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This monograph is nothing less than a bold attempt at solving the riddle of Gogol's novel Dead Souls that even inspired a staging of Dead Souls at Schauspiel Stuttgart. Heftrich gives a comprehensive, coherent answer to the question of the novel's meaning by meticulously laying bare its structure. The first part of the monograph is dedicated to one section of Gogol's novel that has been neglected by virtually all critics - a clue that leads to a strictly ethical reading of Gogol's epic. Gogol, as it emerges, constructed Dead Souls strictly according to a moral pattern. It is amazing to discover how flawlessly Dead Souls is built in this regard. The novel thus proves to be a true descendant of medieval romance with its inseparable interrelation between ethics and epics.
Amid ethnic violence, political corruption, and petty professionalintrigue, an artist tries to live free of lies.Set during the last years of the Soviet Union, StoneDreams tells the story of Azerbaijani actor Sadai Sadygly, who landsin a Baku hospital while trying to protect an elderly Armenian man from a gangof young Azerbaijanis. Something of a modern-day Don Quixote, Sadai has longbattled the hatred and corruption he observes in contemporary Azerbaijanisociety. Wandering in and out of consciousness, he revisits his hometown, theancient village of Aylis, where Christian Armenians and Muslim Azeris oncelived peacefully together, and dreams of making a pilgrimage of atonement toArmenia. Stone Dreams is a searing, painful meditation onthe ability of art and artists-of individual human beings-to make change in theworld.
The book presents a broad-scope analysis of piezoelectric electromechanical transducers and the related aspects of practical transducer design for underwater applications. It uses an energy method for analyzing transducer problems that provides the physical insight important for the understanding of electromechanical devices. Application of the method is first illustrated with transducer examples that can be modeled as systems with a single degree of freedom, (such as spheres, short cylinders, bars and flexural disks and plates made of piezoelectric ceramics). Thereupon, transducers are modeled as devices with multiple degrees of freedom. In all these cases, results of modeling are presented in the form of equivalent electromechanical circuits convenient for the calculation of the transducers' operational characteristics. Special focus is made on the effects of coupled vibrations in mechanical systems on transducer performance. The book also provides extensive coverage of acoustic radiation including acoustic interaction between the transducers.The book is inherently multidisciplinary. It provides essential background regarding the vibration of elastic passive and piezoelectric bodies, piezoelectricity, acoustic radiation, and transducer characterization. Scientists and engineers working in the field of electroacoustics and those involved in education in the field will find this material useful not only for underwater acoustics, but also for electromechanics, energy conversion and medical ultrasonics.Part II contains general information on vibration of mechanical systems, electromechanical conversion in the deformed piezoceramic bodies, and acoustic radiation that can be used independently for treatment transducers of different type.
A comprehensive yet practical treatment of piezoelectric transducers for underwater sound.
Russia in the 1990s had a ¿Wild West¿ vibe, as reformist and conservative elements struggled for ascendancy. It was a time of heightened media freedom, a burgeoning civil society, and a quest for a new national identity. This volume examines the arc of official political rhetoric during this critical period.
The first detailed study of string quartets in late-eighteenth and early-nineteenth century Europe through the work of nine scholars who explore little-studied aspects of this multi-faceted genre.
A Centennial, writes Hebrew College President Rabbi Sharon Cohen Anisfeld, is an opportunity "to ask ourselves what has changed and what has endured...to articulate our aspirations for the next one hundred years." Gathering incisive essays in Jewish studies alongside powerful personal stories, ¿iddushim celebrates a community connected to its source and brimming with spiritual and intellectual creativity as it looks toward the future.
By examining Jewish experiences between the American Civil War and the African American Civil Rights Revolution, this book focuses on citizens who usually spent their daily lives in Black and white "e;peoplehoods."e; Some of the white ones, commanding the nation's "e;public square,"e; structured a segregated republic and capitalist economy that would experience WWII and the news about the Holocaust that murdered millions of Jews. This political economy sustained a hierarchy of privatized ethnic groups whose race and religion, in their norms of "e;ethnicking,"e; was used to deprive them of legal and equal collective standing. This Was America is a book about those privatized identities that the years of the Civil Rights Revolution would bring into the republic's public square.
As a scientist, philosopher and scholar in Jewish thought, Yeshayahu Leibowitz was one of the most noteworthy thinkers in the twentieth century. He was endowed with a remarkable intellect and was knowledgeable across a variety of fields. Born in Riga (Latvia) in 1903, he later immigrated to Israel, where he taught organic chemistry, biochemistry, neurology, biology, neurophysiology, philosophy and Jewish thought at Haifa and Jerusalem University. He was Chief Editor of the Hebrew encyclopedia, where he wrote about scientific, philosophical, historical and religious topics. Leibowitz was an orthodox Jew, but rejected the notion of divine intervention in nature or history. So what was actually Leibowitz' belief? This volume explores his belief system.
