Bøger af William Desmond

William Desmond, taking issue with typical assessments of the ancient Cynics, contends that figures such as Antisthenes and Diogenes were not cultural outcasts or marginal voices in the classical culture of the fifth and fourth centuries B.C. Rather, the Cynic movement had deep and significant roots in what Desmond calls "the Greek praise of poverty." Desmond demonstrates that classical attitudes toward wealth were complex and ambivalent, and allowed for an implicit praise of poverty and the virtues it could inspire. From an economic and political point of view, the poor majority at Athens and elsewhere were natural democrats who distrusted great concentrations of wealth as potentially oligarchical or tyrannical. Hence, the poor could be praised in contemporary literature for their industry, honesty, frugality, and temperance. The rich, on the other hand, were often criticized as idle, unjust, arrogant, and profligate. These perspectives were reinforced by typical Greek experiences of war, and the belief that poverty fostered the virtues of courage and endurance. Finally, from an early date, Greek philosophers associated wisdom with the transcendence of sense experience and of such worldly values as wealth and honor. The Cynics, Desmond asserts, assimilated all of these ideas in creating their distinctive and radical brand of asceticism. Theirs was a startling and paradoxical outlook, but it had broad appeal and would persist to exert a manifold influence in the Hellenistic period and beyond.

Philosophy and its Others responds to the widespread sense that philosophy must renew its intellectual community with other significant ways of being and mind. The author articulates philosophy's community of mind with the aesthetic, the religious, and the ethical, without losing any of its own distinctive voice. He develops an original and constructive position between these extremes: the Hegelian extreme which reduces the plurality of others to a dialectical totality and the Wittgensteinian and deconstructive options that celebrate plurality, but without a proper sense of the connectedness of philosophy and its others.

This is the culmination of a systematic metaphysics written by a world-class philosopher, demonstrating the need for a renewal of metaphysics.

Godsends is William Desmond's newest addition to his masterwork on the borderlines between philosophy and theology.For many years, William Desmond has been patiently constructing a philosophical project-replete with its own terminology, idiom, grammar, dialectic, and its metaxological transformation-in an attempt to reopen certain boundaries: between metaphysics and phenomenology, between philosophy of religion and philosophical theology, between the apocalyptic and the speculative, and between religious passion and systematic reasoning. In Godsends, Desmond's newest addition to his ambitious masterwork, he presents an original reflection on what he calls the "e;companioning"e; of philosophy and religion. Throughout the book, he follows an itinerary that has something of an Augustinian likeness: from the exterior to the interior, from the inferior to the superior. The stations along the way include a grappling with the default atheism prevalent in contemporary intellectual culture; an exploration of the middle space, the metaxu between the finite and the infinite; a dwelling with solitudes as thresholds between selving and the sacred; a meditation on idiot wisdom and transcendence in an East-West perspective; an exploration of the different stresses in the mysticisms of Aurobindo and the Arnhem Mystical Sermons; a dream monologue of autonomy, a suite of Kantian and post-Kantian variations on the story of the prodigal son; a meditation on the beatitudes as exceeding virtue, in light of Aquinas's understanding; and culminating in an exploration of Godsends as telling us something significant about the surprise of revelation in word, idea, and story. Godsends is written for thoughtful persons and scholars perplexed about the place of religion in our time and hopeful for some illuminating companionship from relevant philosophers. It will also interest students of philosophy and religion, especially philosophical theology and philosophical metaphysics.

This book dwells on elemental experiences that keep the soul alive to the enigma of the divine. It pursues what is intimate yet universal: sleep, reverence, hatred and love, peace and war. It looks at religion with an open mind, asking how philosophy might stand up to some of the questions posed to it by religion, not just vice versa.

An examination, interpretation and critical engagement with Hegel's philosophy of religion, and with his concept of God in particular. William Desmond explores the distinctive stresses of Hegel's approach to God, the influence it has exerted, and the fundamental problems that his approach exhibits.

An original work which rethinks the question of God in a constructive spirit, drawing its conclusions by considering ideas received from both philosophy and religion.

William Desmond sees religion, art, philosophy, and politics as essential and distinctive modes of human practice, manifestations of an intimate universality that illuminates individual and social being. They are also surprisingly permeable phenomena, and by observing their relations, Desmond captures notes of a clandestine conversation that transforms ontology.

In contemporary philosophy the status, indeed the very viability of metaphysics is a much contested issue. The reflections offered here explore diverse aspects of this contested status and offer a defense of metaphysics.

Offers a survey of Cynicism, its varied representatives and ideas, and the many contexts in which it operated. This book introduces important ancient Cynics and their times, from Diogenes 'the Dog' in the fourth century BC to Sallustius in the fifth century AD.

Many philosophers since Hegel have been disturbed by the thought that philosophy inevitably favors sameness over otherness or identity over difference. Originally published at a time when the issue was not so widely discussed in the English-speaking world, William Desmond here offers a constructive and positive approach to the problem of difference and otherness. He systematically explores the question of dialectic and otherness by analyzing how human desire inevitably seeks immanent wholeness in a manner that opens it to irreducible otherness. He faces the difficulties bequeathed to Continental thought by Hegelian dialectic and its tendency to subordinate difference to identity, whether appropriately or not. Unlike many recent critics of Hegel, he argues that we must preserve what is genuine in dialectic. Granting the positive power of dialectic, Desmond offers his first articulation of a further philosophical possibility--what he terms the Metaxological--a discourse of the ""between,"" a discourse doing justice to desire's search for wholeness without any truncating of its radical openness to otherness. In a wide-ranging yet unified discussion, Desmond tackles such issues as the nature of the self, the ambiguous restlessness and inherent power of being revealed by human desire, desire's relation to transcendence, its openness to otherness in agapeic good will and in relation to the sublime as an aesthetic infinitude. Finally, Desmond brings this metaxological understanding to bear on the metaphysical question of the ultimate origin. This book is a remarkable introduction to Desmond's metaxological philosophy, prefiguring many of the ideas with which his later thought is associated. This second edition contains a substantial new preface and an afterword to each chapter in which Desmond reflects on the material from the standpoint of his current thinking.

Explains Cynicism's rise in popularity in the ancient world by exploring the set of attitudes that collectively formed the Greek praise of poverty. The author argues that economic, military, and philosophical thought contains explicit criticisms of wealth and praise of poverty. This is a work of ancient Cynicism and its classical environment.

Explores the contested place of metaphysics since Kant and Hegel, arguing for a renewed metaphysical thinking about the intimate strangeness of being.