Bøger udgivet af Actar D

This book compiles Adamo-Faiden's inventory along with the inventions this body of work distills. Images, drawings and texts are presented in the formof diptychs, forcing the reader to establish subjective bridges between both documents. Adamo-Faiden is an architecture studio established in Buenos Aires by Sebastian Adamo and Marcelo Faiden. Their practice extends to the field of teaching and research, and has been internationally recognized by different media and institutions. Their works were exhibited at the Sao Paulo Architecture Biennial, the Guggenheim Museum in New York, the Venice Architecture Biennale, the Chicago Architecture Biennial, the LIGA Architecture gallery in Mexico, the Deutsches Architekturmuseum in Frankfurt, the Storefront for Art & Architecture in New York, and at Princeton University School of Architecture.>Inventory's sequential accumulation proposes a journey through two decades of work designed by its authors and positions Adamo-Faiden's architecture between material organization and intellectual speculation.

This book's central argument is that plug-ins, situated design outcomes that aim to enrich the complex system of the city and expand its potentialities, are a solid yet supple conceptual framework for rethinking how design can be a key agent in city making. This book showcases some of the projects developed by Elisava's Design for City Making Research Lab, a research institute that investigates the role of design in the material and social construction of our habitats, focusing on spatiality, temporality, interactions, meaning, citizen engagement and social impact. Projects by students, professors and researchers, in collaboration with multiple partners including the public administration, NGOs, industry and academy, articulate the concept of design as plug-ins as the core idea of this book. This notion of plug-ins results from a renewed approach to how design can be a key agent in city making. Given that the city is a system of relationships, design for city making means understanding, reinforcing and articulating this network. We posit plug-ins as situated design outcomes that aim to enrich the complex system of the city and expand its potentialities. This book's central argument is that plug-ins are a solid yet supple conceptual framework for rethinking design's agency in the city - the main aim of Elisava's Design for City Making Research Lab.>With Contributions of Ruedi Baur, Julia Benini, Josep Bohigas, David Bravo, Adrià Carbonell, Tomás Díez, Danae Esparza, Ramon Faura, Tona Monjo, Salvador Rueda, Oscar Tomico, Lluís Torrens, Manuela Valtchanova