The focus of this study in comparative criticism is close analysis of Dostoevsky's first literary publication-his 1844 translation of the first edition of Balzac's Eug nie Grandet (1834)-and the stylistic choices that he made as a young writer while working on Balzac's novel. Through the prism of close reading, the author analyzes Dostoevsky's literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, this book focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky's free translation of Eugenie Grandet predicts the creation of his own literary characters, themes, and other aspects of his literary output that are now recognized as Dostoevsky's signature style. It investigates the changes that Dostoevsky made while working on Balzac's text and analyzes the complex transplantation of Balzac's imagery, motifs, and character portraiture from Eugenie Grandet into Dostoevsky's own writing later on.
It is human nature to want to fit in. The lengths people have gone to do so have provided creative minds with material for centuries. This book explores the consequences of being marked an outsider in the Russian-speaking world through a close study of several seminal works of Russian literature. The author combines the fields of literary studies, linguistics, and sociology to illuminate what prompted Christof Ruhl, an economist at the World Bank, to comment, about Russia, "e;On a very broad scale, it's a country where people care about their family and friends. Their clan. But not their society."e;
The most detailed study ever undertaken into the fate of more than 800 Jewish doctors who devoted themselves, in many cases until the day they died, to the care of the sick and the dying in the Warsaw Ghetto.
In San Isidro, Lima, the only Jewish school in Peru stands on a street widely known as "e;Los Manzanos"e; ("e;The Apple Trees"e;) but whose name changes to "e;Maimonides"e; (the Jewish sage) depending on which sign you look at. As she takes us on a stroll through this six-block street and its different names, Dr. Romina Yalonetzky introduces readers to a physical microcosm of the intersection between Peruvian and Jewish identity, elucidated through the varied voices and experiences of Peruvian Jews. This book sheds a novel light on both Jewish and Peruvian identities.
Isaac's Fear is a wide-ranging study of a Hebrew encyclopedia of Judaism by Isaac Lampronti, a rabbi and physician from eighteenth-century Ferrara, in Italy; this is the first encyclopedia of Judaism, with entries on thought and praxis. The book's eight chapters are previously published studies. Isaac's Fear represents the attempt to synthesize modern science and religious tradition, a fundamental issue then and in our own day. Encyclopedia entries illuminate the society and culture of early modern Italy, its Jewish community and the intellectual life of the author and his contemporaries.
Companion to Victor Pelevin, a collaborative undertaking by a group of emerging Russianist scholars, focuses on the work of one of the most important and hotly debated post-Soviet writers. The contributors offer new readings of Pelevin texts that cover a broad time span and pay due attention to the philosophical and aesthetic complexities of Pelevin¿s oeuvre in its development from the early post-Soviet years to the second decade of the present millennium.
The majority of Poland's prewar Jewishpopulation managed to survive World War II and the Holocaust in the interior ofthe Soviet Union. This collection of original essays tells the story of morethan 200,000 Polish Jews and offers new insights into their experiences.
This book explores three schools of fascinating, talented, and gifted scholars who absorbed into their thought the Jewish and secular cultures of their respective homelands.
This book introduces the topics of Enlightenment, Counter-Enlightenment, and social demography in Western art musics and demonstrates their historical and sociological importance. The essays in this book explore the concepts of "e;existential irony"e; and "e;sanctification,"e; which have been mentioned or discussed by music scholars, historians, and musicologists only either in connection with specific composers' works (Shostakovich's, in the case of "e;existential irony"e;) or very parenthetically, merely in passing in the biographies of composers of "e;classical"e; musics. This groundbreaking work illustrates their generality and sociological sources and correlates in contemporary Western art musics.
The Hayei Adam, an abridged code of Jewish law, was written by Rabbi Avraham Danzig (1748-1820) and was first published in 1810. This code spread quickly throughout Europe, and the demand for it required a second publishing which the author printed in 1818. Beyond a Code of Jewish Law attempts to understand the implicit message of its author and discuss various approaches of its writer to both Judaism and Jewish law. While the Hayei Adam without any doubt unveils Rabbi Danzig to be a brilliant rabbinic scholar, with a comprehensive knowledge of Jewish law as well as a coherent and concise system of presentation, it also expresses his great concern for the Jewish community and each individual Jew. Aspects of this concern such as Hasidism, musar, kabbalah, are explored.
The 1983shootdown of KAL 007 and the 1986 Chernobyl nuclear accident dramatically changedthe Soviet Union in unpredictable ways. The Communist Party, which struggled tomaintain control of political messaging after the KAL crisis, lost control inthe aftermath of Chernobyl.
Wandering in Circles: Venichka's Journey of Redemption in "e;Moskva-Petushki"e; examines the definition of redemption in Venedikt Erofeev's Moskva-Petushki. By placing Erofeev's poema in conversation with other travel narratives from Russia and the West, the book explores the meaning of redemption across societies and cultures, and how Erofeev creates a commentary on the possibility of redemption in a broken political and social system. Through this comparative approach to Moskva-Petushki, this work offers a new reading of the text as a journey of failed social and personal redemption.
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