Bøger af Willa Cather

My Ántonia is a novel published in 1918 by American writer Willa Cather, considered one of her best works. It is the final book of her "prairie trilogy" of novels, preceded by O Pioneers! and The Song of the Lark.

Death Comes for the Archbishop is a 1927 novel by Willa Cather. It concerns the attempts of a Catholic bishop and a priest to establish a diocese in New Mexico territory. The novel portrays two well-meaning and devout French priests who will encounter a well-entrenched Spanish-Mexican clergy after the United States acquired New Mexico in the Mexican-American War. As a result of the U.S. victory, the dioceses of the new state were remapped by the Vatican to reflect the new national borders. Several of these entrenched priests are depicted as examples of greed, avarice, and gluttony, while others live simple, abstemious lives among the Native Americans. Cather portrays the Hopi and Navajo sympathetically, and her characters express the near futility of overlaying their religion on a millennia-old native culture. The novel was included on Time's 100 Best English-language Novels from 1923 to 2005, and Modern Library's list of the 100 best English-language novels of the 20th century and was chosen by the Western Writers of America to be the 7th-best "Western Novel" of the 20th century. Mogul Classics is proud to offer you the best edition of this literary classic featuring one of the greatest classics of the 20th century.

In an atmosphere as individual and full of color as that of the old manor-houses in Russian novels, Miss Cather unfolds this romance of the old west in her book, "A Lost Lady;" not the west of the pioneer this time, but of the railroad aristocracy that grew up when the great transcontinental lines were being built across the plains, in her new book to be published this month by Alfred A. Knopf. A whole epoch lives again in the little group of people so wonderfully pictured here; in this story of an incorruptable man and the beautiful woman who was his wife, and of the house in which their moving drama took place. In every page there is a melancholy beauty, a thrilling pathos, it underlies the easy brilliance of the writting, the vivacity with which Miss Cather gives us all the idiosyncracies of that lavish, generous, careless era. Through the whole story one figure stands out with irresistible fascination-the figure of Marian Forrester, full of feminine mystery and charm, inscrutable in her weakness and her reckless courage. She is one of Miss Cather´s greatest triumps.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

My Antonia and O Pioneers!: Combo Book By Willa Cather

Then the air grew much warmer and the sky cleared. Overhead it was a soft, rainy blue, and to the west a smoky gold. All around the horizon everything became misty and silvery; even the big, brutal buildings looked like pale violet water-colours on a silver ground. Under the elm trees along the Mall the air was purple as wisterias.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Travel back in time to the Nebraska prairies of the 1880s with Willa Cather, the author of this famous classic. She was there. She heard the wind moan over the red-grass praires, the howl of the coyotes, and the clanging of the windmill in the night. Jim Burden, the narrator of the novel, encounters a Bohemian girl, Antonia, who makes an impact on his soul. Observing her struggles in the new land, he is amazed by how she overcomes the obstacles, trials, and tribulations of life. One reader said, "I couldn't put it down until I finished it. Another reader said that she had read it years ago, and "its poignant moments linger with me."

O Pioneers! is the first book in Willa Cather's Great Plains Trilogy. Alexandra Bergson inherits the family farm when her father passes away. She decides to make a go of it when so many other immigrant families are giving up at the turn of the twentieth century. This Large Print Edition is presented in easy-to-read 16 point type.

1912. One of the most interesting women writers in America, this is Cather's first novel. Alexander's Bridge is the story of the self-made man, Bartley Alexander, a world famous engineer and bridge builder from the Midwest. He is working on his latest project, a great bridge across the St. Lawrence in Quebec. He is happily married, wealthy, good-looking and admired, but despite this outward appearance of happiness, he is restless and discontented with his life on the east coast, yearning for something he cannot find or even quite describe. When he meets a former love interest from his student life, he resumes his relationship with her, and for a year lives a double life and agonizing over choosing between her and his successful life. See other titles by this author available from Kessinger Publishing.

