Bøger af Ying Zhu

In this issue Letter from the Editor Ying Zhu Hong Kong and Social Movements Hong Kong Unraveled: Social Media and the 2019 Protest Movement Anonymous Unleashing the Sounds of Silence: Hong Kong's Story in Troubled Times Andrea Riemenschnitter Tragedy of Errors at Warp Speed Sam Ho Imagining a City-Based Democracy: Review of The Appearing Demos: Hong Kong During and After the Umbrella Movement by Laikwan Pang, University of Michigan Press, 2020 Enoch Tam Building and Documenting National and Transnational Cinema China and the Film Festival Richard Peña Nationalism from Below: State Failures, Nollywood, and Nigerian Pidgin Jonathan Haynes Collective Memory and the Rhetorical Power of the Historical Fiction Film Carl Plantinga From Nations to Worlds: Chris Marker's Si j'avais quatre dromadaires Michael Walsh Sino-US Relations American Factory and the Difficulties of Documenting Neoliberalism Peter Hitchcock R.I.P. Soft Power: China's Story Meets the Reset Button: Review of Soft Power with Chinese Characteristics: China's Campaign for Hearts and Minds edited by Kingsley Edney, Stanley Rosen, and Ying Zhu, Routledge, 2019 Robert A. Kapp The Narrative of Virus Review: On Epidemics, Epidemiology, and Global Storytelling Carlos Rojas

As China navigates the murky waters of a "third way" with liberal economic policies under a strict political regime, the surprising battleground for China's future emerges in the country's highest rated television network--China Central Television, or CCTV. With 16 internationally broadcast channels and over 1.2 billion viewers, CCTV is a powerhouse in conveying Chinese news and entertainment. The hybrid nature of the network has also transformed it into an unexpected site of discourse in a country that has little official space for negotiation. While CCTV programming is state sponsored--and censored--the popularity and profit of the station are determined by the people. And as the Chinese Communist Party seeks to exert its own voice on domestic and international affairs, the prospect of finding an amenable audience becomes increasingly paramount. Through a series of interviews with a fascinating cast of power players including a director of a special topic program that incited the 1989 student movement, current and past presidents of CCTV, and producers at the frontline of the network's rapidly evolving role in Chinese culture, celebrated media analyst Ying Zhu unlocks a doorway to political power that has long been shrouded in mystery.

In this issue Letter from the Editor - YING ZHU Research Articles Consuming the Pastoral Desire: Li Ziqi, Food Vlogging, and the Structure of Feeling in the Era of Microcelebrity - LIANG LIMIN This Is Not Reality (Ceci n'est pas la réalité): Capturing the Imagination of the People Creativity, the Chinese Subaltern, and Documentary Storytelling - PAOLA VOCI The Networked Storyteller and Her Digital Tale: Film Festivals and Ann Hui's My Way - GINA MARCHETTI "Retweet for More" The Serialization of Porn on the Twitter Alter Community - RUEPERT CAO Book Reviews Dazzling Revelations - Review of Negative Exposures: Knowing What Not to Know in Contemporary China by Margaret Hillenbrand, Duke University Press, 2020 - HARRIET EVANS Speaking Nations, Edge Ways - Reviews of Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound and Stability by Gerald Sim, Amsterdam University Press, 2020; and Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) edited by Gaik Cheng Khoo, Thomas Barker, Mary Ainslie, Amsterdam University Press, 2020 - MIN HUI YEO Film Reviews Nomadland: An American or Chinese Story? Review of Nomadland, directed by Chloe Zhao, 2020 - YING ZHU New from Netflix: Mank, Fincher, and A Hollywood Creation Tale - Review of Mank, directed by David Fincher, 2020 - THOMAS SCHATZ Superheroes: The Endgame - Review of Superhero Movies - PETER BISKIND Short Essay Love and Duty: Translating Films and Teaching Online through a Pandemic - CHRISTOPHER REA Report Narrating New Normal: Graduate Student Symposium Report - RUEPERT JIEL DIONISIO CAO, MINOS-ATHANASIOS KARYOTAKIS, MISTURA ADEBUSOLA SALAUDEEN, DONGLI CHEN, & YANJING WINNIE WU

