Bøger af William L. Fox

Foreword by Jeff Kelley. Nevada's open spaces have long inspired complex responses from a population largely shaped by European sensibilities toward land and its uses. In Mapping the Empty Fox considers how eight of the state's most distinguished and innovative contemporary artists have responded to the harsh, enigmatic landscapes of the Great Basin and how, through their work, they have expressed and helped to define our attitudes toward the space we call the West. The artists are Jim McCormick, Rita Deanin Abbey, Dennis Parks, Walter McNamara, Robert Beckmann, Michael Heizer, Bill Barker, and Mary Ann Bonjorni.

William L. Fox is a longtime explorer of cognition and landscape -- the notion of what makes a space into a place. In this book he turns his gaze on Los Angeles, a city dominated by the movie industry, which specializes in bringing places from far away in time into what we experience as here and now -- making time, in essence. Time, Fox tells us, is the most invisible nature of all, "its effects are always and everywhere around us." The five essays of this collection take us to the Le Brea Tar Pits and local oilfields, the telescopes and telecommunication towers of Mt. Wilson, massive landfills, the Forest Lawn Memorial and Griffith parks, a Hollywood special effects firm, and the Jet Propulsion Laboratory. All of these facilities are devoted to manipulating time on our behalf, be it how we represent prehistory, attempt to maintain an identity after death, or make movies on Mars. A master of combining science, history, and his own experiences into a riveting read, Fox will make you look at L.A. -- and any urban landscape -- in an entirely new way.

The most comprehensive account available of Michael Heizer's art by a writer and curator who has critical experience with the artist and his work.Michael Heizer is among the greatest, and often least accessible, American artists. As one of the last living figures who launched the Land Art movement, his legacy of works that are literally and metaphorically monumental has an incalculable influence on the world of sculpture and environmental art. But his seclusion in the remote Nevada desert, as well as his notorious obduracy, have resulted in significant gaps in our critical understanding. Michael Heizer: The Once and Future Monuments spans the breadth of Heizer's career, uniquely combining fieldwork, personal narrative, and biographical research to create the first major assessment in years of this titan of American art.Author William L. Fox, founding director of the Center for Art + Environment at the Nevada Museum of Art, has alternately been a sponsor, advocate, and critic of Heizer's work for decades. Fox's understanding of the artist's history and connection to landscape, his time spent with Heizer at the remote ranch where Heizer is finishing his magnum opus--the mile-long sculpture City--and his access to some of Heizer's key associates give him a unique position from which to discuss the artist's work. Fox has also made numerous site visits to Heizer's work--including early pieces in the Nevada desert now largely lost to the elements--to correct the often inconsistent accounts of their locations. Last, Fox imparts a crucial new understanding of Heizer's work by elaborating on the artist's bond with his father, the famed archaeologist and cultural ecologist Robert Heizer, who enlisted his son on important digs in Mexico and Peru, providing the young man with an appreciation of site, landscape, and geology that would thoroughly inform his work. Michael Heizer: The Once and Future Monuments is a long overdue addition to the critical and biographical literature of this major figure in American art.

In the eight essays collected here, William L. Fox considers the American West's emptiest spaces - the playas, or dry beds, of the lakes that once filled much of the Great Basin. Combining natural history, philosophy and art criticism, he meditates on our aversion to and fascination with the void.