Bøger udgivet af Archipelago Books

From the award-winning Mauri Kunnas, Finland''s most celebrated children''s author, a hilarious picture book which follows the adventures of a sleepwalking goat. Mr. Clutterbuck, a mild-mannered goat, sleepwalks his way into unimaginable adventures: one night the lead singer of a rock band, the next an entrepreneur, Mr. Clutterbuck soon finds himself the hero of his town. A book that will send readers of all ages into fits of laughter.Mr. Clutterbuck is blissfully unaware of his reputation as the busiest and loudest sleepwalker in town. Meek and mild-mannered when awake, at night Mr. Clutterbuck seeks thrills and adventures. Often the accidental instigator of chaos, Mr. Clutterbuck soon becomes the lead singer of a rock band, an entrepreneur, a disco king, and, eventually, the hero of his town. Goodnight, Mr. Clutterbuck is sure to captivate readers of all ages as we wonder what kind of situation Mr. Clutterbuck will find himself in next. With a lively tapestry of characters, including a motorcycle gang of cats and crocodiles, a hippo in charge of a sausage factory, and an ill-tempered bull at a theme park, Mauri Kunnas playfully shows what can happen when you step outside your comfort zone.

In My Valley, Claude Ponti leads us on a journey through an enchanted world inhabited by "Touims" (tiny, adorable, monkey-like creatures), secret tree dwellings, flying buildings, and sad giants. Clever language and beautifully detailed maps of imaginary landscapes will delight children and adults alike. Ponti himself has said, "My stories are like fairytales, always situated in the marvelous, speaking to the interior life and emotions of children. That way each child can get what they want out of the images: the characters and dreams are their own."

Haderlap is an accomplished poet, and that lyricism leaves clear traces on this ravishing debut, which won the prestigious Bachmann Prize in 2011. The descriptions are sensual, and the unusual similes and metaphors occasionally change perspective unexpectedly. Angel of Oblivion deals with harrowing subjects - murder, torture, persecution and discrimination of an ethnic minority - in intricate and lyrical prose.The novel tells the story of a family from the Slovenian minority in Austria. The first-person narrator starts off with her childhood memories of rural life, in a community anchored in the past. Yet behind this rural idyll, an unresolved conflict is smouldering. At first, the child wonders about the border to Yugoslavia, which runs not far away from her home. Then gradually the stories that the adults tell at every opportunity start to make sense. All the locals are scarred by the war. Her grandfather, we find out, was a partisan fighting the Nazis from forest hideouts. Her grandmother was arrested and survived Ravensbrück.As the narrator grows older, she finds out more. Through conversations at family gatherings and long nights talking to her grandmother, she learns that her father was arrested by the Austrian police and tortured - at the age of ten - to extract information on the whereabouts of his father. Her grandmother lost her foster-daughter and many friends and relatives in Ravensbrück and only escaped the gas chamber by hiding inside the camp itself. The narrator begins to notice the frequent suicides and violent deaths in her home region, and she develops an eye for how the Slovenians are treated by the majority of German-speaking Austrians. As an adult, the narrator becomes politicised and openly criticises the way in which Austria deals with the war and its own Nazi past. In the closing section, she visits Ravensbrück and finds it strangely lifeless - realising that her personal memories of her grandmother are stronger.Illuminating an almost forgotten chapter of European history and the European present, the book deals with family dynamics scarred by war and torture - a dominant grandmother, a long-suffering mother, a violent father who loves his children but is impossible to live with. And interwoven with this is compelling reflection on storytelling: the narrator hoping to rid herself of the emotional burden of her past and to tell stories on behalf of those who cannot.

Published in 1952, Wayward Heroes is part of the body of works for which Laxness was awarded the Nobel Prize in 1955. It is a masterfully written tragicomedy about the oath-brothers Thorgeir and Thormod, inspired by the old Icelandic sagas Saga of the Sworn Brothers and Saga of Saint Olaf. The brothers fight for glory, raid for treasure, and seduce women against the backdrop of a new cult of Christianity. But where the old sagas depict their heroes as glorious champions, Laxness does the opposite. As Thormod avenges Thorgeir's death, he demonstrates the senselessness of violence and the endlessly cyclical nature of obsession.

Dance on the Volcano tells the story of two sisters growing up during the Haitian Revolution in a culture that swings heavily between decadence and poverty, sensuality and depravity. One sister, because of her singing ability, is able to enter into the white colonial society otherwise generally off limits to people of color. Closely examining a society sagging under the white supremacy of the French colonist rulers, Dance on the Volcano is one of only novels to closely depict the seeds and fruition of the Haitian Revolution, tracking an elaborate hierarchy of skin color and class through the experiences of two young women. It is a story about hatred and fear, love and loss, and the complex tensions between colonizer and colonized, masterfully translated by Kaiama L. Glover.

