Bøger af Stewart Parker

Set in and around a bicycle shop in Belfast, this wise and humorous play concerns Frank, the current operator of the shop started by his grandfather. Frank believes that all the world's problems can be solved if people simply switch to bicycles for transportation. Like Brendan Behan and Bertolt Brecht, Stewart Parker uses songs to comment on the action. All are original except "Bicycle Built for Two," sung by Frank to his girlfriend Daisy. The bicycle and the shop become an ingenious metaphor for the problems in Northern Ireland and, indirectly, about the problems of modern civilization.

Revised and updated edition for 2011. This book examines the reality of the social and political situation in Belarus. Belarus is placed within its correct historical context and the myth of 'Europe's last dictatorship' is exposed.

The history of diving helmet designs from around the world. The diving helmet is an iconic piece of history. Years after it has been retired by modern navies and professional divers it retains its place on qualification badges and dive club logos. The early years of diving produced some amazing and some bizarre ideas and this book tracks their development and the reasoning behind them. The different approaches taken by the designers and their relative merits and successes are covered, taking away some of the mystery from these copper, brass and bronze legacies of a bygone age. With over 60 photos and illustrations the author also examines the various dangers of diving including the obligatory giant squid, as well as chronicling homemade diving equipment and his own 'deep sea diving' adventure. With a foreword by Tony Groom, author of Diver and In2Deep.

Parker's poignant novel depicts events surrounding the amputation of his left leg as a nineteen-year-old university student.

"Stewart Parker was a playwright whose sense of history and elegance of wit and feeling were unusual in the British Theatre" (Observer)

"Stewart Parker was a playwright whose sense of history and elegance of wit and feeling were unusual in the British Theatre" (Observer)