In a world of change we cling to constants that comfort us while catastrophes lure behind cut corners. We compartmentalize and channel our focus into cones of concentration when confronted with choices. Many might decide to do so with intention while others simply try to cope with the complexities. While we are no strangers to change, this current historical conjuncture presents extremities and emergencies that invite conjecture on normalcy and its fragility, challenges to status quos and rapid adaptation to revised realities.As everyday life is turned on its head, the home remains a physical and metaphorical locus of our greatest aspirations and deepest anxieties. A performative and pervasive space where fictions become realities and rearranging furniture and fixtures constitutes political acts with planetary consequences. Today's dense time offers us glimpses of a myriad of hybridized and alternative modes of domesticity that demand our shared attention and careful critical inquiry before they are once again lost to routine.I, Like Many Things is a story of contemporary life and architecture that begins with everyday domestic practices and the notion of "home" as a literal (and literary) space--a space which simultaneously structures and is structured by our relationship to each other and the world. To tell this story, twenty-six authors from far-flung fields and geographies collectively narrate four fluid chapters of a thick history of the present.Across four chapters and three visual catalogs, I, Like Many Things presents anecdotal stories, fictions, academic research, poetry, and visual essays. One chapter explores nascent and invasive virtual worlds. Another hones in on ongoing ecological collapse and climate disaster. A third chapter finds ground in social movements and political organizing, while a fourth ponders selfhood, imagination, and the possibilities of "off-time." As timely distractions between chapters, catalogs present past inquiries by us and open call participants.I, Like Many Things is for those to whom the pandemic was an exercise in spatial design. Those who consider themselves architects or designers and those who do not. Those of us who engage with, push back on, and negotiate the spaces we inhabit, consciously or unaware, expanding our collective field of action. I, Like Many Things insists on the critical interdependencies of all social, political, and environmental struggles, and attempts to maneuver ambiguities, complexities, imaginaries, and chaos as stepping stones toward more integrative and sensitive spatial practices. It can be read as an unreliable guide to alternative ways in many directions.With contributions by Kyriacos Christofides, Meera Badran, Francesco Casetti, Stefano Masserini, Raqs Media Collective, Rachael Marie Scicluna, Michelle Millar Fisher, Lee Scrivner, Kathryn-kay Johnson, Nathalie Frankowski, Cruz García, Zachariah A. Michielli, Adonis Archontides, Jennifer C. Nash, Simone C Niquille, Simon Strøyer, Patricia Domínguez, Athar Mufreh, Joshua Tan, Luísa Sol, Nikolaj Schultz, Ellen Blumenstein, Markus Miessen, Pinar Yoldas, Deirdre Barrett, Oxana Timofeeva, Martina Potlach, Shahla Alharthi, Leidy Karina Gomez Montoya, Andrea Sanchez Moctezuma, Rachel Ghindea, Athiba Balasubramanian, Konstantinos Ballis, Abhishek Ambekar, Katie Colford, William Beck, David Bruce, Dhruv Gulabchande, Edgar Papazian, Andrew Economos Miller, Chase Ireland, Anthony Iovino, Giada Puccinelli, Pete Pham, Sofia Guzman, Nick Massarelli, Sangji Han, Ethan Lethander, Helen Farley, Megan Panzano, Drew Doyle, Alondra Correa, Renata Cesar, Michelle Nguyen, Christina Zhang, Michelle Bunch, Rukshan Vathupola, Matthew Liu, Anishwar Tirupathur, Mari Kroin, Montgomery Balding, Jessica Jie Zhou, Miguel Astete, Hoby Horak, Benjamin Tan, Tarranum Akhter, Jonathan Bolch, André Caetano, Katie Lau, Elias Vera Carrion, Nathan Garcia, Morgan Anna Kerber, Yanara Formandoy, Rhea Schmid, Olivia Epstein, Abby Sandler, Shreya Suman, Robbin Juris, Viet Nguyen, Katharine Blackman, Rachel Skof, Christina Anastase, Kaitlin Baker, Deirdre Plaus, Tyler Krebs, Aaron Payne, Lisann Mahnke, Sofia Alfaro Pailacura, Araceli Lopez

"This book is about climate and architecture. Written by the Swiss architect Philippe Rahm, it is at the same time a monograph on the architectural, urbanistic and landscape work of the office "Philippe Rahm architectes", a manifesto for a climatic architecture to face global warming, and a theoretical and practical treatise on the art of building atmospheres. Architecture and urbanism were traditionally based on climate and health, as we can read in treatises of Vitruvius, Palladio or Alberti, where exposure to wind and sun, variations in temperature and humidity influenced the forms of cities and buildings. These fundamental causes of urban planning and buildings were ignored in the second half of the 20th century thanks to the enormous use of fossil energy by heating and air conditioning systems, pumps and refrigerators, that today cause the greenhouse effect and global warming. The fight against climate change forces the architects and urban designer to take back seriously the climatic issue in order to base their design on more consideration to the local climatic context and energy resources. Faced with the climatic challenge of the 21st century, we propose to reset our discipline on its intrinsic atmospheric qualities, where air, light, heat or humidity are recognized are real materials of building, convection, thermal conduction, evaporation, emissivity, or effusivity are becoming design tools for composing architecture and cities, and through materialism dialectic, are able to revolutionize esthetic and social values"--

