Bøger af Yannick Brauner

Essay from the year 2017 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2.3, Bielefeld University, language: English, abstract: Everington, Durham, 1984 ¿ British Prime Minister Margaret Thatcher has just declared war on the mining industry, and therefore, on the entire county. The people have laid down their tools to go on strike, and they are willing to make sacrifices until their fight for better salaries and working conditions succeeds. In this environment, hard men cannot allow themselves to show any weaknesses, because it could lead to the ruin of their families or the entire community. The miners stick together¿anyone who falls out of line, particularly the picket line, will certainly suffer a loss of reputation among the others. In this male-dominated, standardized context, the rise of an individual can attract a great deal of attention, and Billy Elliot represents an individual in every sense of the word. He is a boy on the edge of reaching puberty and does not express himself in the rough Durhamian way. He is bad at boxing and speaks softly. His best friend is a secret homosexual, a misfit in the midst of the community. Despite his uniqueness, Billy still seems to possess a predetermined future: one day, he will become a miner, too. In Everington, your origins determine your future, and it is the natural order of things that a boy will follow in the footsteps of his ancestors. Billy, however, is unwilling to accept this natural order, instead choosing a different way of expressing his feelings and struggle with life. He begins dancing ballet, an unthinkable activity for a boy from Durham, because it exactly contradicts the ideal of rural manhood. Even if Billy works extremely hard to improve his dancing skills with the support of his ballet teacher, he also must convince his biggest critics that his dream is one worth fighting for. Only when his father, his brother and the miners in general finally accept and support his determination can he claim his destiny and achieve his goals.

Seminar paper from the year 2017 in the subject English Language and Literature Studies - Literature, grade: 1.3, Bielefeld University, language: English, abstract: The year 1987 ¿ Ronald Reagan is president of the United States, Huey Lewis and Madonna dominate the charts, and the sleeves of salmon pink sport coats need to be rolled-up. The epicenter of fashion, beauty and power is situated in the financial sector, or more precisely, on Wall Street. To survive in this shark tank, you have to be a predator, and if anyone exemplifies this instinct, it is Patrick Bateman from Bret Easton Ellis¿ novel American Psycho and Mary Harron¿s same-named movie adaptation, which I will mostly refer to. His life revolves around the accumulation of status symbols and the exploitation of other people with the goal of being part of Manhattan¿s high society. Interestingly, the characteristics of this fictional character reflect a real-life historical figure, building a bridge between 1980s New York and the English court of the early 1800s. Ultimately, as this paper demonstrates, Patrick Bateman is a stylized version of George ¿Beaü Brummell, the father of dandyism. Both the dandy¿s ¿highly stylized, painstakingly constructed self¿ (Garelick) and his concealed true self have much in common with the psychological profile of a modern psychopath. As such, Brummell provides the perfect model for the protagonist of American Psycho, who early in the film states, ¿[t]here is an idea of a Patrick Bateman, some kind of abstraction. But there is no real me. Only an entity, something illusory¿ (Harron). The more disturbing one¿s dark inner personality, the more impenetrable the public image. Bateman is a master of sustaining such a façade, and so was Brummell.