Bøger af William Gilpin

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1782, the present work was the first in a series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made, equipped with notebook and sketching materials, along the River Wye and into South Wales, visiting such notable sites as Tintern Abbey. As well as describing his route and its highlights, Gilpin includes several reproductions of his pen-and-wash drawings. Further developing and exploring the concept of the picturesque, his later volumes of Observations on various parts of Britain are also reissued in the Cambridge Library Collection.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. This appraisal of prints, first published anonymously in 1768 to positive reviews, defines the concept as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1804, the present work is one of a series which records his reflections on the picturesque across British landscapes. It traces the journey he made in 1774, equipped with notebook and sketching materials, along England's south coast from Portsmouth to Dover and Canterbury via Brighton, Rye and Romney Marsh. He describes his impressions of famous landmarks such as the South Downs, Petworth House, Dover Castle and Canterbury Cathedral, and includes several reproductions of his pen-and-wash drawings. The companion volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1798, the present work is one of a series which records his reflections on the picturesque across British landscapes. It traces the journey he made, equipped with notebook and sketching materials, westwards from Wiltshire through Somerset and Devon to Cornwall, returning via Dorset, Hampshire and the Isle of Wight. He describes his impressions of famous landmarks such as Stonehenge, Glastonbury Abbey, the River Tamar and Carisbrooke Castle, and includes several evocative reproductions of his pen-and-wash drawings. The companion volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1786, this two-volume work formed part of a successful series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made in 1772, equipped with notebook and sketching materials, in the Lake District. Describing his route from southern England, noting highlights along the way, Volume 1 includes discussion of Furness, Windermere and Keswick. The volume also features several reproductions of Gilpin's pen-and-wash drawings. Further exploring the concept of the picturesque, his volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1786, this two-volume work formed part of a successful series which recorded his reflections on the picturesque across British landscapes. It traces the journey he made in 1772, equipped with notebook and sketching materials, in the Lake District. Continuing to describe his route and its highlights, Volume 2 includes discussion of parts of Yorkshire, Derbyshire, Leicestershire and Northamptonshire as well as the Lakes. The volume also features several reproductions of Gilpin's pen-and-wash drawings. Further exploring the concept of the picturesque, his volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection.

This two-volume work on the picturesque qualities of forest landscapes, inspired by William Gilpin's walks and rides around his New Forest home, was published in 1791. In Volume 1 he discusses different forests and tree species, the results of maintenance and felling, and the effects of light and shade.

Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724-1804) is best known for his works on the picturesque. In his Essay on Prints, published in 1768 and reissued in this series, he defined picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. First published in 1809, the present work is one of a series which records his reflections on the picturesque across British landscapes. It traces two journeys he made equipped with notebook and sketching materials: the first in 1769 across East Anglia, and the second in 1773 from Anglesey south-east to Shrewsbury. He describes his impression of notable sites such as Cambridge, Houghton Hall and its art collection, Beaumaris Castle and Snowdon, and includes reproductions of his pen-and-wash drawings. The companion volumes of Observations on other parts of Britain are also reissued in the Cambridge Library Collection.