Spatial Infrastructure is a collection of essays crafting a self-consistent project that recasts architectural thinking as a form of knowledge by addressing a number of fundamental questions relevant to the reading of works across styles, time-periods, and geographic boundaries.José Aragüez's second book revolves around a new concept in architecture, spatial infrastructure, that operates both as a design tool capable of projecting architectural thinking forward, and as an analytical category that shifts our understanding of the history of the field and contemporary production. Taken together, the collection of essays presented here investigates some of the most intractable issues pertaining to architectural discourse, while also examining scientific, critical, and cultural dimensions where relevant. Key subjects include a building's discursive building, engineering patents and spatial disposition in architecture, typological invention and sponge surfaces, "the organic" at the intersection of architecture and philosophy, imageability in the context of an evolving market economy, language vis-à-vis self-determinacy in creative practices, a building's spatial kernel, and the possibility of architectural metacriticality. Building upon each other to engender a coherent and distinct outlook on twentieth-century and contemporary architecture, these essays put forth a strong argument for architectural thinking that emerges from intimate knowledge of its capacities, as well as an ability to maintain epistemological clarity and integrity when purporting to expand our horizons of understanding.

This book showcases cutting-edge research on city form revealing that urban design features--such as topology, morphology, entropy and scale--have massive implications to the quality of life for a city's residents. The Aretian team, a spin off company from the Harvard Innovation Lab, has developed a city science methodology to evaluate the relationship between city form and urban performance. This book illuminates the relationship between a city's spatial design and quality of life it affords for the general population. By measuring innovation economies to design Innovation Districts, social networks and patterns to help form organization patterns, and city topology, morphology, entropy and scale, to create 15 Minute Cities, are some of the frameworks presented in this volume. Therefore, urban designers, architects and engineers will be able to successfully tackle complex urban design challenges by using the authors' frameworks and findings in their own work. Case studies help to present key insights from advanced, data-driven geospatial analyses of cities around the world in an illustrative manner. This inaugural book by Aretian Urban Analytics and Design will give readers a new set of tools to learn from, expand, and develop for the healthy growth of cities and regions around the world.

"Credits, MOS Architects, Michael Meredith, Hilary Sample, Ben Dooley, Andy Kim, Vicky Cao, Reese Lewis, Jacqueline Mix, Hannah Lucia Terry, Cristina Terricabras, Carly Richman." "Special thanks to Princeton University School of Architecture."--Page 608.

Portals: Pedagogy, Practice, and Architecture's Future Imaginary considers the COVID-19 pandemic and the remote pedagogy it occasioned globally in schools of architecture, as a critical threshold to future architectural pedagogy, practice, and spatial imaginaries. Given that the conceit of a "return to normal" is neither desirable nor possible, this book speculates upon possible futures for the discipline of architecture, through the lens of the Thesis and Directed Research projects of the RISD Architecture class of 2020. This book documents an interregnum, a pause, a moment of self-reflection in which architects, imperiled by the COVID-19 pandemic and all of the forms of inequity that this global crisis surfaced, confronted remote architectural pedagogy and practice as a critical threshold for the future imaginary of the discipline. The renowned group of architects, educators, theorists, critics, and curators assembled in this volume provide critical insights into the future of architectural pedagogy, utilizing the thesis and design research projects of the RISD Architecture class of 2020 as exemplars of the transformations currently taking place in the field. This volume considers the forms that architectural activism and advocacy take in a moment when architects are critically reexamining the conventions of their practice and the question of which constituencies they serve. With Contributions by RISD B.Arch & M.Arch students with Iñaki Alday, Daniel A. Barber, Hansy Better Barraza, Sean Canty, Kevin Crouse, Peggy Deamer, David Gersten, Mario Gooden, Timothy Hyde, Daniel Ibañez, Kent Kleinman, Amy Catania Kulper, Carl Lostritto, Ryan McCaffrey, Ana Miljački, Kiel Moe, Nicholas de Monchaux, Ijlal Muzaffar, Ben Pell, Rachely Rotem, Jacqueline Shaw, Lola Sheppard, Georgeen Theodore, Mason White, Dr. Mabel O. Wilson, Jason Young

