Bøger udgivet af Arc Humanities Press

An innovative and comparative approach to the study of interconnected legal cultures in the global medieval world.

Museums have long been viewed as exclusive, excluding, and as antiseptic to intimacy. In the past few decades, however, humanized experiences--cultivated by curators, educators, artists, activists, and marketers alike--have emerged as the reason for being for these cornerstones of community. Such experiences are often possible only in museum settings, where cultural exploration, probing conversation, and safe risk-taking can occur in spaces now becoming sacred through inclusiveness. This book brings together an interdisciplinary collection of essays examining the kinds of human experiences and interactions that have converted the once-sterile museum into a space of enlivenment and enrichment, as well as physical and emotional well-being. The essays focus for the first time on the uniquely human and humanizing experiences to be found in the collections, programs, exhibitions, and spaces of today's museums.

Covering a variety of methods for introducing students to the medieval and Renaissance reading practice known as commonplacing, this volume provides instructors with concrete guidelines for using commonplace books as a teaching and learning tool.

This book explores the profound impact the Battle of Lyndanise in 1219 (on the site of Tallinn today) had on both Denmark and Estonia from the thirteenth century to the present day.

This facing-page Latin and English edition of the customary for the shrine of St. Thomas Becket at Canterbury Cathedral, provides valuable insights into the management of one of the most popular pilgrimage sites in Europe.

Reconstructs the rituals of Slavic pre-Christian religion and society through a close examination of written medieval sources.

The problem of fraternal relations in the early Middle Ages has not been hitherto studied in detail, especially in comparison with the multitude of studies dealing with the models of marriage, gender-based social roles, or the relations between generations. Historians have been often prone to assume that relations between siblings in European culture were naturally constant, based on loyalty, solidarity, and readiness to act in the common interest, stemming from blood ties. However, this conviction equates the category of brotherhood/fraternitas used by medieval authors with concepts associated with sources from later periods. This study does not concern narrowly defined family history, but is an attempt to examine fraternal relations in the early Middle Ages as a multidimensional cultural phenomenon. As the author seeks to demonstrate, it is difficult to speak of kinship in the ninth century and later without being aware of the religious and ideological implications of the transformations taking place at the time, even if direct traces of the impact of moralizing and theological teachings on the conduct of individuals are hard to capture in the sources.

Studies in Medieval and Renaissance History is an annual publication of historiographical essays on the pre-modern world. As a venue for sustained investigations, it plays a significant role in the dissemination of interpretative scholarship that falls in the niche between the journal article and the monograph. This is the final volume in series 3 and primarily comprises essays in memory of Paul E. Szarmach, the eminent Old English scholar and former executive director of the Medieval Academy of America and director of the Medieval Institute at Western Michigan University, Kalamazoo.

The Battle of Manzikert on August 26, 1071 is widely regarded as one of the most significant turning points in medieval history, frequently presented as the culmination of a Turco-Islamic assault upon the Byzantine bulwark of a Christian world struggling for survival. Emperor Romanus IV's campaigns between 1068 and 1071 do, in many ways, represent the empire's fightback against an enemy that for decades had penetrated deep into Asia Minor, its heartland and strategic bulwark. Yet Manzikert was not a disaster. This book examines the geopolitical background and the origins of the campaign that led to the battle, the main protagonists, and their strategies and battle tactics. It also evaluates the primary sources and the enduring legacy of the battle, for both the Greek and Turkish historiography of the twentieth century.

Jewish presence in the Malabar Coast of southwestern India is attested since the ninth century in various sources and diverse languages. Malabar Jewry emerged out of the Indian Ocean maritime trade networks that connected people and communities in West and South Asia forging kinship alliances and cross-cultural exchange. This book traces the evolution of Malabar Jewry in the history of contact and exchange that gave rise to Indo-Arab coastal communities in the period between 849 and 1489.

Caroline Bergvall's celebrated trilogy of interdisciplinary medievalist texts and projects--Meddle English (2011), Drift (2014), and Alisoun Sings (2019)--documents methods of reading and making that are poetically and politically alert, critically and culturally aware, linguistically attuned, and historically engaged. Drawing on the wide-ranging body of criticism dedicated to Bergvall's work and material from Bergvall's archive, together with newly commissioned texts by scholars, theorists, linguists, translators, and poets, this book situates the trilogy in relation to key themes including mixed temporalities; interdisciplinarity and performance; art and activism; and the geopolitical, psychosexual, and social complexities of subjectivity. It follows routes laid down by the trilogy to move between the medieval past and our contemporary moment to uncover new forms of encounter and exchange.

This book addresses Christendom's eastern frontier, the principality of Moldavia: its political, economic, and cultural history from its formation in 1359 to the early sixteenth century.

An introduction to the economics of the rare book and manuscript trade in the half-century before the second world war.

This study explores tropes concerned with the Middle Ages in Imperial, Soviet, and post-Soviet Russia, seeking to explain why an often romanticized medieval past remains potent in Russian politics, society, and culture today.

Examines the nature and socialization of disabled performers in the medieval and early Tudor periods.

