romain Rolland est clairement politique, on n'y parle et débat de lignes politiques divergentes, et la longue scène unique qui est le troisième acte, la session du tribunal devant lequel comparaissent Danton et ses affidés résume la ligne politique des dantonistes. Elle est clairement formulée par Hérault: Il faut que la Révolution s'arrête et que la République commence ...

Bonheur délicieux de se laisser flotter sur le lac de sa pensée !... Couché au fond d'une barque, le corps baigné de soleil, le visage baisé par le petit air frais qui court à la surface de l'eau, il s'endort, suspendu sur le ciel. Sous son corps étendu, sous la barque balancée, il sent l'onde profonde; sa main nonchalamment y plonge. Il se soulève; et, le menton appuyé sur le rebord du bateau, comme quand il était enfant, il regarde passer l'eau. Il voit des miroitements d'êtres étranges, qui filent comme des éclairs... D'autres, et puis d'autres... Jamais ils ne sont les mêmes. Il rit au spectacle fantastique qui se déroule en lui; il rit à sa pensée; il n'a pas le besoin de la fixer nulle part. Choisir, pourquoi choisir dans ces milliers de rêves ? Il a bien le temps !... Plus tard !... Quand il voudra, il n'aura qu'à jeter ses filets, pour retirer les monstres qu'il voit luire dans l'eau. Il les laisse passer... Plus tard !...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Jean-Christophe: Jean-Christophe In Paris: The Market-place. Antoinette. The House; Volume 2 Of Jean-Christophe; Gilbert Cannan Romain Rolland Gilbert Cannan Holt, 1911

Full text.Paris, 1918: Amidst the cries of fanatic patriots bent on war, a tender relationship slowly develops between two young Parisians, beginning with a first shy encounter and growing into a passionate love that in the end falls victim to the psychological and physical destruction all around them. --- The great French writer Romain Rolland (1866-1944, winner of the Nobel Prize in Literature 1915) wrote his famous tragic love story Pierre and Luce at the end of World War I. Its protagonists recall the lovers of classical antiquity as well as those of the Middle Ages.

L'auteur a cherché ici la vérité morale plus que la vérité anecdotique. Il a cru devoir user, dans cette action qu'enveloppe une poésie légendaire, de plus de libertés avec l'histoire qu'il ne se l'est permis en écrivant Danton. Dans cette dernière oeuvre, il s'est astreint à serrer d'aussi près que possible la psychologie de quelques personnages: car le drame tout entier est concentré dans l'âme de trois ou quatre grands hommes. - Ici, rien de pareil: les individus disparaissent dans l'océan populaire. Pour représenter une tempête, il ne s'agit pas de peindre chaque vague, il faut peindre la mer soulevée. L'exactitude minutieuse des détails importe moins que la vérité passionnée de l'ensemble. Il y a quelque chose de faux et de blessant pour l'intelligence dans la place disproportionnée qu'ont prise aujourd'hui l'anecdote, le fait divers, la menue poussière de l'histoire, aux dépens de l'âme vivante. Ressusciter les forces du passé, ranimer ses puissances d'action, et non offrir à la curiosité de quelques amateurs une froide miniature, plus soucieuse de la mode que de l'être des héros; rallumer l'héroïsme et la foi de la nation aux flammes de l'épopée républicaine, afin que l'oeuvre interrompue en 1794 soit reprise et achevée par un peuple plus mûr et plus conscient de ses destinées: tel est notre idéal. Si nous ne sommes pas assez forts pour le réaliser, nous le sommes toujours assez pour y travailler de notre mieux. La fin de l'art n'est pas le rêve, mais la vie. L'action doit surgir du spectacle de l'action.

The Fourteenth of July and Danton: Two Plays of the French Revolution is a book written by Romain Rolland. The book consists of two plays that are set during the French Revolution. The first play, The Fourteenth of July, is a historical drama that takes place on the eve of the French Revolution. The play follows the lives of several characters as they prepare for the storming of the Bastille on July 14, 1789. The second play, Danton, is a tragedy that tells the story of Georges Danton, a prominent figure in the French Revolution. The play explores Danton's rise to power, his fall from grace, and his eventual execution. Both plays are written in a style that combines historical accuracy with dramatic flair, making them ideal for anyone interested in the French Revolution or historical drama. Overall, The Fourteenth of July and Danton: Two Plays of the French Revolution is a captivating read that offers a unique perspective on one of the most important periods in European history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

C'est avec ce drame que Rolland débuta son cycle de huit pièces sur la Révolution française. Toutes ses pièces furent inspirées par le contexte politique et idéologique de la Troisième République, mais Les Loups, contrairement aux autres pièces révolutionnaires, représentaient la réaction spontanée de l'auteur à un événement politique précis: l'affaire Dreyfus...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Clerambault: Histoire D'une Conscience Libre Pendant La Guerre, Volume 8; Clerambault: Histoire D'une Conscience Libre Pendant La Guerre; Romain Rolland 4 Romain Rolland A. Michel, 1920 World War, 1914-1918

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Jean Christophe est un tableau du monde de la fin du XIXème siècle au début du vingtième. Romain Rolland reçut le prix Nobel de littérature en 1915 pour ce roman. Il nous conte l'histoire de Jean-Christophe Krafft, musicien allemand, dont la vie se transforme en quête d'une sagesse: il doit passer par une série d'épreuves, les cercles de l'Enfer, maîtriser ses passions, avant de dominer sa vie et d'atteindre à l'Harmonie, qui est coïncidence avec le rythme de la Vie universelle. Pour ce deuxième tome Le Matin, la situation de la famille de Jean-Christophe se dégrade significativement avec la mort de grand-père. Melchior, qui n'est plus retenu par l'autorité paternelle, sombre dans la débauche et l'alcool. Jean-Christophe, qui a quinze ans à la fin de ce deuxième tome, doit aider sa mère à assurer la subsistance familiale. Les difficultés matérielles le confinent dans une atmosphère routinière qui bride son inspiration. La médiocrité de son père et l'ingratitude de ses deux frères accroissent sa solitude. De plus, sa première amitié et son premier amour sont des échecs cuisants.

Jean Christophe est un tableau du monde de la fin du XIXème siècle au début du vingtième. Romain Rolland reçut le prix Nobel de littérature en 1915 pour ce roman. Il nous conte l'histoire de Jean-Christophe Krafft, musicien allemand, dont la vie se transforme en quête d'une sagesse: il doit passer par une série d'épreuves, les cercles de l'Enfer, maîtriser ses passions, avant de dominer sa vie et d'atteindre à l'Harmonie, qui est coïncidence avec le rythme de la Vie universelle. Pour ce premier tome l'Aube, Jean Christophe est à l'aube de sa venue au monde et aussi à l'aube de sa carrière en tant que musicien. Il est l'aîné de Melchior, violoniste qui s'enlise dans l'alcool, et de Louisa, mère courage qui se bat contre la misère. Son grand-père était aussi musicien. Il offre un vieux piano à la famille et apprend la musique à Jean Christophe. Cet instrument va permettre de révéler le talent de l'enfant qui, à six ans, se voue à la musique, commence à donner des concerts et à composer...