Bøger af Sadakichi Hartmann

This dramatic work by Sadakichi Hartmann is a retelling of the life of Buddha in twelve scenes. Originally written in the late 19th century, this play offers a unique perspective on Buddhism and Eastern philosophy from a Western point of view. This edition includes a critical introduction and analysis of the work.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This beautiful volume explores the enduring influence of William Shakespeare on the world of art. Featuring a range of stunning artworks inspired by Shakespeare's plays, as well as insightful commentary and analysis, it offers a unique perspective on the Bard's legacy.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Shakespeare In Art is a comprehensive book written by Sadakichi Hartmann that explores the influence of William Shakespeare's works on the visual arts. The book is divided into two parts, with the first part providing a detailed analysis of the ways in which Shakespeare's plays have been depicted in paintings, sculptures, and other forms of visual art throughout history. The second part of the book examines the ways in which Shakespeare's themes and characters have influenced the artistic styles of various artists, such as the Pre-Raphaelites and the Symbolists.Hartmann's writing is both insightful and engaging, as he delves into the various interpretations of Shakespeare's works through different artistic mediums. He provides a wealth of information on the artists who have been inspired by Shakespeare, including the likes of William Blake, John Everett Millais, and Dante Gabriel Rossetti. The book is also filled with illustrations of the artwork being discussed, allowing readers to fully appreciate the beauty and complexity of the pieces being analyzed.Overall, Shakespeare In Art is a must-read for anyone interested in the intersection of literature and visual art. Hartmann's deep knowledge of both subjects makes for a fascinating exploration of the enduring influence of Shakespeare's works on the art world.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Sadakichi Hartmann was born on the artificial island of Dejima, Nagasaki, to a Japanese mother, who died soon after childbirth, and a German father. He was raised in Germany and came to Philadelphia in 1882. Two years after arriving, at the age of seventeen, he paid his first visit to Walt Whitman, now sixty-five years old, who was living modestly just across the Delaware River, in Camden.Fascinated by the poet's life and work, Sadakichi would visit Whitman several times over the course of six years, to talk about literature and to question the poet about contemporary authors and books. Sadakichi went on to publish Whitman's opinions first in the New York Herald, in 1880, arousing the indignation of many and making him unpopular with the admirers of the poet, and later, in 1885, in 'Conversations with Walt Whitman'.

In this beautifully illustrated monograph, the distinguished art critic Sadakichi Hartmann offers a unique portrait of one of the most renowned artists of the 19th century. Through a careful analysis of Whistler's life and work, Hartmann unveils the secrets of this enigmatic artist and delves into the intricacies of his creative process.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A History of American Art Volume 1, written by Sadakichi Hartmann and originally published in 1909, is a comprehensive guide to the development of American art from its earliest beginnings to the turn of the 20th century. The book covers a range of styles and mediums, including painting, sculpture, and architecture, and includes detailed discussions of the major artists and movements that shaped American art during this period. Hartmann begins by examining the art of the Native Americans and early European settlers, before moving on to discuss the emergence of a distinctly American style in the late 18th and early 19th centuries. He then explores the impact of the Hudson River School and other landscape painters, the rise of realism and impressionism, and the various artistic movements that emerged in the late 19th century, such as the Ashcan School and the Arts and Crafts movement. Throughout the book, Hartmann provides insightful analysis of the social, cultural, and political contexts in which American art developed, and offers a nuanced understanding of the ways in which art both reflects and shapes the world around it. With its detailed historical research and engaging prose, A History of American Art Volume 1 remains a valuable resource for anyone interested in the rich and diverse history of American art.In Two Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This Is A New Release Of The Original 1916 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ American Sculpture. The Graphic Arts. American Art In Europe. Latest Phases; Volume 2 Of A History Of American Art; Sadakichi Hartmann Sadakichi Hartmann L. C. Page, 1902 Art; History; General; Art; Art / American / General; Art / History / General; Art, American

Tanka And Haikai: Japanese Rhythms is a book written by Sadakichi Hartmann and first published in 1916. The book is a collection of poems that explore the traditional Japanese poetic forms of Tanka and Haikai. Tanka is a form of poetry that consists of five lines with a syllable count of 5-7-5-7-7. Haikai, on the other hand, is a form of poetry that consists of three lines with a syllable count of 5-7-5. Both Tanka and Haikai are known for their brevity and ability to convey deep emotions and ideas in a few words. In this book, Hartmann provides a brief history of these poetic forms and their significance in Japanese culture. He also includes a selection of his own Tanka and Haikai poems, as well as translations of works by famous Japanese poets such as Basho and Issa. Overall, Tanka And Haikai: Japanese Rhythms is a fascinating exploration of two of Japan's most beloved poetic forms, and a valuable resource for anyone interested in Japanese literature and culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Sadakichi Hartmann - Drifting Flowers & Other VersesPublic Domain Poets #10 | Publicdomainpoets.comContaining Sadakichi Hartmann's 'Tanka & Haikai: Japanese Rhythms' (1915); selections from 'My Rubaiyat' (1913), and the earlier, 'Drifting Flowers of the Sea' (1904); and the essays 'Why I Publish My Own Books' (1915) and 'The Japanese Conception of Poetry' (1904). New edition designed, edited, and selected by Dick Whyte. If pleasures be mineAs aeons and aeons roll by,Why should I repineThat under some future skyI may live as a butterfly.Hartmann (1867-1944) was born on the island of Dejima, off the coast of Nagasaki, to a Japanese mother and German father. His mother died giving birth to his brother, and they were sent to Germany to live with relatives. Hartmann later ran away to Paris, was disinherited by his father, and sent to Philadelphia, to live with an uncle. It was there he self-published his first dramatic works, and a book of conversations with Walt Whitman.White petals afloatOn a winding woodland stream-What else is life's dream?In the 1900s Hartmann started writing poetry, drawing influence from Whitman, French symbolism, and Japanese poetics, and in 1904 he published the earliest known set of English-language tanka, alongside a short essay on tanka and haiku aesthetics. In the 1910s he followed this up with a collection of linked tanka-esque blank-verse, inspired by the Rubaiyat of Omar Khayyam, and befriended writers like Gertrude Stein and Ezra Pound. Hartmann's 'Japanese Rhythms' (1916), remains one of the earliest published collections devoted to English-language tanka and haikai, followed by Noguchi's 'Japanese Hokkus' (1920), and Jun Fujita's 'Tanka: Poems in Exile' (1923).Public Domain Press is dedicated to producing contemporary editions of out-of-print poets and poetry collections, particularly with regard to compressed and fragmented 'free verse' from the late-1800s and early-1900s. All poems start as facsimiles - to preserve the original fonts - which are then cleaned up, edited for consistency, and spaciously laid-out, adorned with borders, illustrations, and ornaments from the books and magazines they originally appeared in. These are not "reprints" of previously existing books, but newly crafted collection, lovingly edited from public domain material, for the serious poetry lover.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.