The Institute for Advanced Architecture of Catalonia calls its 8th Advanced Architecture Contest titled "Design for Living," an opportunity for a global reflection to rethink human habitats where 126 proposals from all around the world help to shape our understanding of contemporary design and architecture. This effort offers the opportunity for a global reflection to rethink human habitats, at a time when the fight for life and climate allows us to consider how we would like to live in the coming decades. We like to think that each person's life begins at home, which is the center of their universe and the origin of their social interactions. During the pandemic, we had been confined to our homes and they have become microcities where we live, work and rest, connected to the world through information networks. So, after this experience, how do we imagine the future for our living environment? The contest encourages participants to propose a design related to their way of life, at the scale that most interests them from our bodies to the city, anywhere in the world, and that reflects different cultural, environmental, economic or social conditions. In total, the competition received 193 proposals from all around the world and the book includes all the rules and results of the competition, the 33 members of the international jury and the images and information of 126 selected projects. Seen as a whole, this effort serves to build a contemporary vision of the conditions that are currently shaping design and architecture and will continue to shape it in the following years.

The book presents a selection of significant pieces and large-format works of Enric Majoral, from their origins in the 1980s until today, and does likewise from the collections of the brand 'Majoral'. Preceded by a critical introductory text, the images are accompanied by a series of brief writings on the creative, conceptual, technological and biographical evolution of the artist. Enric Majoral is revealed to be a complex figure ahead of his time, midway between design, artisanship and art. One may take very diverse perspectives on his creative itinerary. From the perspective of artisanship stands out his contribution to the evolution of a traditional craft towards a contemporary language. Likewise stands out the relationship of his work to the culture of the area. As a designer, his capacity to design and produce collections has allowed contemporary jewellery to be brought to a very large public. As a creator he has developed a personal language which has by its uniqueness and timeliness created a new school, a recognisable style which has inspired younger generations of jewellers. An important aspect of Majoral's creativity is his relationship with materials, and the diverse strategies which he uses to give them form. This attitude of letting every material speak for itself has been made concrete in a very rich and broad repertoire of finishing touches which are a characteristic of his pieces. Jewellery expanded. From the pieces' origins, Enric Majoral maintains a constant search within and around the volume and space of jewellery. This experimental approach is centred in the constructive aspects of jewellery and the possibilities of expanding to the limit of their format. From this place are born his monumental pieces, designed to establish a dynamic dialogue between the body, the jewellery, and space. From this dynamic relationship comes forth a line of experimental, monumental pieces created since 2018 for the ADLIB catwalk of Ibiza. Enric Majoral has deepened in this direction with his jewellery-sculpture pieces, designed to live within a space. Hence, we bring to your attention the work 'The Water Carrier, 2019-2020', a piece on grand scale created to emphasise its spacial relationships within an architectural space, and made on a base of hundreds of painted silver pieces from large to small scale, which can be repeated until infinity. Coexistence of form and light, of movement and space. The flourishing of metal and colour, of weight and ascension. Bilingual edition in English & Spanish

