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The need for a new critical edition of Philip Melanchthon's philosophical works is particularly clear in the case of his writings on rhetoric. That Melanchthon played a central role in the transformation of the ancient discipline has been well established by historians. His writings on rhetoric have proven significant sources for several academic fields, including church history, Scriptural interpretation, the history of science, and the reception of classical literature. Remarkably, two of the three principal writings have not been published in their entirety since the sixteenth century. This volume collects critical editions of the three principal writings to provide a more complete record of Melanchthon's teaching of rhetoric. It includes critical editions of De Rhetorica (1519), Institutiones Rhetoricae (1521), and Elementa Rhetorices (1531). In addition to the three principal writings, this volume collects a new edition, based on a 1911 edition by Hanns Zwicker, of Dispositiones Rhetoricae (c. 1553), a manuscript compilation of 161 model themes. Scholars will find in this volume the major sources for Melanchthon's theory and practice of rhetorical instruction.
A compelling cultural reinterpretation of humanist discourses of boyhood The English epyllion, the highly erotic mythological verse that swept the London literary scene in the 1590s, is as much about rhetoric as about sex. So argues William Weaver in this fascinating study of Renaissance education and poetry. Rhetoric, moreover, is erotic. Far being merely formal, rhetoric is the key to deciphering the cultural meanings of an enigmatic genre. Weaver attends to one of the epyllions defining dramas: boys in transition to adulthood. Whereas recent studies of the epyllion have posited sexuality as the primary, even exclusive, means of representing beautiful boys, Weaver discovers that Renaissance male sexuality itself is an effect of a disciplinary drama of pedagogical transition from boyhood to adolescence, grammar to rhetoric. This drama of differentiation, lucidly expounded by Weaver, is at the heart of the erotic epyllia of Shakespeare, Marlowe and their imitators.Key Features*Focuses on six poems written between 1592 and 1594, looking to the most inventive period of the English epyllion *Documents previously unknown sources of Marlowes Hero and Leander and Shakespeares Venus and Adonis*Makes the first cultural critique of the Renaissance progymnasmata, the popular rhetorical exercises*Shows the vital connections between English poetry and continental rhetoric*Productively complements histories of sexuality, queer theory and feminist criticism
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