Bøger af Sarah Bernhardt

Petite Idole est un roman de l'actrice française Sarah Bernhardt. L'histoire suit l'adoration passionnée d'un jeune homme pour une idole ancienne qui se transforme en une histoire d'amour non conventionnelle. Les amateurs de littérature française apprécieront ce roman audacieux et poignant.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Die französische Schauspielerin Sarah Bernhardt war eine Ikone ihrer Zeit. In ihrer Autobiographie gibt sie Einblick in ihr Leben und ihre Karriere, und schildert ihre Begegnungen mit berühmten Persönlichkeiten wie Victor Hugo und Oscar Wilde.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

My Double Life: Memoirs Of Sarah Bernhardt is a fascinating autobiography of the legendary French actress, Sarah Bernhardt. In this book, Bernhardt shares her life story from her humble beginnings in Paris to her rise to fame as one of the most celebrated actresses of her time. She delves into her personal life, including her relationships with men and women, and her struggles with addiction and illness.Throughout the book, Bernhardt takes the reader on a journey through the world of theater, recounting her experiences on stage and behind the scenes. She shares stories of her collaborations with famous playwrights and actors, as well as her travels around the world to perform for audiences in Europe, America, and beyond.My Double Life is a captivating read for anyone interested in the history of theater, as well as those intrigued by the life of one of the most iconic actresses of all time. Bernhardt's writing is engaging and honest, offering a rare glimpse into the world of a true artist and trailblazer.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The idol of Paris. A romance (1922). This book, "The idol of Paris," by Sarah Bernhardt, Mary Tongue, is a replication of a book originally published before 1922. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.

Extrait Ma mère adorait voyager. Elle allait d'Espagne en Angleterre; de Londres à Paris; de Paris à Berlin. De là, à Christiania; puis revenait m'embrasser et repartait pour la Hollande, son pays natal. Elle envoyait à ma nourrice: des vêtements pour elle, et des gâteaux pour moi. Elle écrivait à une de mes tantes: Veille sur la petite Sarah, je reviendrai dans un mois. Elle écrivait à une autre de ses soeurs, un mois après: Va voir l'enfant chez sa nourrice, je reviens dans quinze jours. Ma mère avait dix-neuf ans, j'en avais trois; et mes tantes avaient: l'une dix-sept ans, l'autre vingt ans. Une autre avait quinze ans, et l'aînée vingt-huit ans; mais cette dernière habitait la Martinique et avait déjà six enfants. Ma grand'mère était aveugle. Mon grand-père était mort; et mon père était en Chine depuis deux ans. Pourquoi ? Je n'en sais rien. Mes jeunes tantes promettaient de venir me voir, et ne tenaient guère leur parole. Ma nourrice était bretonne et habitait près de Quimperlé une petite maison blanche, au toit de chaume très bas, sur lequel poussaient des giroflées sauvages.

