Bøger af William Maxwell

A guidebook that provides you with what you need to navigate the highyield market in the integrated global economy. It gives you the insight and strategies you need to: use the Sharpe ratio to measure the return versus risk for high-yield debt; develop and oversee a portfolio of high-yield bonds; and, value individual high-yield issuances.

Under a grey English sky, one ponders humanity and its existence. The components of societal structure and the potential for its downfall. Life and death. Tea and coffee. The many wars fought by valiant men. These profound notions are explored in William Maxwell's first collection of poems.

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Genius Baby may be the first serious contender for "The Great American Novel" since the 1920's. Genius Baby does for a model American character what the stories of Dostoevsky and Tolstoy did for the archetypal Russian characters or what Cervantes' Don Quixote did for the confused middle class Spanish seeker looking for a just social order. Genius Baby is a work of fiction deeply rooted in the reality of scientific research on human development, with especial attention to the beauty and flaws of representative samples of the American dream. We first meet the primary hero of the story, Richard Milton-Chu, in the memory of his father who is re-living Richard's immaculate birth. Richard is born in a modified Jacuzzi where the 97F degree water is pre-warmed, purified by ultra-violet light and refreshed so that the baby's birth is facilitated by both gravity and buoyancy. The modified Jacuzzi is fitted with a birthing stool and holders for everything needed by the mother and her assisting midwife so that when the time of birth comes, the room can be reduced to zero light, total darkness, so that the baby's eyes are not burned by harsh light. All of the baby's senses are respected, initially: no light, no sound, no hard surfaces, no odors, and no temperature changes. Gradually the light is raised and the baby finds his mother's arms. But the umbilical cord is not snipped until it collapses, indicating that all of the baby's lungs, heart, and brain switches have been turned either on or off as coordinated by nature's own timers, and the baby can now breathe on his own and by his own free will -- not rudely jerked into what the baby perceives as peril. We next meet Richard twenty-three months later when several crises overtake his patent attorney father, his children's story writer mother, an inventive genius from Kenya, and two scholarly patent attorneys from France who discovered and partnered with the Kenyan genius. With the help of the French attorneys, the Kenyan genius developed a new energy device that converts solar energy to electrical energy at about four times the efficiency of current models. Consequently, greedy bureaucrats and energy industry capitalists get word of the invention and conspire to thwart its development at all costs. The villains enlist the assistance of a KGB-trained "murder specialist" and four misguided pawns from Albania. The plot of the story is open enough to allow for the reader to observe the problems that a modern, intelligent father and mother have in trying to educate a child who is far more intelligent than they. The story evolves to include issues relating to slavery, America's number one curse, inter-racial marriage, class and caste in America and in the world, and the interplay of music with psychological health. The several endings obey the American vision of "All's well that ends well," as long as some punishments are handed out for wrong thoughts and rewards exceed punishments.

The First Hero is history fiction for children ages 10 to 18 and details how humankind's first inventions came about. The story element is the universal story of heroes seeking to live in a healthier environment, less despotism, more respect. Perils abound in each enviornment, but these children conquer each. This heroic family begins their journey from a steamy rain forest in what is now Nigeria, moves to a savannah with very different animals and dangers; moves on to a safer mountain where the reader meets three generations of the pioneers of all human cultures and civilizations. For centuries, opinion leaders, including popular movies and news stories, have presented nearly all of Africa in an unfavorable light. The effects of such myths are profound, justifying colonialism, slavery, economic exploitation, and even stimulating racist theories. This book looks at Africans of 190,000 years ago with huge admiration and invites the readers to re-think the stereotypes they absorbed from biased sources. Heroism is a trait that lies in all humans as a potential. That nobel quality blossoms frequently and sometimes insistently, but not always. The early history of the first truly human family is told by the bravest daughter/sister, Venus. The reader meets her and her grandchildren and grandnieces and grandnephews at humankind's first fireside. Venus tells how the family escape the control of an Alpha Male, the childrens great grandfather, by fleeing to the savannah. In the savannah the family meets new kinds of threats, including the most powerful master of the savannah, the soon-to-be-made extinct Giant Brown Bear. One memberr of that fearsome species eats the children's mother, rendering all six orphans. Grief is so profound that Venus invents humankind's first articulate word, am'mah (mother). The challenge of living in a cooler climate generates new inventions, beginning with the kaftan. The first music, the first raft, the first organized war party, the first celebratory dance are but a few of the amazing inventions that this heroic family creates to start humankind on the long and difficult path from primate culture to truly human culture. The oldest son, soon named "Torchbearer," connects the pre-puberty family to the transcendental and begins to enforce necessary rules for the healthy survival of his family. The reader is drawn into the story by realistic depictions of what dangers and challenges our brave ancestors conquered.

"An illuminating celebration of an author widely regarded as one of the twentieth century's great unsung heroes of American literature As a fiction editor at The New Yorker from 1936 to 1975, William Maxwell helped shaped several generations' sense of the literary short story. At the same time, Maxwell himself was also an exceptional novelist, short story writer, essayist, children's author, and memoirist. Given unique, unfettered access to Maxwell's private papers, Alec Wilkson--whose memoir My Mentor explores his twenty-five-year friendship with Maxwell--has gathered a stunning and reveling collection of some of Maxwell's lesser-known and previously unpublished works of nonfiction and fiction. The Room Outside includes biographical sketches; remembrances of fellow authors, such as the poet Louise Bogan and short story writer Maeve Brennan; a 1941 nonfiction piece about Bermuda in 1941 that was the only piece of long reporting Maxwell ever published in The New Yorker; and Maxwell's thoughts on the craft of writing, many of them made privately. While Maxwell often said he never kept a journal because anything worth writing about was something a writer would remember, The Room Outside proves otherwise: included are many notes from his private journals, including some that became parts of his revered novels, such as The Folded Leaf. Re-reading Maxwell's work leads Wilkinson to think "I am still often amazed-at the subtlety of the art, the depth of what he saw, at his capacity for dramatizing situations that require a rare hand and eye." Maxwell passed away in 2000 at the age of ninety-one. The Room Outside is a celebration of his legacy in American letters"--

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Title: Poems.Author: William MaxwellPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP02259400CollectionID: CTRG97-B1884PublicationDate: 18160101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Added engraved t.p.Collation: vii, 168 p.; 13 cm

In these tales, with one foot firmly planted in the present, Maxwell brings a certain sophisticated urbanity to the oral traditions of the fable and fairy tale. "The total effect is of something midway between the Brothers Grimm and Kafka, with perhaps a touch of Zen." (NYRB April 1966) While modern enough in locale and context, they are as old as humanity itself in what concerns them. And always that voice, the age old voice of the storyteller, the eternal magic of the speaking human voice. Such simplicity takes true artistry and Maxwell has that in spades.

Pregnant with her second child, Martha King finds her marriage to lawyer Austin King more and more frustrating when her husband befriends his young foster cousin, Nora, and, in the process, unwittingly jeopardizes his marriage, career, and place in the community.

It is 1948 and a young American couple arrive in France for a holiday, full of anticipation and enthusiasm. But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.