The inside story of the U.S.-Chinese superpower conflict playing out behind the scenes of todays movie industry, from the leading media scholarIn the last decade, China has become the worlds largest movie market. Formerly objects of exotic fascination in the golden age of Hollywood, today the Chinese are a make-or-break audience for Hollywoods biggest blockbusters. And movies are now an essential part of Chinas global soft power strategy: a Chinese real estate tycoon (who until recently was the major shareholder of the AMC theater chain) is building the worlds largest film production facility. Behind the curtains, as this brilliant new book reveals, movies have become one of the biggest areas of competition between the worlds two remaining superpowers.Will Hollywood be eclipsed by a Chinese Huallywood? No author is better positioned to untangle this question than Ying Zhu, a leading expert on Chinese film and media. Hollywood in China unravels the fascinating, century-long relationship between Hollywood and China for the first time. Blending cultural history, business, and international relations, Hollywood in China offers an inside look at the intense business and political maneuvering that is shaping the movies and the U.S.-China relationships itselfrevealing a headlines-grabbing conflict that is playing out not only on the high seas, but on the silver screen.

';The definitive work on Chinese television... A pioneering picture of CCTV and its crucial role in the contemporary Chinese political economy' (Robert W.McChesney, author of Corporate Media and the Threat to Democracy). As China navigates the murky waters of a ';third way' with liberal economic policies under a strict political regime, the surprising battleground for China's future emerges in the country's highest rated television networkChina Central Television, or CCTV. With 16 internationally broadcast channels and over 1.2 billion viewers, CCTV is a powerhouse in conveying Chinese news and entertainment. The hybrid nature of the network has also transformed it into an unexpected site of discourse in a country that has little official space for negotiation. While CCTV programming is state sponsoredand censoredthe popularity and profit of the station are determined by the people. And as the Chinese Communist Party seeks to exert its own voice on domestic and international affairs, the prospect of finding an amenable audience becomes increasingly paramount. Through a series of interviews with a fascinating cast of power players including a director of a special topic program that incited the 1989 student movement, current and past presidents of CCTV, and producers at the frontline of the network's rapidly evolving role in Chinese culture, celebrated media analyst Ying Zhu unlocks a doorway to political power that has long been shrouded in mystery. ';An indispensable guide to the Chinese media landscape.' The New Inquiry ';Up until Two Billion Eyes, the view of Chinese media has often been limited... Ying Zhu expands the periphery of our vision.' Los Angeles Review of Books

Examining the impact of economic reform on everyday life in China, this book explores how changes in the employment relationship have affected the enterprise performance, the quality of working life and the livelihood strategies for individual households and families in China.

This book takes a holistic approach to explore how business is being conducted in China and India, and to analyze the factors that influence business decisions in present times.

Managing Chinese Outward Foreign Direct Investment focuses on the management of Chinese outward foreign direct investment, particularly foreign subsidiaries established through merger and acquisition, at the organisational level.

The political economy and culture of Chinese cinema during the era of China's prolonged economic reform has not until now been examined in detail. Ying Zhu's new and comprehensive study examines the institutional as well as the stylistic transitions of Chinese cinema from pedagogy to art to commerce, focusing on the key film reform measures as well as the metamorphosis of Chinese Fifth Generation films from art film narration-as in Chen Kaige's 1984 Yellow Earth-to post-New-Wave classical film narration-as in the same director's 1993 Farewell, My Concubine. Zhu's work reconciles the stylistic, cultural, and economic dimensions of the nation's cinematic output, also providing the first systematic institutional analysis of an industry in a state of constant flux.