Née dans un milieu très mondain, élevée entre une nourrice bretonne et un couvent versaillais, résolue à entrer dans les ordres avant d'être envoyée au Conservatoire pour devenir comédienne, entrée deux fois à la Comédie Française qu'elle quitta deux fois avec pertes et fracas, devenue entre temps une étoile montante de la scène, dont l'éclat ne cessera plus jamais de croître pour mieux éblouir ou exaspérer ses contemporains, artiste accomplie, sculpteur, peintre, tragédienne jusqu'au bout des doigts, Sarah Bernhardt est un des personnages les plus fascinants de sa fascinante époque. On découvre dans ses mémoires un caractère exalté jusqu'à la violence, audacieux, généreux, très conscient de ses défauts, mélange d'artifice raffiné et de spontanéité parfois ravageuse, de fragilité physique et de force d'esprit. Une personnalité pleine de vie, et extrêmement attachante.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Idol of Paris is a novel written by the famous French actress Sarah Bernhardt. The story revolves around the life of a young woman named Louise Maurel, who is a talented actress and singer. Louise is discovered by a famous theater director and becomes a star of the Parisian stage. However, her success is short-lived as she becomes entangled in a love triangle with two men: the wealthy Count de Chabrillan and the struggling artist Maurice de Marsay.As Louise's fame grows, so does the jealousy and rivalry between the two men. The Count tries to win Louise's love by showering her with expensive gifts and lavish attention, while Maurice tries to win her heart with his artistic passion and devotion. Louise is torn between the two men, and her decision will have far-reaching consequences for all of them.The novel explores themes of love, passion, jealousy, and the price of fame. It also provides a fascinating glimpse into the world of theater and the lives of actors in turn-of-the-century Paris. The Idol of Paris is a captivating read that will appeal to anyone interested in the history of theater, the lives of famous actresses, or the complexities of romantic relationships.Esperance grew pale; she took the card from her mother's hands, fearing that she might be mistaken. It was indeed the Countess and not the Count. She breathed again! Marguerite and the maid carried the basket into the salon; then the young girl went into the library with her mother. The newspaper clippings were spread out on the table, and the two famous trinkets had been taken from their cases. Madame Darbois clasped and unclasped her hands.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Le vent soufflait avec violence sur l'Atlantique et balançait de cadences successives le beau bateau La France, qui faisait route vers Le Havre. Les passagers étaient pour la plus grande part étendus sur des chaises longues, boudinés dans des couvertures, les femmes, la tête enveloppée par des gazes bleues, blanches ou roses; les moins élégantes s'encapuchonnaient de lainages tricotés par les soins d'une parente pauvre ou par la tendresse de filleules. Les hommes portaient la casquette rabattue sur les yeux, le capuchon d'un Burberrys, ou le chapeau mou calé sur les oreilles. Deux jeunes filles se promenaient sur le pont, narguant le vent et les lames. Elles riaient de leur démarche titubante, qui les refoulait tantôt de droite, tantôt de gauche contre le bastingage. Il était aisé de voir qu'elles n'étaient pas de la même classe; et malgré la familiarité de leur tenue, - car elles s'étaient donné le bras pour résister plus fortement aux secousses du navire, on les devinait d'éducation différente. En effet, Marion Larcher était la femme de chambre de la délicate américaine Elly Gordon-Hope.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Memories of My Life; Being My Personal, Professional, and Social Recollections as Woman and Artist, has been considered important throughout human history. In an effort to ensure that this work is never lost, we have taken steps to secure its preservation by republishing this book in a modern format for both current and future generations. This complete book has been retyped, redesigned, and reformatted. Since these books are not scans of the authors' original publications, the text is readable and clear.

Si les mémoires de Sarah Bernhardt (1844-1923) ont été souvent réédités, on ignore en général qu'à la fin de sa vie la grande comédienne avait entrepris d'écrire un ouvrage où elle transmettrait son expérience aux générations futures d'acteurs et d'amateurs de théâtre. Elle en dicta jusqu'à sa mort les chapitres, qui furent ensuite ordonnés et publiés par Marcel Berger, un des familiers de ses dernières années. Le lecteur trouvera dans ces pages une mine inépuisable de conseils et d'observations sur le métier de comédien, depuis les impératifs de la voix jusqu'aux détails pratiques du maquillage. Sarah Bernhardt compléta et illustra ce véritable guide de l'art dramatique par une profusion d'anecdotes, où l'on retrouve la drôlerie et la vivacité qui rendirent célèbre sa conversation.Extrait : "L'art de notre art est de ne pas se faire reconnaître du public : pas un instant il ne doit penser que ce n'est pas arrivé, nous devons le tenir dans l'ambiance où l'auteur a voulu le transporter, nous devons créer l'atmosphère par notre sincérité, et le public haletant, éperdu, ne doit comme l'artiste, reconquérir son libre-arbitre qu'à la chute du rideau." Sarah Bernhardt.Sarah Bernhardt, née le 22 octobre 1844 dans le Paris 6¿ et morte le 26 mars 1923 à Paris 17¿, est une actrice, peintre et sculptrice française. Elle est considérée comme une des plus importantes actrices françaises du XIX¿ et du début du XX¿ siècle.

Dans les nuages: impressions d'une chaise / récit recueilli par Sarah-Bernhardt; ill. par Georges ClairinDate de l'édition originale: 1878Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.