Bøger af William Morris

The second in the Morris's Manifestos series, The Decorative Arts is a passionate argument against the homogenisation of production, and a cry for art to make itself seen in design - 'art will make our streets as beautiful as the woods, as elevating as the mountainsides.'

The Roots of the Mountains; Wherein Is Told Somewhat of the Lives of the Men of Burgdale, Their Friends, Their Neighbours, Their Foemen, and Their Fellows in Arms, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures English literature

This book is a compilation of the works of William Morris, a notable English poet, designer, and socialist activist. It includes the epic poem "The Life and Death of Jason," which tells the story of the legendary hero and his quest for the Golden Fleece.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Pilgrims of Hope and Chants for Socialists, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

William Morris (24 March 1834 - 3 October 1896) was an English writer. As an author, illustrator and medievalist, he helped to establish the modern fantasy genre, and was a direct influence on postwar authors such as J. R. R. Tolkien. Morris wrote and published poetry, fiction, and translations of ancient and medieval texts throughout his life. His best-known works include The utopian News from Nowhere (1890), and the fantasy romance The Well at the World's End (1896). In this book: The Well at the World's End: a tale, News from Nowhere, or, an Epoch of Rest: being some chapters from a utopian romance, The Wood Beyond the World, The House of the Wolfings

The House of the Wolfings is a novel written by William Morris in 1889. The story is set in a fictional world inspired by Norse mythology and Germanic culture. The Wolfings are a tribe of people who live in a village in the forest, surrounded by enemies who threaten their way of life. The story follows the Wolfings as they prepare for battle against their enemies, the Romans, who are led by a powerful warrior named Hiarandi. The Wolfings are led by Thiodolf, a brave and charismatic leader who inspires his people to fight for their freedom. The novel explores themes of heroism, sacrifice, and the struggle for survival in a harsh and dangerous world. Morris's writing is known for its vivid descriptions of nature and his use of archaic language, which adds to the mythic quality of the story. The House of the Wolfings is considered a classic of fantasy literature and is a must-read for fans of the genre.Within under the Hall-Sun, amidst the woven stories of time past, sat the elders and chief warriors on the dais, and amidst of all a big strong man of forty winters, his dark beard a little grizzled, his eyes big and grey. Before him on the board lay the great War-horn of the Wolfings carved out of the tusk of a sea-whale of the North and with many devices on it and the Wolf amidst them all.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Es ist eine Erzählung über die siegreiche Arbeiterklasse im Jahr 2000. Ein wundervolles Bild der Verwirklichung revolutionärer Träume, wenn alle die Aufgaben übernehmen, die sie am besten machen können und wo jede Frau und jeder Mann genügend Freizeit für Lernen und Vergnügen hat. Was wird aus den Gefängnissen, Politikern und Millionären, aus der Armut, der Justiz und den Gesetzen, wenn die Arbeiter die Fesseln der Lohnsklaverei abwerfen und die kapitalistische Klasse besiegen? Ausgabe von 1890 Weitere Klassiker unter: www.buch-klassiker.de

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Collected Works Of William Morris: The Water Of The Wondrous Isles; Volume 20 Of The Collected Works Of William Morris: With Introductions By His Daughter May Morris; William Morris William Morris, May Morris Longmans, Green and company, 1913

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Poetical Works, Volume 3; Poetical Works; William Morris William Morris Longmans, Green, 1896

The Roots of the Mountains is a novel by William Morris that tells the story of the people of Burgdale, a fictional valley in medieval Scandinavia. The book explores the lives of the men of Burgdale, their friends, neighbors, foes, and fellow warriors. The story follows the journey of a group of Burgdale men who set out to explore the roots of the mountains and discover the secrets of their ancestors. Along the way, they encounter various challenges, including battles with neighboring tribes and conflicts within their own community. The novel is a richly detailed and immersive work of historical fiction that delves into the themes of love, war, loyalty, and honor. It is widely regarded as one of Morris's best works and a classic of the fantasy genre.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Defence Of Guenevere, And Other Poems. Repr William Morris