Alexander's Bridge is a novel written by Willa Cather and published in 1922. The story revolves around Bartley Alexander, a successful engineer who is married to a wealthy and beautiful woman. However, as his career and personal life begin to unravel, Bartley finds himself drawn back to his past and his former lover, Hilda Burgoyne. As Bartley struggles to reconcile his feelings for Hilda with his commitment to his wife and his career, he is forced to confront the consequences of his choices and the sacrifices he has made along the way. The novel explores themes of love, ambition, and the search for identity, as well as the tension between modernity and tradition in early 20th century America.Through vivid descriptions of the settings and characters, Cather creates a compelling portrait of a man torn between his desire for success and his longing for something more meaningful. Alexander's Bridge is a poignant and thought-provoking work that remains a classic of American literature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Youth and the Bright Medusa" is a collection of eight short stories about artists and the arts. You will find an interesting story line and a clever resolution. All of the stories in "Youth and the Bright Medusa" are entertaining, holding your attention to the end.

This Is A New Release Of The Original 1922 Edition.

The first of her renowned prairie novels--a story that expresses Cather's conviction that "the history of every country begins in the heart of a man or a woman." When Alexandra Bergson takes over the family farm after her father's death, she falls under the spell of the rich, forbidding Nebraska prairie.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Alexandra Bergson, a young Swedish immigrant girl who inherits her father's farm and must transform it from raw prairie into a prosperous enterprise, is the first of Cather's great heroines - all of them women of strong will and an even stronger desire to overcome adversity and succeed. But the wild land itself is an equally important character in Cather's books, and her descriptions of it are so evocative, lush, and moving that they provoked writer Rebecca West to say of her: "The most sensuous of writers, Willa Cather builds her imagined world almost as solidly as our five senses build the universe around us." In a interview, Willa Cather said, "I decided not to 'write' at all, - simply to give myself up to the pleasure of recapturing in memory people and places I'd forgotten." "I like trees because they seem more resigned to the way they have to live than other things do. I feel as if this tree knows everything I ever think of when I sit here. When I come back to it, I never have to remind it of anything; I begin just where I left off." Willa Cather, O Pioneers!

Claude Wheeler craves excitement, far more than he can ever find as a farmer's son. He encounters more at university, where the modern world beyond farm life offers new thrills and challenges, only to lose them as the farm calls him back. World War I offers him even more . . . but he may crave excitement more than life itself can allow. Wanting it as much as he does can't protect him from the consequences of personal bravado in an age of killing machines.

Youth and the Bright Medusa is a collection of short stories by Willa Cather, published in 1920. Several were published in an earlier collection, The Troll Garden.

This is Cather's coming-of-age classic---the story of a young artist who leaves the mediocrity of her home town to seek fame and success in the big city. A bittersweet reflection on severing oneself from one's past relationships and surroundings, The Song of the Lark explores the loss that ultimately accompanies an artist's highest achievements.

Paul, a Pittsburgh high school student who is gay, is frustrated with his middle-class life. He dreams of another life, in which, he associates with concerts and theater, though his appreciation of the arts is more social and superficial than aesthetic. This Squid Ink Classic includes the full text of the work plus MLA style citations for scholarly secondary sources, peer-reviewed journal articles and critical essays for when your teacher requires extra resources in MLA format for your research paper.

