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AA Files is the Architectural Association's (AA) journal of record. Launched in 1981 by the AA's then chairman Alvin Boyarsky, the journal appears twice a year and is sent out to members of the Architectural Association and individual subscribers, and is distributed to a global network of bookshops. Currently under the editorship of Maria Shéhérazade Giudici, AA Files looks to promote original and engaging writing on architecture. It does this by drawing both on the AA's own academic research, public program, exhibitions and events, as well as by a rich and eclectic mix of architectural scholarship from all over the world.
This publication asks contributors a direct and open question: what are you concerned with right now? Its aim is to place current topics and debate at the centre of architectural education. This publication asks contributors a direct and open question: what are you concerned with right now? Its aim is to place current topics and debate at the centre of architectural education. By publishing contrasting views revolving around a singular question, architects, practitioners, educators, students and theorists can share their ideas on how urgent issues can be examined and rethought within education, practice and writing.
The AA Book: On Location highlights the agendas and practices that have intersected both physically and metaphorically throughout the Architectural Association (AA) during the 2021-22 academic year. The publication features hundreds of projects by students from every unit and programme within the school, which together document the plurality of agendas explored, interests developed, approaches tested and questions posed and addressed by our community this year. As staff and students re-entered the AA buildings on Bedford Square in September 2021 after a year-long absence, the work of the school returned to its usual sites of production - the unit space, the workshop, the Lecture Hall, Ching's Yard, the Bar and the terrace; spaces where things are made and ideas are discussed. Reflecting this reinhabitation, the AA Book: On Location documents the spatial distribution of units and programmes throughout our premises in London and Dorset. Its chapters each represent a building or site in Bedford Square, Morwell Street or Hooke Park, and units and programmes are organised within according to where their main teaching space has been situated this year. Each building-based chapter is bookended by a series of written accounts, observations and reflections by staff and students, highlighting different spaces within the school to capture the experience of being on location and how this influences the work and way of life that emerges from the AA.
Stefan Sebèok was a Hungarian-born architect who worked with Walter Gropius in Dessau and Berlin in the late 1920s, and then with fellow Hungarian emigrâe Lâaszlâo Moholy-Nagy on his famous Light Prop, and later still moved to the Soviet Union to work with the constructivist architects Ginzburg, the Vesnin brothers and El Lissitzky. In between he carried out numerous projects of his own and found himself central to a key generation of emerging modern architects in Dresden, Berlin and Moscow. Details of this life are revealed through this book written by Sebèok's niece, Lilly Dubowitz, who meticulously pieces together clues and details of her uncle's life and work as if like an architectural detective.
This book is a testament to the brilliant London-based Dutch artist who has made a unique contribution to the visual culture of architecture. Vriesendorp is best known as one of the co-founders of the Office of Metropolitan Architecture in the early 1970s, and her paintings and drawings from this period (published in Rem Koolhaas' Delirious New York, 1978) are widely acknowledged as beguiling and beautiful masterpieces. Images of Vriesendorp's idiosyncratic collection of drawings, paintings, postcards and paraphernalia are combined in this volume, alongside texts that illuminate her work. Charles Jencks ruminates on Vriesendorp's cosmology of symbols; the novelist and artist Douglas Coupland writes on the pathology of collecting; Beatriz Colomina re-treads the 'delirious' 1970s in New York; and Rem and Charlotte Koolhaas reframe the domestic environment that has been both the family home and Vriesendorp's studio archive for 30 years.
"Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. Tales from the Dark Side of the City is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city's wants and needs, fears and dreams."--Publisher's note.
"Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. Tales from the Dark Side of the City is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city's wants and needs, fears and dreams."--Publisher's note.
"Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. Tales from the Dark Side of the City is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city's wants and needs, fears and dreams."--Publisher's note.
"Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. Tales from the Dark Side of the City is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city's wants and needs, fears and dreams."--Publisher's note.
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