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Provides in-depth case studies of four major writers of the post-World War II era - Paul Bowles, Mary McCarthy, Eudora Welty, and Tennessee Williams - examining how they used the contained aesthetics of short fiction to map out an oppositional stance to the dominant narratives, both political and literary, of mid-twentieth century US culture.
Jazz can be uplifting, stimulating, sensual, and spiritual. Yet when writers turn to this form of music, they almost always imagine it in terms of loneliness. Sam Reese investigates literary representations of jazz and the cultural narratives associated with it, noting how they have shaped readers' judgments and assumptions about the music.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.