Bøger af Surinder Deol

"ENDLESS LIFE portrays a woman's search for love and meaning in an increasingly complex world. Written in lyrical prose, the story transports the reader to a variety of locales, from the suburbs of Washington, D.C., to the opulent mansions of New Delhi, to exotic beaches of Goa, and to the centuries-old villages of the Indian countryside. The story traces events in the life of Malti, a sensitive, emotionally vulnerable, and tradition bound young girl, who grows up to be a tough, independent, and resourceful woman fighting for socially sensitive issues like girls' education, while coping with a heart-rending tragic loss in her own life. In Malti's own words, "Life is a flow; it's a continuum. Nothing really goes away. We continue to live despite all the hardships and tragedies. We plan new things, always expecting to see better days in the future. We never stop dreaming." It is this act of not stopping to dream that makes life "endless.""

Words are prayerfully complaining about whose playful writing? Beautiful images are seen wrapped in paper clothing. This is the opening couplet of Ghalibs Divan and it captures his view of the badly broken world in which he lived and Gods indifference to human condition. The poet faces God and poses a question: Why did you create this universe? What was the purpose? If this is your creation, why do we have so much misery and suffering? Was this creation an act of playfulness or did it have a nobler purpose? People praying and pleading in front of the Creator with paper clothing covering their naked bodies is symbolic of their complete helplessness. In many ways, this sets the stage for Ghalibs struggle to make sense of reality and find a new rationale for our relationship with God.

Mujhse pehli si mohabbat meri mahbuub n maang ('My dearest, don't ask for the love we once had) This line from Faiz's first poetry collection deeply touched the public consciousness, and it signalled the arrival of a new kind of poet who not only wrote about agonies of love but at the same time confronted the issues of daily struggles, including poverty, hunger, injustice and the oppressive colonial regime. He fused his lyrical compositions with the grammar of revolution and resistance that was needed while not giving up on alluring descriptions of the beloved's tresses and ruby lips. There was the beloved, he said, but there was also the struggle of attaining freedom, and these two things were not separate. He brought these two themes together, and they became one. Jahaan par ham tum khare hain dono sahar ka raushan ufq yahien hai ('The place where both of us are standing is dawn's bright horizon') As a secular humanist, Faiz was not willing to accept the idea that people should be separated based on their religious identities. All human beings yearn, he emphasized, for peace and harmony. National boundaries can separate people, but they cannot divide the emotional affinity they have for one another. To understand the importance of this cosmic vision, one had to look at the earth from the sky and see the planet as the home for all its inhabitants. This book traces the evolution of the poet's work from its early days to the time of its full fruition. A poet's life is not different from the words that he writes and that is why in this book, poetry and biography are meshed in presenting a rich portrait of an exceptional poet.