Bøger af Sam Shepard

When his brother Lee - a drifter and petty thief - decides to stop by, he pitches his own idea for a movie and convinces the producer to ditch Austin's love story for his own trashy Western tale.Now they must work together to secure the deal.

In eighteen stories unlike any in our contemporary literature, Sam Shepard explores the vast and rugged American West with the same parched intensity that has made him "the great playwright of his generation” (The New York Times).A boy watches a "remedy man” tame a wild stallion, a contest that mirrors his own struggle with his father. A woman driving her mother's ashes across the country has a strangely transcendent run-in with an injured hawk. Two aging widowers, in Stetsons and bolo ties, together make a daily pilgrimage to the local Denny's, only to be divided by the attentions of their favorite waitress. Peering unblinkingly into the chasms that separate fathers and sons, husbands and wives, friends and strangers, these powerful tales bear the unmistakable signature of an American master.

This collection shares decades of correspondence between the Pulitzer Prize-winning playwright and one of his closest friendsincluding personal photos.One of America's leading dramatists, as well as an accomplished actor, screenwriter, and director, Sam Shepard's legacy includes immortal plays like True West andBuried Child, as well as memorable film roles, including his Academy Award-nominated performance in The Right Stuff. Though Shepard remained an intensely private man, he wrote candidly about his life and work in letters to his close friend Johnny Dark. His former father-in-law, Dark became a surrogate brother to Shepard, and even an artistic muse. Two Prospectorsgathers nearly forty years of correspondence and transcribed conversations between them.In these letters, the men open themselves to each other with gripping honesty. Shepard's letters give us the deepest look we will ever get into his personal philosophy and creative process, while in Dark's letters we discover insights into Shepard's character that only an intimate friend could provide. The writers also reflect on the books and authors that stimulate their thinking, their relationships with women (including Shepard's anguished decision to leave his wife and son for actress Jessica Lange), personal struggles, and accumulating years. Illustrated with Dark's photographs of Shepard and their mutual family across many years, as well as facsimiles of numerous letters,Two Prospectorsis a compelling portrait of a complex friendship that anchored both lives for decades, a friendship also poignantly captured in Treva Wurmfeld's film,Shepard & Dark.

Good for acting exercises and auditions. --Village Voice

Drama. Sam Shepard's FOOL FOR LOVE is arguably the playwright's best known play. Focusing, as many of Shepard's plays do, on the dark side of life in the West, FOOL FOR LOVE was first produced at the Magic Theatre in San Francisco in February, 1983, before moving to Off-Broadway at the Circle Repertory Theatre in May of that year. Shepard himself directed these original productions, winning Obie Awards for his writing and directing as well as the award for best new American play.

Motel Chronicles reveals the fast-moving and sometimes surprising world of the man behind the plays that have made Sam Shepard a living legend in the theater. Shepard chronicles his own life birth in Illinois, childhood memories of Guam, Pasadena and rural Southern California, adventures as ranch hand, waiter, rock musician, dramatist and film actor. Scenes from this book form the basis of his play Superstitions, and of the film (directed by Wim Wenders) Paris, Texas, winner of the Golden Palm Award at the 1984 Cannes Film Festival." . . . essential reading. A scrapbook of short stories, autobiographical reveries, poetry and photographs, Motel Chronicles is full of verbal delights, as well as insights into its author's entire canon. Whether Mr. Shepard is reminiscing about his parents or daydreaming about cherished movies and cars of his youth, he speaks in pungent and ethereal language that remakes our West. Read in conjunction with the plays, Motel Chronicles also helps demystify the origins of Mr. Shepard's psychological obsessions and desolate frontier iconography."—Frank Rich, New York Times"If plays were put in time capsules, future generations would get a sharp-toothed profile of life in the U.S. in the past decade and half from the works of Sam Shepard."—Time"Sam Shepard is a shaman—a New World shaman. Sam is as American as peyote, magic mushrooms, Rock and Roll, and medicine bundles."—Jack GelberSam Shepard (1943) is a playwright, actor, author, screen writer and director whose work is performed on and off Broadway and in other theaters across the country. In 1979, he received the Pulitzer Prize for Drama for his play Buried Child. In 1983, he was nominated for an Academy Award for Best Supporting Actor in The Right Stuff. His other famous works include True West, A Lie of the Mind and Curse of the Starving Class. Fool For Love & the Sad Lament of Pecos Bill by Sam Shepard was also published by City Lights Publishers.