In a young American republic seeking to define itself in relation to European cultural and political models past and present, it was assumed that the history of Europe's peoples could be tracked across time over the longue durée. From this perspective, even the barbarous long-haired kings of the distant Merovingian era helped to define the political and cultural identity of a France--and, indeed, a Europe--whose actions Americans recognized as relevant to their own republic. Americans saw medieval parallels not only in the actions of successive French regimes, but in contemporary transatlantic issues of anxiety, including the adjudication of claims of political legitimacy and the debate over the perpetuation of racial slavery. That early American writers located their own meanings in the history of Merovingian Francia is indicative of a less linear, and more diverse and transnational, historiography than previously recognized.

This book explores the ways in which contemporary authors respond to and rework key aspects of Old Norse history and viking culture for young twenty-first-century audiences. Why are contemporary authors and audiences so manifestly attracted to the viking past? In what ways do writers respond to Norse sources? How do the narratives they tell reflect our beliefs about and desires for the past, our constructions of childhood and adolescence, our anxieties around gender, sexuality, and ethnicity? How do these texts engage with a future occluded by apocalyptic ecological threat? David Clark explores these questions through readings of a rich body of diverse material which retells, updates, and transforms Norse culture. The volume contextualizes Norse medievalism and explores how thematic foci on gender, sexuality, disability, and ethnicity relate to contemporary concerns around these topics, and the construction of childhood.

This book examines feminist textual and cinematic engagements with the idea of the Middle Ages in the nineteenth and twentieth centuries, arguing that the idea of the medieval past is central to the work of novelists and directors interested in embodiment and vulnerability. Careful and illuminating analysis of particular moments in fiction, film, and political discourse dismantles the false binary between popular and intellectual medievalisms, which rests on gendered understandings of genre and audience, while demonstrating that masculinist or patriarchal medievalisms have an equal but understudied counterpart. The book's first three chapters cover Jane Austen's Northanger Abbey and its afterlives, the final works of Virginia Woolf, and late twentieth-century film and music videos from the United States. The final chapter examines the treatment of women's bodies and vulnerability in both political theory and recent electoral politics, arguing that they share a common thread of misogyny rooted in the idea of the medieval past, and that one way to challenge that misogyny is by looking at complex feminist engagements with that same past, both real and imagined.

This monograph examines how Korean women and men came to engage with Catholic missions during Europe's late sixteenth and seventeenth centuries, a profoundly volatile period in East Asian history during which political, cultural, and social disruption created opportunities for new interactions in the region. It analyzes the nature of that engagement, as women and men became both subjects for, and agents of, catechizing practices. As their evangelization, experience of faith, proselytizing, and suffering were recorded in mission archives, the monograph explores contact between Catholic Christianity and Korean women in particular. Broomhall demonstrates how gender ideologies shaped interactions between missionary men and Korean women, and how women's experiences would come to be narrated, circulated, and memorialized.

This book explores shared religious practices among Jews, Christians, and Muslims, focusing primarily on the medieval Mediterranean. It examines the meanings members of each community ascribed to the presence of the religious other at "their" festivals or holy sites during pilgrimage. Communal boundaries were often redefined or dissolved during pilgrimage and religious festivals. Yet, paradoxically, shared practices served to enforce communal boundaries, since many of the religious elite devised polemical interpretations of these phenomena which highlighted the superiority of their own faith. Such interpretations became integral to each group's theological understanding of self and other to such a degree that in some regions, religious minorities were required to participate in the festivals of the ruling community. In all formulations, "otherness" remained an essential component of both polemic and prayer.

From the fall of Islamic Isbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theatre by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville as the imperial centre of Christian Spain.

This study features essays from leading scholars highlighting the important Jewish contributions to the popular medieval genre of romance. Writing against strict notions of genre boundaries and canonization, this volume provides a new understanding of medieval and early modern romance through a working definition consisting of variable elements, including language, literary devices, plot, and characters. The contributions in this volume establish that many texts written in the medieval and early modern Jewish communities across Europe and beyond can be classified as "romance." Each of the nine chapters as well as the afterword by Eli Yassif discusses romance as it relates to the medieval and early modern Jewish world, as well as the greater non-Jewish context. This volume places Jewish texts into the scholarly conversation as sources for forming a new understanding of the genre of romance across religious and cultural boundaries.

The comparative or connected study of localized intellectual traditions poses special challenges to the global turn in medieval studies. How can we enable conversations across language groups and intricate cultural formations, as well as disciplines? Practices of commentary offer a compelling opportunity: their visual layouts reveal assumptions about the relative status of text and gloss, while interpretive interlinear or marginal prompts capture the dynamic relationships among generations of teachers, students, and readers. The material traces of manuscript usage--from hastily scrawled marginal notes to vivid rubrication--illuminate the shared didactic and communicative practices developed within scholarly communities. By bringing together researchers working on specific cultures and discourses across Eurasia, this volume moves toward a global account of premodern commentary traditions.