The Sundering Flood is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature.The Sundering Flood was Morris' last work of fiction, completed only in rough draft, with the ending dictated from his deathbed. It was edited posthumously by his daughter May into finished form for publication and published in 1897. Morris considered his fantasies a revival of the medieval tradition of chivalrous romances; consequently, they tend to have sprawling plots of strung-together adventures. His use of archaic language has been seen as difficult by some modern readers. Plot summary[edit] Osberne Wulfgrimsson and Elfhild are lovers who live on opposite sides of the Sundering Flood, an immense river. When Elfhild disappears during an invasion by the Red Skinners, the heartbroken Osberne takes up his magical sword Boardcleaver and joins the army of Sir Godrick of Longshaw, in whose service he helps dethrone the tyrannical king and plutocracy of merchants ruling the city at the mouth of the river. Afterwards he locates Elfhild, who had fled with a relative, a wise woman skilled in the magical arts, and taken refuge in the Wood Masterless. Elfhild tells Osberne of their adventures en route to safety. Afterwards they return together to Wethrmel, Osberne's home, and all ends happily. William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co.

A life scarce worth the living, a poor fame Scarce worth the winning, in a wretched land, Where fear and pain go upon either hand, As toward the end men fare without an aim Unto the dull grey dark from whence they came: Let them alone, the unshadowed sheer rocks stand Over the twilight graves of that poor band, Who count so little in the great world's game! Nay, with the dead I deal not; this man lives, And that which carried him through good and ill, Stern against fate while his voice echoed still From rock to rock, now he lies silent, strives With wasting time, and through its long lapse gives Another friend to me, life's void to fill. WILLIAM MORRIS.

News from Nowhere (1890) is a classic work combining utopian socialism and soft science fiction written by the artist, designer and socialist pioneer William Morris. It was first published in serial form in the Commonweal journal beginning on 11 January 1890. In the novel, the narrator, William Guest, falls asleep after returning from a meeting of the Socialist League and awakes to find himself in a future society based on common ownership and democratic control of the means of production. In this society there is no private property, no big cities, no authority, no monetary system, no divorce, no courts, no prisons, and no class systems. This agrarian society functions simply because the people find pleasure in nature, and therefore they find pleasure in their work. The novel explores a number of aspects of this society, including its organisation and the relationships which it engenders between people. Morris fuses Marxism and the romance tradition when he presents himself as an enchanted figure in a time and place different from Victorian England. As Morris, the romance character, quests for love and fellowship-and through them for a reborn self-he encounters romance archetypes in Marxist guises. Old Hammond is both the communist educator who teaches Morris the new world and the wise old man of romance. Dick and Clara are good comrades and the married lovers who aid Morris in his wanderings. The journey on the Thames is both a voyage through society transformed by revolution and a quest for happiness. The goal of the quest, met and found though only transiently, is Ellen, the symbol of the reborn age and the bride the alien cannot win. Ellen herself is a multidimensional figure: a working class woman emancipated under socialism, she is also a benign nature spirit as well as the soul in the form of a woman.The book offers Morris' answers to a number of frequent objections to socialism, and underlines his belief that socialism will entail not only the abolishment of private property but also of the divisions between art, life, and work. In the novel, Morris tackles one of the most common criticisms of socialism; the supposed lack of incentive to work in a communistic society. Morris' response is that all work should be creative and pleasurable. This differs from the majority of Socialist thinkers, who tend to assume that while work is a necessary evil, a well-planned equal society can reduce the amount of work needed to be done by each worker. News From Nowhere was written as a Libertarian socialist response to an earlier book called Looking Backward, a book that epitomises a kind of state socialism that Morris abhorred. It was also meant to directly influence various currents of thought at the time regarding the tactics to bring about socialism........ William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co......