In his latest play, States of Shock, Sam Shepard turns a bizarre anniversary party into a grisly yet hilarious reopening of the wounds of war, sex, and family betrayal. This volume also includes Shepard's screenplay for the film Far North and the forthcoming film Silent Tongue.

Tells the story of one man's quest for authenticity.

In these 17 stories, Sam Shepherd taps the same wellspring that has made him one of America's most acclaimed playwrights: sex and regret; the yearning for a frontier that has been subdivided out of existence and the anxious gulf that separates men and women.

UNSEEN HAND

From one of our most admired writers: a collection of stories set mainly in the fertile imaginative landscape of the American West, written with the terse lyricism, cinematic detail, and wry humor that have become Sam Shepard’s trademarks.A man traveling down Highway 90 West gets trapped alone overnight inside a Cracker Barrel restaurant, where he is tormented by an endless loop of Shania Twain songs on the overhead sound system. A wandering actor returns to his hometown against his better instincts and runs into an old friend, who recounts their teenage days of stealing cars, scoring Benzedrine, and sleeping with whores in Tijuana. A Minnesota family travels south for a winter vacation but, caught up in the ordinary tyrannies of family life, remains oblivious to the beauty of the Yucatán Peninsula. A solitary horse rancher muses on Sitting Bull and Beckett amid the jumble of stuff in his big country kitchen—from rusted spurs and Lakota dream-catchers to yellowing pictures of hawks and galloping horses to “snapshots of different sons in different shirts doing different things like fishing, riding mules and tractors; leaning up against their different mothers at radical angles.”Made up of short narratives, lyrics, and dialogues, Day out of Days sets conversation against tale, song against memory, in a cubistic counterpoint that finally links each piece together. The result is a stunning work of vision and clarity imbued with the vivid reverberations of myth—Shepard at his flinty-eyed, unwavering best.

"Sons of a desert dwelling alcoholic and a suburban wanderer clash over a film script. Austin, the achiever, is working on a script he has sold to producer Sal Kimmer when Lee, a demented petty thief, drops in. He pitches his own idea for a movie to Kimmer, who then wants Austin to junk his bleak, modern love story and write Lee's trashy Western tale."--P. [4] of cover.

The final work from the Pulitzer Prize-winning writer, actor, and musician, drawn from his transformative last days In searing, beautiful prose, Sam Shepard's extraordinary narrative leaps off the page with its immediacy and power. It tells in a brilliant braid of voices the story of an unnamed narrator who traces, before our rapt eyes, his memories of work, adventure, and travel as he undergoes medical tests and treatments for a condition that is rendering him more and more dependent on the loved ones who are caring for him. The narrator's memories and preoccupations often echo those of our current moment-for here are stories of immigration and community, inclusion and exclusion, suspicion and trust. But at the book's core, and his, is family-his relationships with those he loved, and with the natural world around him. Vivid, haunting, and deeply moving, Spy of the First Person takes us from the sculpted gardens of a renowned clinic in Arizona to the blue waters surrounding Alcatraz, from a New Mexico border town to a condemned building on New York City's Avenue C. It is an unflinching expression of the vulnerabilities that make us human-and an unbound celebration of family and life.

"The greatest American playwright of his generation" (New York Magazine)

When Roscoe, a 65-year-old Cervantes scholar, runs off with a young woman named Sally, he decides to stay a while in her family home. Soon he discovers that Sally's house-once inhabited by James Dean; perched precariously over the San Fernando valley-is filled with secrets, sadness, and haunted women who cannot leave themselves or anyone else in peace. From Lucy, Sally's suspicious sister, to Mable, their Shakespeare-quoting invalid mother, to Elizabeth, Mable's lovely and mysteriously mute nurse, the forces of the house conspire to make Roscoe question his assumptions about everything. As scars and histories are revealed, Shepard shows, as only he can, what happens when the secrets simmering within a family boil over. Heartless masterfully explores the irrevocability of our pasts-and the possibility of life begun anew.

During the last decade, Sam Shepard's most recent plays have been produced in London by the Royal Court Theatre. This collection brings together "A Lie of the Mind", "A Love Ballad...A Little Legend About Love", "States of Shock", and Shepard's most recently staged play, "Simpatico".

His first major book of fiction: lyrical, personal, mythical, hilarious and mesmeric stories that shed new light on both the US and the writer through whose eyes we access this compelling and resonant land.