Bøger udgivet af AEBERSOLD

Designed for all rhythm section players and teachers. Listen to the CD as you would any jazz recording, as the melody is played in and out and the musicians solo, comp., and trade fours. Then, using your stereo balance control, eliminate your part and sit in! This is a tremendous tool for teachers; allowing isolation and careful study of each instrument's role with definitive chapters in the booklet that are written by the artists. Includes piano & guitar voicings, transcribed bass lines, outstanding drum information, and transcribed solos by Haerle, Petersen, and Coolman. Our first play-along where the drummer can be turned off and students can trade fours and eights with the pros (Volume 30B only). Rhythm Section: Dan Haerle (p); Todd Coolman (b); Jack Petersen (g); Ed Soph (d).

For all levels---instrumentalists and vocalists. Hear David Libbman solo over every scale listed in The Scale Syllabus". He solos on two versions of each scale: the first is slow and simple, and the second is more complex and fast. Stereo separation allows you to practice and improvise too! David is on one channel and Jamey is on the other. An excellent list of piano voicings are included. Rhythm Section: David Libbman (Soprano Sax); Jamey Aebersold (p). Includes: Major * Minor * Dom. 7 * Lydian * Harmonic Major & Minor * Augmented * Lydian Augmented * Sus 4 * Hindu * Blues * Whole Tone * Major & Minor Pentatonic * Dim. Whole Tone * Diminished * and 21 more!"

The largest collection of standards in the series. This rhythm section has played extensively with jazz legend Phil Woods! Lyrics included. Rhythm Section: Hal Galper (p); Steve Gilmore (b); Bill Goodwin (d). Titles: Speak Low * I Love You * September Song * Old Devil Moon * I Can't Get Started * The Party's Over * A Foggy Day * Foolish Heart * Summertime * My Funny Valentine * My Favorite Things * Come Rain or Come Shine * Our Love Is Here to Stay * I Could Write a Book * It Might as Well Be Spring * I've Grown Accustomed to Your Face * Have You Met Miss Jones.

Play standards with jazz legends Kenny Barron, Ron Carter, and Grady Tate! Make your jazz experience as real and authentic as it gets. This is the sound and the groove of jazz. Don't overlook this one! Work on these tunes and you will be on your way to learning much of the standard jazz repertoire harmonies and root movements. Chord progressions based on Stella by Starlight," "Body and Soul," "Cherokee," "I'll Remember April," "There Will Never Be Another You," "What is this Thing Called Love," "It's You or No One," and "The Song Is You" with original melodies written by Jamey Aebersold. Rhythm Section: Kenny Barron (p); Ron Carter (b); Grady Tate (d). Titles: Another Yew * It's You * Stella * April * You're the Song * Flesh & Spirit * What Is This? * Share a Key."

Includes 15 of the best jazz songs of the '60s and '70s by the legendary jazz giant Joe Henderson. Rhythm Section: Steve Allee (p); Tyrone Wheeler (b); Steve Davis (d). Titles: Step Lightly * Recorda Me * Inner Urge * Out of the Night * Black Narcissus * A Shade of Jade * Isotope * Serenity * Mamacita * The Kicker * Punjab * Jinriksha * Granted * Mo' Joe * Homestretch.

This is your chance! Take the techniques and theory you've learned from Volumes 1, 2, 3, 21, and 24 and apply them to a real playing situation on comfortable tunes. A great volume to use when making the transition from learning scales and chords to actually playing melodies and chord progressions. Eight songs written in the style of the great standards. Book contains suggestions for soloing on each tune and a Scale Syllabus. Rhythm Section: Dan Haerle (p); Rufus Reid (b); Jonathan Higgins (d). Titles: Groovitis * Beatitude * Modal Voyage * Bebopish * Killer Pete * Freddieish * Snap, Crackle & Pop * Essence.