The Sundering Flood is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature.The Sundering Flood was Morris' last work of fiction, completed only in rough draft, with the ending dictated from his deathbed. It was edited posthumously by his daughter May into finished form for publication and published in 1897. Morris considered his fantasies a revival of the medieval tradition of chivalrous romances; consequently, they tend to have sprawling plots of strung-together adventures. His use of archaic language has been seen as difficult by some modern readers. Plot summary[edit] Osberne Wulfgrimsson and Elfhild are lovers who live on opposite sides of the Sundering Flood, an immense river. When Elfhild disappears during an invasion by the Red Skinners, the heartbroken Osberne takes up his magical sword Boardcleaver and joins the army of Sir Godrick of Longshaw, in whose service he helps dethrone the tyrannical king and plutocracy of merchants ruling the city at the mouth of the river. Afterwards he locates Elfhild, who had fled with a relative, a wise woman skilled in the magical arts, and taken refuge in the Wood Masterless. Elfhild tells Osberne of their adventures en route to safety. Afterwards they return together to Wethrmel, Osberne's home, and all ends happily. William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co.

This Is A New Release Of The Original 1905 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Sundering Flood is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature.The Sundering Flood was Morris' last work of fiction, completed only in rough draft, with the ending dictated from his deathbed. It was edited posthumously by his daughter May into finished form for publication and published in 1897. Morris considered his fantasies a revival of the medieval tradition of chivalrous romances; consequently, they tend to have sprawling plots of strung-together adventures. His use of archaic language has been seen as difficult by some modern readers. Plot summary[edit] Osberne Wulfgrimsson and Elfhild are lovers who live on opposite sides of the Sundering Flood, an immense river. When Elfhild disappears during an invasion by the Red Skinners, the heartbroken Osberne takes up his magical sword Boardcleaver and joins the army of Sir Godrick of Longshaw, in whose service he helps dethrone the tyrannical king and plutocracy of merchants ruling the city at the mouth of the river. Afterwards he locates Elfhild, who had fled with a relative, a wise woman skilled in the magical arts, and taken refuge in the Wood Masterless. Elfhild tells Osberne of their adventures en route to safety. Afterwards they return together to Wethrmel, Osberne's home, and all ends happily. William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co.

The Story of Sigurd the Volsung and the Fall of the Niblungs (1876) is an epic poem of over 10,000 lines by William Morris that tells the tragic story, drawn from the Volsunga Saga and the Elder Edda, of the Norse hero Sigmund, his son Sigurd (the equivalent of Siegfried in the Nibelungenlied and Wagner's Ring of the Nibelung[1][2]) and Sigurd's wife Gudrun. It sprang from a fascination with the Volsung legend that extended back twenty years to the author's youth, and had already resulted in several other literary and scholarly treatments of the story. It was Morris's own favorite of his poems, and was enthusiastically praised both by contemporary critics and by such figures as T. E. Lawrence and George Bernard Shaw.[3][4][5] In recent years it has been rated very highly by many William Morris scholars, but has never succeeded in finding a wide readership on account of its great length and archaic diction.[6] It has been seen as an influence on such fantasy writers as Andrew Lang and J. R. R. Tolkien.[7][8] The Story of Sigurd is available in modern reprints, both in its original form and in a cut-down version, but there is no critical edition. Synopsis Book I: Sigmund The poem opens with the marriage of king Volsung's daughter Signy to Siggeir, king of the Goths. The bridal feast is interrupted by the arrival of a stranger, the god Odin in disguise, who drives a sword into a tree-trunk. Though everyone tries to draw the sword, Volsung's son Sigmund is the only man who can do it. The disappointed Siggeir takes his new wife home, inviting Volsung to visit him. When Volsung does so he is killed by Siggeir, and his sons are taken prisoner. While in captivity they are all killed by a wolf, apart from Sigmund who escapes into the forest. Signy sends Sigmund her two sons to help him in avenging their family, but Sigmund only accepts Sinfjotli, the hardier of the two. Sigmund and Sinfjotli kill Siggeir and burn down his hall, then return to their ancestral home, the hall of the Volsungs. Sigmund marries Borghild, while Sinfjotli goes abroad with Borghild's brother, quarrels with him, and kills him. On his return Sinfjotli is poisoned by Borghild, and she is turned out by Sigmund, who instead marries Hiordis. Sigmund is killed in battle, and the pregnant Hiordis is taken to live in the hall of King Elf in Denmark. Book II: Regin There she gives birth to Sigurd. Sigurd is raised by Regin, a cunning old man, and when he grows to manhood he asks for a horse from King Elf. Elf bids him choose the one he likes best, and Sigurd takes the best horse, and names it Grani. Sigurd is now urged by Regin to attack Fafnir, a dragon who guards a hoard of gold. This treasure is a curse to all who possess it. Fafnir, Regin says, was originally a human being; indeed, the dragon was Regin's brother and thus the gold rightfully belongs to Regin. ............ William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. ....

