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A leading critic traces three decades of contemporary dance from Balanchine to breakdancing
Sally Banes has been a pre-eminent critic and scholar of American contemporary dance. Beginning with her first published review and including unpublished papers, this collection presents some of her finest works on dance and other artistic forms. It concludes with her research on George Balanchine's dancing elephants.
Offers a lively, detailed account of the beginnings of the Judson Dance Theater--a popular centre of dance experimentation in New York's Greenwich Village
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