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African dance is discussed here in its global as well as local contexts as a powerful vehicle of aesthetic and cultural exchange and influence.
This book argues that memory functions as a key element in contemporary South African re-imagining of historical events and in constructing new definitions of national and personal identity. It compares two ways in which memory is embodied: in repertoires of practices, songs, dance, rituals, and in material archives, texts, documents, buildings. -- .
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