French Edtion. Do you want to learn how to improvise jazz? Then this is the play-along for you! Easy to understand and inspiring for all musicians wishing to explore the secrets of jazz improv. Now with 2 CDs---one with slower practice tempos! The first CD includes blues in B-flat and F, four Dorian minor tracks, four-measure cadences, cycle of dominants, 24-measure song, II/V7 in all keys, and Jamey Aebersold playing exercises from the book (hear the master clinician demonstrate exactly how it's done). Beginning/Intermediate level. Rhythm Section: Jamey Aebersold (p); Rufus Reid (b); Jonathan Higgins (d). The second CD of slower tempos included in this Book & 2 CD set is available separately for those wishing to upgrade their old single-CD set they may have previously purchased. Includes: Scales/Chords * Developing Creativity * Improv Fundamentals * 12 Blues Scales * Bebop Scales * Pentatonic Scales * Time and Feel * Melodic Development * II/V7s * Related Scales and Modes * Practical Exercises * Patterns and Licks * Dominant 7th Tree of Scale Choices * Nomenclature * Chromaticism * Scale Syllabus * and more! NOTE FROM JAMEY: When I first heard So What" on the Kind of Blue record, I didn't think anything was happening because I was used to hearing changes flying by and this seemed so tame by comparison. I quickly fell in love with Kind of Blue and of course we at IU started experimenting with modal tunes and trying to keep our place in those many 8 bar phrases that seemed at times to make me feel like I was in the middle of a desert and couldn't see for the life of me the beginning of the next 8 bar phrase. When I began teaching privately for the first time in Seymour, Indiana I had a girl flute student who really had a great sound. One day I asked her to improvise on a D- Dorian scale and off she went. I could tell she was playing what she heard in her mind and I was so surprised. It really sounded natural. So, I asked other students to play on a Dorian scale and they did fine. That's how I got started teaching improv. I think others at the time were using the blues as a vehicle but the students I was working with knew nothing about the blues but they could keep their place in the 4 and 8 bar phrases so I went ahead later and used that modal approach on my Volume 1 play-along . . . and the rest is history."

Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master. Titles: So What (slow) * So What (fast) * All Blues * Blue In Green * Nardis * Eighty One * Freddie Freeloader * and more. Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder what's he doing there?" Now you'll know! Here, as never before, is an opportunity to see real jazz piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions, exactly as recorded, of the exciting piano accompaniment from the World Famous Aebersold play-along series. Not just for pianists, there are many ways for all musicians to use these wonderful musical tools. Pianists: First, listen closely to the pianist on the respective play-along recording (sold separately). Next, reading from the book, play along with him, imitating his style. Finally, turn him off (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, you'll soon be improvising your own accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular play-along track. Written clearly for two hands, even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of standards and styles. As personal tools, they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students."

Barry Galbraith's popular exercise book---embraced by students and teachers worldwide---features thirty-five pages of exercises that utilize melodic and harmonic minor modes over various chord progressions. Also included are finger and position notations.

For all musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (CD included) until you feel you've mastered his feel and nuances. Then, using the special stereo separation on all of our play-along recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bass line transcription books) is a great study in professional bass line construction, and is a natural companion to the Aebersold play-alongs. Combo instructors can use this book to give their bass students instant, professional bass lines. Includes notes in bass clef with chord symbols above each measure. This book includes transcribed bass lines from Aebersold's only play-along recorded with electric bass, and several choruses of two different blues progressions in all 12 keys. This is the ultimate study in blues walking!

This 2-CD set is filled with 20 fantastic standards from the Golden Age of American songwriting. Rhythm Section: Steve Allee (p); Tyrone Wheeler (b); Jonathan Higgins (d). Titles: Pennies from Heaven * Please Don't Talk About Me When I'm Gone * Somebody Loves Me * Time on My Hands * Walkin' My Baby Back Home * Sometimes I'm Happy * My Buddy * My Blue Heaven * Jeepers Creepers * Is It True What They Say About Dixie? * Day In Day Out * Ain't She Sweet * Blueberry Hill * How Little We Know * April Showers * Honeysuckle Rose * Ain't Misbehavin' * Begin the Beguine * String of Pearls * Blueberry Hill (Jazz Version).

Featuring a thorough exploration of II/V/I patterns applicable to a variety of musical situations. This book has been referred to as a theory follows practice" book. Musicians who have played by ear will recognize many of the licks and phrases as familiar sounds they have heard and used for years. Licks & patterns are presented in all 12 keys and work perfectly with the Volume 3: The II/V7/I Progression play-along from the Aebersold series. Time to get familiar and comfortable with II/Vs!"

Similar to the popular Volume 54: Maiden Voyage, this volume again meets the needs of the up-and-coming jazz player who is ready to make the transition from scales and chords to improvising on real standard chord changes. The selections feature slower tempos and easier changes and each has a great feel that makes improvising easier. Rhythm Section: Jamey Aebersold (p); Tyrone Wheeler (b); Steve Davis (d). Titles: Killer Joe * Blue Moon * Sweet Georgia Brown * Sugar * Misty * Stop-Time Blues * Girl from Ipanema * Birthplace Blues (B-flat New Orleans Style Blues) * Mr. PC * You Stepped Out of a Dream * Ladybird * Afternoon in Paris * 3/4 Blues.

This book and 2 CD set, with simple comping over the standards on Jamey Aebersold's Volume 54: Maiden Voyage, is designed for the guitarist with little or no jazz experience. Chords and voicings are explained in a manner that even the most novice guitarists will understand, with standard notation and guitar frames for each voicing. Includes demo and play-along CDs. This is a perfect prerequisite for Maiden Voyage Guitar Comping, also by Mike DiLiddo.