Investigates how data production and consumption territorialize the physical landscape filtered through Ireland's role in global communications and, as told by the Irish Pavilion at the 2021 Venice Architecture Biennale, features an installation that focuses on the materiality of data infrastructure in space. As our everyday lives become increasingly entangled with data technologies, the book addresses the utopian fantasy that surrounds the Cloud, as transcending physical presence or resourcing. By bringing the physical infrastructure around data, and its impact on the environment under the spotlight, it hopes to reframe how we understand data production and highlight the myth that information technologies are hidden and without major material manifestations on the landscape. The context for the book is Ireland which has a significant historical role in the evolution of global communications and data infrastructure. In 1866, the world's first transatlantic telegraph cable landed on the West coast of Ireland. In 1901, the inventor of the radio Guglielmo Marconi transmitted some of the world's first wireless radio messages from Ireland across the Atlantic Ocean to Newfoundland. Today, Dublin has overtaken London as the data centre hub of Europe, hosting 25% of all available European server space. And by the year 2027, data centres are forecast to consume a third of Ireland's total electricity demand. The book aims to raise awareness around the hardware of the global internet and Cloud services, which is interwoven with the Irish landscape--made manifest through the vast constellation of data centres, fibre optic cable networks, and energy grids that have come to populate its cities and suburbs over recent decades. The publication accompanies and supports Entanglement, the Irish Pavilion at the 17th Venice Architecture Biennale by archiving the production of the pavilion filtered through a series of poetic excerpts that describe the form, components, content and furniture that make up the installation. At the same time the book is conceived as more than just a catalog by positioning some of the cultural and spatial implications of data technologies in Ireland within a more universal context through contributions by ANNEX, the team selected to produce the pavilion, as well as invited contributors from the disciplines of Media Theory; Journalism; Computer Science, Geography; History and Architecture.

Alessandro Santini, an Italian doctor from the twenty-first century, lives an ordinary life in modern day Florence. But one evening, he passes through a swirling vortex caused by a supermoon and discovers he has stepped three hundred years into the past. Countess Rose Estes is torn between following her dream of becoming a historical painter and her duty toward her family. After Rose's father is wounded during her birthday ball, Alex and Rose burn with questions: Who attacked him with a flying dagger? Why? Forced to go to Siena and spend fourteen months together, Rose and Alex find themselves drawn to each other as they search for answers and discover secrets that go deeper than they ever imagined. As the portal's opening approaches, Alex finds out that Rose has been poisoned through the roses she's been receiving. He has two choices to save her life-take Rose to his time or go by himself and bring the medication she needs.

During the last 30 years, Advanced Architecture has consolidated an interactive and informational logic that differs from that of Modernity and Postmodernity. This logic is threefold; it is modulated through three coexisting protocols -modes of action- whose peaks of intensity occur in three different decades: Conformative Protocols (1990-2000), Distributive Protocols (2000-2010) and Expansive Protocols (2010-2020). This work proposes a threefold cultural narrative whose interactive and informational logic differs from that of modernity and postmodernity. It positions three different ethos by critically approaching the architectural side of a cultural mutation that has been affecting the Western experimental areas of knowledge and practice since the end of the last century. A transformative process constituted by a constellation of transdisciplinary manifestations, accelerations, turns, shortcuts and clusterizations that by no means can be read under one single epistemological umbrella. In this sense, rather than approaching the practice of architecture focusing on its disciplinary inner specificity, this book approaches the research of experimental architecture focusing on its extra-disciplinary entanglements. It argues that a vast multiplicity of fields of knowledge participates in a cultural endeavour modulated through three protocols -forms of action- that singularize three decades: Conformative Protocols (1990-2000), Distributive Protocols (2000-2010) and Expansive Protocols (2010-2020). These three periods shouldn't be read as three hermetic and concatenated monades, but as three different modulations of the same narrative, that is, as three overlapping and coexisting systems whose peaks of intensity occur in three different decades. However, the main purpose of this book is not limited to unveiling the ethos of these three conjugations. It also aims at using this framework as a "time-field", a narrative map that moves from the classificatory to the cartographical in order to vectorize the last 30 years of experimental architecture. In this sense, this book argues that this threefold set of protocols represents the progressive attempt to constitute critical interiorities "looking for" and "produced through" interactions that are increasingly more intimate and whose agents are increasingly more diverse. A tendency oriented towards the consolidation of an "intimacy between strangers" that highly resonates with the cultural and technological landscape in which experimental architecture operates.

The book examines the tower as the architectural expression of a long-term commitment to the city. The conclusion is that development must be driven not only by property value and architectural ingenuity but also by respect for collective memory and common humanity. The book argues that these public commitments find architectural expression in a radically different tectonic to that of contemporary patterns of development. The volume presents a series of prompts, provocations, and projects to address the challenge of designing a tower that can be understood as a monolithic whole, even if assembled from discrete parts.

