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November is Sean O'Brien's first collection since his widely celebrated The Drowned Book, the only book of poetry to have won both the Forward and T. S. Eliot prizes. November is haunted by the missing, the missed, the vanished, the uncounted, and the uncountable lost: lost sleep, connections, muses, books, the ghosts and gardens of childhood. Ultimately, these lead the poet to contemplate the most troubling absences: O'Brien's elegies for his parents and friends form the heart of this book, and are the source of its pervasive note of depart. Elsewhere - as if a French window stood open to an English room - the islands, canals, railway stations and undergrounds of O'Brien's landscape are swept by a strikingly Gallic air. This new note lends O'Brien's recent poems a reinvigorated sense of the imaginative possible: November shows O'Brien at the height of his powers, with his intellect and imagination as gratifyingly restless as ever.
Three lectures on contemporary British poets and their relationship with England, its history, politics and culture, and with the continuing tradition of English poetry.
While Downriver contains the English urban pastoral and hymns to the Northern deities for which Sean O'Brien is justly celebrated, the poet has always been more a singer than even his many admirers have sometimes conceded: here, that lyric note is sounded more openly than ever before. With Downriver, his fifth collection, O'Brien has produced his most various and mature work yet. This is a poetry of both delicacy and gravity, assuagement as well as agitation, rivers that start in hell but later fall as rain - and will only strengthen his reputation as one of the most gifted English poets at work today.
A generous new selection from the only poet to have won the prestigious Forward Prize twice
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