Until now, the task of memorizing tunes has required a great amount of time and has been left to chance by the musician. With no rules, guidelines, or systematic methods of study, the task has left musicians with a great deal of confusion and frustration. This incredible work is a quick and easy method for learning and memorizing melodies and chord changes to any tune in any key! Listening / learning / play-along tracks take you through the most commonly used harmonic formula and teach you how to recognize and remember forms both visually and aurally. The book and supplement give composition that will have you memorizing and understanding how changes work. Leave the fakebooks at home! Rhythm Section: Luke Gillespie (p); Erik Unsworth (b); Tom Diehl (d).

Lead sheets for vocalist/treble clef C instruments, B , E , and bass clef C instruments.

Jamey's guitar adaptation of his famous Volume 1: How to Play Jazz and Improvisation is so revered by guitarists, jazz great Corey Christiansen has now adapted Jamey's Volume 2: Nothin' But Blues for Guitar, as well. Formatted exactly like the Volume 1: Jazz Guitar book, Volume 2 includes all of the scales and basic info you need to get started in jazz blues with TAB and frames for the non-reading guitarist, plus brand new bonus tracks not found in the original Volume 2. Tracks include many different blues grooves, including slow, fast, swing, bossa, jazz-rock, funk, shuffle, and more. This guitar edition is aligned exactly with the original Volume 2: Nothin' But Blues so educators can use it in a classroom situation.

The blues have contained the very essence of the jazz sound since the 1920s. A player who masters the sound and feel of the blues will play other jazz tunes in a manner that will inspire the listener. Contains 11 different blues melodies and is a natural follow-up to Volume 1 or Volume 21. Tempos are not fast. Presented in various keys with a variety of moods from slow to rock. Chords and scales are written in the staff for each track. A special guitar edition is now available (item #24-V02G)! Beginning/Intermediate. Rhythm Section: Dan Haerle (p); Rufus Reid (b); Mike Hyman (d). Suggested Prerequisites: Volumes 24, 1, and 21. Titles: Mr. Super Hip * Horizontal (C Blues) * 6/8 Modal Blues * Slow Blues in G * Slow Blues in F * Fast Blues in F * Fast Blues in B-flat * Minor Blues in C * Home Stretch * Long-Meter Jazz/Rock * Bird Blues.

For all instrumentalists and vocalists. Great primer for learning basic skills in major and minor keys. Advanced players will want to work on double-timing," playing "outside," and "side-slipping" in all keys at comfortable tempos. The CDs contain 30 extended tracks of recorded background. Special tracks have Jamey Aebersold playing various exercises and soloing on his saxophone with actual cuts from Volume 24 so you can hear and see how to use this set. All exercises and sax solos on the demo tracks are transcribed and written out in the book! Pick a different key each day/week/practice. Rhythm Section: J. Aebersold (p); John Goldsby (b); Charlie Craig (d)."

For all musicians (instrumentalists & vocalists) regardless of ability! If you use this set with Volume 1, you will have a solid foundation to meet any new challenge. This set covers major, minor (Dorian, harmonic and melodic), dominant 7th, half-diminished, Lydian, and sus. 4. It also has a very slow blues in F and another in B-flat. Thirty-one different tracks with a lot of variety, including root movements that are 1,2, and 4 bars each and move up/down chromatically, in tri-tones, around the circle of fourths, and randomly. The CD tracks have been recently extended to allow more practice time without interruption. Rhythm Section: Jamey Aebersold (p); Steve Rodby or John Goldsby (b); Mike Hyman or John Clay (d). Includes: Practicing Tips * Ear Training * Nomenclature * Chromaticism * Digital Patterns * Cycle & Fourth Exercises * Double-Time Passages * Comments to Band Directors * Backgrounds for Warm-Ups * Exercises for Written Tracks * and more

Eleven bandstand favorites composed and/or recorded by one of jazz's greatest trumpet innovators. Different than most of our other volumes where many tunes incorporate new musical influences and styles such as rock, Latin, and fusion. Perfect for anyone wishing to spice up their repertoire. Six high-powered professional musicians back you up in a variety of combinations to give every song a different feel and make the music come alive! Rhythm Section: Dan Haerle or Mark Levine (p); Todd Coolman or John Goldsby (b); Ed Soph or Barry Ries (d). Titles: Birdlike * Little Sunflower * Coral Keys * Pensativa * Crisis * Red Clay * Dear John * Sky Dive * Gibraltar * Up Jumped Spring * Lament for Booker.

Jamey Aebersold's Jazz Ear Training is a no-nonsense approach consisting of two hours of recorded ear training exercises with aural instructions before each. It starts very simply, with intervals and gradually increases in difficulty until you are hearing chord changes and progressions. All answers are listed in the book, and contains transposed parts for C, B-flat, and E-flat instruments to allow playing along. Beginning to advanced levels.