The Troll Garden is a collection of short stories by Willa Cather, published in 1905.ContentsThis collection contains the following seven stories: "Flavia and Her Artists" "The Sculptor's Funeral" "A Death in the Desert" "The Garden Lodge" "The Marriage of Phaedra" "A Wagner Matinee" "Paul's Case"Four of these stories--"The Sculptor's Funeral," "A Death in the Desert," "A Wagner Matinee," and "Paul's Case"-were revised and included in Cather's next collection of short fiction Youth and the Bright Medusa, published in 1920.Willa Sibert Cather ( December 7, 1873 - April 24, 1947) was an American writer who achieved recognition for her novels of frontier life on the Great Plains, including O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918). In 1923 she was awarded the Pulitzer Prize for One of Ours (1922), a novel set during World War I. Cather grew up in Virginia and Nebraska, and graduated from the University of Nebraska-Lincoln. She lived and worked in Pittsburgh for ten years, supporting herself as a magazine editor and high school English teacher. At the age of 33 she moved to New York City, her primary home for the rest of her life, though she also traveled widely and spent considerable time at her summer residence on Grand Manan Island, New Brunswick. Early life and education: Cather was born Wilella Sibert Cather in 1873 on her maternal grandmother's farm in the Back Creek Valley near Winchester, Virginia. Her father was Charles Fectigue Cather (d. 1928), whose family had lived on land in the valley for six generations. Cather's family originated in Wales, the family name deriving from Cadair Idris, a mountain in Gwynedd.Her mother was Mary Virginia Boak (died 1931), a former school teacher. Within a year of Cather's birth, the family moved to Willow Shade, a Greek Revival-style home on 130 acres given to them by her paternal grandparents. At the urging of Charles Cathers' parents, the family moved to Nebraska in 1883 when Willa was nine years old. The rich, flat farmland appealed to Charles' father, and the family wished to escape the tuberculosis outbreaks that were rampant in Virginia. Willa's father tried his hand at farming for eighteen months; then he moved the family into the town of Red Cloud, where he opened a real estate and insurance business, and the children attended school for the first time. Some of the earliest work produced by Cather was first published in the Red Cloud Chief, the city's local paper. Cather's time in the western state, still on the frontier, was a deeply formative experience for her. She was intensely moved by the dramatic environment and weather, the vastness of the Nebraska prairie, and the various cultures of the European-American, immigrant and Native American families in the area. Like Jim Burden in My Antonia, the young Willa Cather saw the Nebraska frontier as a "place where there was nothing but land: not a country at all, but the materials out of which countries were made...Between that earth and that sky I felt erased, blotted out". Mary Cather had six more children after Willa: Roscoe, Douglass, Jessica, James, John, and Elsie. Cather was closer to her brothers than to her sisters whom, according to biographer Hermione Lee, she "seems not to have liked very much." Cather read widely, having made friends with a Jewish couple, the Weiners, who offered her free access to their extensive library.She made house calls with the local physician, Dr. Robert Damerell, and decided to become a doctor. After Cather's essay on Thomas Carlyle was published in the Nebraska State Journal during her freshman year at the University of Nebraska, she became a regular contributor to the Journal. In addition to her work with the local paper, Cather also served as the managing editor of The Hesperian, the University of Nebraska's student newspaper, and associated at the Lincoln Courier....................

Behind "The Song of the Lark" is a true story. In 1913, working on a piece for McClure's magazine, Cather interviewed the opera star Olive Fremstad, who had been born in Sweden and raised in Minnesota. By coincidence, the night of their first meeting, Cather went to see a production at the Met; right before the performance was to begin, the director learned that the lead singer had fallen into a dead faint. With only minutes to prepare for the role, Fremstad agreed to fill in, and Cather was amazed that the tired, faded, unapproachable star she interviewed earlier in the day had somehow transformed herself into "a vision of dazzling youth and beauty." From this kernel grew the story of Thea Kronborg, the heroine of "The Song of the Lark," which is Cather's portrait of the diva as a young woman. The first part, "Friends of Childhood," is standard bildungsroman fare: a young farm girl from a large family in Moonstone, Colorado, grows up and moves to the big city--in this case, Chicago--to pursue her dreams. The early sections of the book are pure Cather: a strong-headed yet friendly young girl surrounded by a colorful cast of multi-ethnic characters, from the anonymous tramp who drowns himself in the water tank to her alcohol-fueled German music teacher to the lively free-spirits living in the Mexican section of town. Nearly a novel unto itself, this opening section sketches the entire town of Moonstone with a multiplicity of tragicomic details. When Thea moves to Chicago, however, both her character and the book's tone changes. Initially her studies go well, but she finds her artistic growth chained by the expectations of the folks back home. Her awakening occurs when she travels to the American Southwest and stays near the ancient dwellings of the cave-dwellers; her removal from the influence of her Moonstone family and the stress of her Chicago education results in her emotional breakthrough. Thea realizes she will find success only after she has stripped away the vestiges of her countrified upbringing and forfeited her life, her friends, even herself to her art. Thea explains this sacrifice in terms similar to what the real-life Olive Fremstad told Cather: "It takes you up, and uses you, and spins you out; and that is your life. Not much else can happen to you." "The Song of the Lark" melds two seemingly disparate literary traditions: the Western realism of the book's first half recalls Sinclair Lewis and the drawing-room sophistication of the later sections evokes Edith Wharton. The disparity was intentional: Cather's premise is that the artist must completely transform herself if she expects to shake the dust off her childhood moccasins and step into the heels of an artiste. Similarly, that very transformation (and the length required to present it) is what makes Cather's novel so difficult for many readers: in order to become a star, Thea turns into a self-centered prima donna, a character who may be admirable but who is not always very likeable. Ultimately, this book is about the diva's journey from a sturdy Swedish immigrant child to "The Great Kronborg," a Wagnerian opera Diva on the stages of Europe. The novel contains many memorable characters--and a transformation scene in Arizona that is among the most important in Cather's work. It's also deeply moving. For anyone who loves American literature, it should not be missed.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