It is well known that in several of her works, Christine de Pizan actively sought to valorize and empower women; she notably made the case for women's education, argued for the protection of widows, and famously attacked the misogyny of the all-pervasive Roman de la Rose. Whilst numerous examinations have shown that Christine sought to empower women through her texts, this book demonstrates that the visual programmes of her works offer further evidence of Christine's championing women in their role as educators and activists, whilst challenging some assumptions made about gender in Christine's works. It also examines the conduits and structures by which power is conferred upon women within them. When read together, the text and image across Christine's oeuvre reveal a consistent picture: one in which women educate and empower one another.

Los trabajos de Persiles y Sigismunda, historia septentrional (1617) is Miguel de Cervantes's last major work. Virtually ignored for the past four hundred years and overshadowed by the acclaim accorded Don Quixote, it is due a revival. As indicated by this new English title, The Perils of Persiles and Sigismunda, a Northern Saga, this challenging saga-like fiction follows an attractive young prince and princess who undertake a perilous pilgrimage by sea and on land from their North Atlantic islands to Rome. This new translation by William Thomas Little takes full account of recent scholars' ground-breaking research and their new readings. It also includes a selected bibliography, a contextualizing introduction, and footnotes on the text that clarify for contemporary readers cultural issues that were readily known to seventeenth-century readers in Spain, France, Italy, Portugal, and England.

This book explores the dimensions of medieval monastic meditation, prayer, and contemplation in the heyday of Benedictine and Cistercian spiritual writing, the eleventh and twelfth centuries. Mancia aims to answer the following questions: What did extra-liturgical prayer and meditation look like for medieval monks and nuns in western medieval Europe? When, where, and how was it practised? Was there a set way to engage with monastic meditation, or were there a variety of medieval monastic meditative experiences in the eleventh and twelfth centuries? What did monks and nuns perceive as the limitations of monastic prayer and meditation, and how did they understand their own imperfections and failures to perform "perfect" devotion? What extra-textual tools--art, manuscripts, diagrams, spaces--did monks and nuns rely upon to stimulate their practices of meditation? What does monastic meditation reveal about the emotional lives of Benedictine and Cistercian monks and nuns in the high Middle Ages? And, finally, what does the monastic struggle to pursue a prayerful Christian life have to teach the secular world of the twenty-first century?

This collection explores playful ways of fostering creative engagements with the medieval and early modern past and its own literary and artistic products, especially among those new to their study. As scholars and teachers of early English, the contributors cover literary and cultural material from a range of genres within the Old English, Middle English, Tudor, and Stuart periods and collectively delve into a shared interest in facilitating what we might loosely define as "newcomer" or "non-specialist" encounters with the past: initial, exploratory contact in which prior knowledge cannot be assumed, whether involving creative professionals, experts from other disciplines, undergraduate and school students, or members of the public. Considering artworks and installation, theatre and performance and curation practices, case studies offer practice-based examples of learning and engagement which proceed primarily through creative and playful approaches. The case studies are arranged into two broad groups: those which work through performance and theatrical play of various kinds, and those which work through playful practices of production and making. All share a perspective of irreverence, of vivid immersion, and of the possibilities of conjuring with the past.

This book is a new cultural and intellectual history of the natural world in the early medieval Latin West. It examines the complex relationships between language, texts, and the physical world they describe, focusing on the manuscripts of the Physiologus--the foundation of the medieval bestiary. The Physiologus helped to shape the post-Roman worldview about the role and place of human beings in Creation. This process drew on classical ideas, but in its emphasis on allegory, etymology, and a plurality of readings, it was original and distinctive. This study demonstrates precisely how the early medieval re-contextualization of existing knowledge, together with a substantial amount of new writing, set the course of ideas about faith and nature for centuries to come. In doing so, it establishes the importance of multi-text miscellanies for early medieval written culture.

The successful transmediation of books and documents through digitization requires the synergetic partnership of many professional figures, that have what may sometimes appear as contrasting goals at heart. On one side, there are those who look after the physical objects and strive to preserve them for future generations, and on the other those involved in the digitization of the objects, the information that they contain, and the management of the digital data. These complementary activities are generally considered as separate and when the current literature addresses both fields, it does so strictly within technical reports and guidelines, concentrating on procedures and optimal workflow, standards, and technical metadata. In particular, more often than not, conservation is presented as ancillary to digitization, with the role of the conservator restricted to the preparation of items for scanning, with no input into the digital product, leading to misunderstanding and clashes of interests. Surveying a variety of projects and approaches to the challenging conservation-digitization balance and fostering a dialogue amongst practitioners, this book aims at demonstrating that a dialogue between apparently contrasting fields not only is possible, but it is in fact desirable and fruitful. Only through the synergetic collaboration of all people involved in the digitization process, conservators included, can cultural digital objects that represent more fully the original objects and their materiality be generated, encouraging and enabling new research and widening the horizons of scholarship.

Describes the Almoravid transformation of western North Africa through trans-Saharan and trans-Mediterranean commerce, urbanization, and the epic encounter with the Christian, Muslim, and Jewish cultures of Iberia.