A book of stories, or "narrations," by the finest Catalan writer of his generation. In this beautiful work, translated into English for the first time, Pla transcribes his witnessings of basic truths: the waves of the sea, the hardness of rolled tobacco. The reader feels tangibly the pleasure with which Pla puts the sensual and real on paper.

The first volume of this three-part autobiographical series begins in 1938 with the expulsion of the Kovacic family from their home of Switzerland, eventually leading to their settlement in the father's home country of Slovenia. Narrated by Kovacic as a ten-year-old boy, he describes his family's journey with uncanny naiveté. Before leaving their home, he imagines his father's home country as something beautiful out of a fairytale, but as they make their way toward exile, he and his family realize that any attempt to make a home in Slovenia will be in vain. Confronted by misery, hunger, and hostility, the young boy refuses to learn Slovenian and falls silent, his surroundings becoming a social, cultural and mental abyss. Kovacic meticulously, boldly, and sincerely portrays the objective, everyday world; the style is clear and direct. Told from the point of view of a child, one memory is interrupted by fragments and visions of another. Some are innocent and tender, while others are miserable and ruthless, resulting in a profound and heart-wrenching description of a period torn apart by conflict, reflected in the author's powerful and innovative command of language.

The White Rose is guarded closely by the gardener, who once caught a cold walking barefoot trying to find his shoes, which had been hidden by a cat, which was a gift from his younger brother, who was married to Dalva, who had inherited the cat from her uncle, who died of a broken heart awaiting a love letter that never arrived... Eventually, we see how one tiny action can have marvelous consequences, and the story turns like a ferris wheel. With a playful lightness of touch, Mello explores serious questions about the importance of kindness and the dangers of greed. Mello's illustrations will inspire his young readers, providing them with familiar and approachable images while encouraging imagination to fill in the narrative gaps, as he captures the mysteries of childhood through rich, vibrant imagery.

Winner of the Herder Prize, Nichita Stanescu was one of Romania's most celebrated contemporary poets. This dazzling collection of poems - the most extensive collection of his work to date - reveals a world in which heavenly and mysterious forces converse with the everyday and earthbound, where love and a quest for truth are central, and urgent questions flow. His startling images stretch the boundaries of thought. His poems, at once surreal and corporeal, lead us into new metaphysical and linguistic terrain.

By the writer Milan Kundera called Czechoslovakia's greatest contemporary writer comes a novel (now in English for the first time) peopled with eccentric, unforgettable inhabitants of a home for the elderly who reminisce about their lives and their changing country. Written with a keen eye for the absurd and sprinkled with dialogue that captures the poignancy of the everyday, this novel allows us into the mind of an elderly woman coming to terms with the passing of time.Praise for Too Loud a Solitude:"Short, sharp and eccentric. Sophisticated, thought-provoking and pithy." --Spectator"Unmissable, combines extremes of comedy and seriousness, plus pathos, slapstick, sex and violence all stirred into one delicious brew." --The Guardian"In imaginative riches and sheer exhilaration it offers more than most books twice its size. At once tender and scatological, playful and sombre, moving and irresistibly funny." --The Independent on SundayPraise for I Served the King of England:"A joyful, picaresque story, which begins with Baron Munchausen-like adventures and ends in tears and solitude." -- James Wood, The London Review of Books"A comic novel of great inventiveness ... charming, wise, and sad--and an unexpectedly good laugh." --The Philadelphia Inquirer"An extraordinary and subtly tragicomic novel." --The New York Times"Dancing Lessons unfurls as a single, sometimes maddening sentence. The gambit works. Something about that slab of wordage carries the eye forward, promising an intensity simply unattainable by your regularly punctuated novel." --Ed Park, The New York Times Book Review

A work of immense cultural significance and beauty, this long poem became an anthem for the African diaspora and the birth of the Negritude movement. With unusual juxtapositions of object and metaphor, a bouquet of language-play, and deeply resonant rhythms, Césaire considered this work a "break into the forbidden," at once a cry of rebellion and a celebration of black identity.More praise:"The greatest living poet in the French language."--American Book Review"Martinique poet Aime Cesaire is one of the few pure surrealists alive today. By this I mean that his work has never compromised its wild universe of double meanings, stretched syntax, and unexpected imagery. This long poem was written at the end of World War II and became an anthem for many blacks around the world. Eshleman and Smith have revised their original 1983 translations and given it additional power by presenting Cesaire's unique voice as testament to a world reduced in size by catastrophic events." --Bloomsbury Review "Through his universal call for the respect of human dignity, consciousness and responsibility, he will remain a symbol of hope for all oppressed peoples." --Nicolas Sarkozy"Evocative and thoughtful, touching on human aspiration far beyond the scale of its specific concerns with Cesaire's native land - Martinique." --The Times