WRITTEN DURING WW I WHILE THE SPANISH INFLUENZA RAGED.............. "One of Ours" is Willa Cather's 1923 Pulitzer Prize-winning novel about the making of an American soldier. Claude Wheeler, the sensitive but aspiring protagonist, has ready access to his family's fortune but refuses to settle for it. Alienated from his uncaring father and pious mother, and rejected by a wife whose only love is missionary work, Claude is an idealist without ideals to cling to. Only when his country enters the Great War does he find the meaning of his life.

Full text.The Cather's first masterpiece tells the stories of an orphaned boy from Virginia, Jim Burden, and the elder daughter in a family of Bohemian immigrants, Ántonia Shimerda, who are each brought as children to be pioneers in Nebraska towards the end of the 19th century. Both the pioneers who first break the prairie sod for farming, as well as of the harsh but fertile land itself, feature in this American novel. The first year in the very new place leaves strong impressions in both children, affecting them lifelong.Quote: "Nothing happened. I did not expect anything to happen. I was something that lay under the sun and felt it, like the pumpkins, and I did not want to be anything more. I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air, or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep."

Near Rattlesnake Creek, on the side of a little draw stood Canute's shanty. North, east, south, stretched the level Nebraska plain of long rust-red grass that undulated constantly in the wind. To the west the ground was broken and rough, and a narrow strip of timber wound along the turbid, muddy little stream that had scarcely ambition enough to crawl over its black bottom. If it had not been for the few stunted cottonwoods and elms that grew along its banks, Canute would have shot himself years ago. The Norwegians are a timber-loving people, and if there is even a turtle pond with a few plum bushes around it they seem irresistibly drawn toward it. As to the shanty itself, Canute had built it without aid of any kind, for when he first squatted along the banks of Rattlesnake Creek there was not a human being within twenty miles. It was built of logs split in halves, the chinks stopped with mud and plaster. The roof was covered with earth and was supported by one gigantic beam curved in the shape of a round arch. It was almost impossible that any tree had ever grown in that shape. The Norwegians used to say that Canute had taken the log across his knee and bent it into the shape he wished. There were two rooms, or rather there was one room with a partition made of ash saplings interwoven and bound together like big straw basket work. In one corner there was a cook stove, rusted and broken. In the other a bed made of unplaned planks and poles. It was fully eight feet long, and upon it was a heap of dark bed clothing. There was a chair and a bench of colossal proportions. There was an ordinary kitchen cupboard with a few cracked dirty dishes in it, and beside it on a tall box a tin washbasin. Under the bed was a pile of pint flasks, some broken, some whole, all empty.

Willa Cather's third novel. The Song of the Lark is the self-portrait of an artist in the making.