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Doom of King Acrisius is a novel written by William Morris. The story revolves around the life of King Acrisius, who was cursed by an oracle that his daughter Danae would bear a son who would eventually kill him. To prevent this from happening, the king locks Danae in a tower, but Zeus, the god of thunder, falls in love with her and impregnates her. Danae gives birth to a son, Perseus, who is then sent away in a chest to avoid the wrath of the king. The novel follows the life of Perseus, who grows up to become a great warrior and sets out on a quest to slay the Gorgon Medusa, a creature with snakes for hair whose gaze turns people to stone. Along the way, Perseus meets various characters, including the sea god Poseidon and the goddess Athena, who help him on his journey. The Doom of King Acrisius is a classic retelling of the Greek myth of Perseus and Medusa, with Morris's unique style and language. The book is a thrilling adventure that explores themes of fate, destiny, and the power of the gods. It is a must-read for anyone interested in Greek mythology or classic literature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Sundering Flood is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. The Sundering Flood was Morris' last work of fiction, completed only in rough draft, with the ending dictated from his deathbed. It was edited posthumously by his daughter May into finished form for publication and published in 1897. Morris considered his fantasies a revival of the medieval tradition of chivalrous romances; consequently, they tend to have sprawling plots of strung-together adventures. His use of archaic language has been seen as difficult by some modern readers. Plot summary[edit] Osberne Wulfgrimsson and Elfhild are lovers who live on opposite sides of the Sundering Flood, an immense river. When Elfhild disappears during an invasion by the Red Skinners, the heartbroken Osberne takes up his magical sword Boardcleaver and joins the army of Sir Godrick of Longshaw, in whose service he helps dethrone the tyrannical king and plutocracy of merchants ruling the city at the mouth of the river. Afterwards he locates Elfhild, who had fled with a relative, a wise woman skilled in the magical arts, and taken refuge in the Wood Masterless. Elfhild tells Osberne of their adventures en route to safety. Afterwards they return together to Wethrmel, Osberne's home, and all ends happily. William Morris (24 March 1834 - 3 October 1896) was an English textile designer, poet, novelist, translator, and socialist activist. Associated with the British Arts and Crafts Movement, he was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he played a significant role in propagating the early socialist movement in Britain. Born in Walthamstow, Essex, to a wealthy middle-class family, Morris came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university he trained as an architect, married Jane Burden, and developed close friendships with the Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with the Neo-Gothic architect Philip Webb. Webb and Morris designed a family home, Red House, then in Kent, where the latter lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded a decorative arts firm with Burne-Jones, Rossetti, Webb, and others: the Morris, Marshall, Faulkner & Co. Becoming highly fashionable and much in demand, the firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, Morris assumed total control of the company, which was renamed Morris & Co. Although retaining a main home in London, from 1871 Morris rented the rural retreat of Kelmscott Manor, Oxfordshire. Greatly influenced by visits to Iceland, with Eiríkr Magnússon he produced a series of English-language translations of Icelandic Sagas. He also achieved success with the publication of his epic poems and novels, namely The Earthly Paradise (1868-1870), A Dream of John Ball (1888), the utopian News from Nowhere (1890), and the fantasy romance The Well at the World's End (1896). In 1877 he founded the Society for the Protection of Ancient Buildings to campaign against the damage caused by architectural restoration. Embracing Marxism and influenced by anarchism, in the 1880s Morris became a committed revolutionary socialist activist; after an involvement in the Social Democratic Federation (SDF), he founded the Socialist League in 1884, but broke with that organization in 1890. In 1891 he founded the Kelmscott Press to publish limited-edition, illuminated-style print books, a cause to which he devoted his final years.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.