The book features current sustainability and material research and design for innovative strategies centered around ecology, sustainability, and the rise of future tourism models on the resort island of Gili Meno, Indonesia. It focuses on sustainability of materials, climate issues, and development in fragile island areas where exploitation of resources are being monitored for future development. It is said that our actions impact the environment seven generations into the future. In fact the growing concern about the global impact of tourism and the associated waste produced by leisure industries is outdated. This Yale graduate advanced architecture studio analyzed the current ecological conditions, indigenous architecture styles, and resort culture of Gili Meno, a tiny remote island off the coast of Lombok, Indonesia, to generate next-generation models of tourism. "We've also seen a huge rise in awareness of sustainability in terms of holidaying patterns and resort developments. I wouldn't say that 30 years ago people were blind to these issues, but there's certainly much more education and consciousness now about global warming and other issues. So whether a developer sincerely believes it needs to incorporate sustainability or sees a commercial advantage in being sustainable, there's no discrepancy. A commercial advantage validates the need to be sustainable because there's nothing less sustainable than a failed resort." --John Spence

Geometric Taxonomy gets closer to the geometries of Carlos Ferrater and OAB that are present in timeless architecture, those that are explicit in the great treatises, those that dazzled us with "the correct and magnificent wise play of forms under the light", the elemental forms that inspired modernity a hundred years ago.

This book is the first in a trilogy that proposes a new model of Glocal Urbanity that contributes to replace the degraded urban situation created from the post-Fordist transition to current globalization. From 52 propositions it proposes to understand Glocal urbanity as a new modernity derived from the Axial Age. It proposes to understand the city, also as a socio-technological process. Integrate concepts such as Complexity, Urban Metabolism and Second Order Cybernetics into our disciplinary corpus. Urbanistically translate the new Glocal Transregionalism that emerges in step with the progressive dissolution of the Westphalian Nation-State, and definitely to promote a more Disruptive urbanism formed by tangible values and intangible virtues that is capable of overcoming the demagogic-populist currents that today besiege us.

This book explores the public dimension of architecture. In circumstances that are often difficult, buildings add value to their locations, transforming them. This book takes a new look at the eclectic work of Dominique Coulon; his production of public buildings illustrates the complexity of his architectural approach. Dominique Coulon plays with context, light, and materiality to produce public places that are detailed and welcoming. The areas he proposes affect and accompany the body. His architecture is part of a dynamic relationship, mobilising the senses to propose a specific universe, which may be cheerful, or dramatic. These spaces serve the public dimension of his architecture. With Contributions of Luca Merlini, Claude Bonnet, Daniel Payot, Alexandra Pignol, Étienne Butzbach, Richard Scoffie

"This book is an outcome of two studios we taught at the College of Architecture at Illinois Institute of Technology (IIT) in Chicago in 2017 and 2018, whose line of research continued in a symposium and exhibition held at S.R. Crown Hall in November 2018"--Page 11.

In the continuous effort to make architecture public, technology plays a fundamental role. While in pre-typographical times authors limited the publication of their work to autographed documents, with the appearance of the printing press publications became the main vehicle for disseminating the practice and associated discourses. However, in recent times, with the emergence of the digital era, these original channels have multiplied. The recent proliferation of architecture biennials and prizes, architecture exhibitions, the exhaustive and continuous publication of material online, the reshaping of traditional publishing houses specializing in architecture, and new online forums for discussing and circulating ideas all reveal a radical shift in how architecture becomes public. This new scenario is rife with opportunities, but it also poses important challenges. Traditional notions of singular authorship, canons of credibility and the legitimacy of knowledge, patterns of visibility and readability, the identification of categories of quality and originality are all topics that require reflection and, in some cases, the reformulation of traditional standards.