Bøger udgivet af Atlantic Books

Cornwall, 1801. In the wake of her mother's death, Pandora Woodville is desperate to escape her domineering father and finally return to Cornwall. Posing as a widow, she safely makes it across the Atlantic, bright with the dream of working at her Aunt Harriet's school for young women. But as Pandora is soon to learn, the school is facing imminent closure after a series of sinister events threatened its reputation. Acclaimed chemist Benedict Aubyn has also recently returned to Cornwall, to take up a new role as Turnpike Trust Surveyor. Pandora's arrival has been a strange one, so she is grateful when he shows her kindness. As news of the school's ruin spreads around town, everyone seems to be after her aunt's estate. Now, Pandora and Aunt Harriet must do everything in their power to save the school, or risk losing everything. However, Pandora has another problem. She's falling for Benedict. But can she trust him, or is he simply looking after his own interests?

MIshaps at work. Misery at the school gate. Mayhem at home.It'll get easier when he starts school... That's what Lucy was told, and she believed it. But now that her autistic son Stanley has joined Reception, his obsession with Africa and daily screaming fits at the school gates haven't exactly won him or Lucy any popularity contests.So for Stanley's fifth birthday Lucy plans an extravagant party to help him connect with his classmates. But her autistic husband Ed knows how his son's mind works better than anyone, so instead of a big bash, they travel to Wales to eat a Libya-shaped birthday cake with Lucy's family. And suddenly Lucy is faced with the truth about what her loved ones really need, and how they can finally find their tribe...

An enthralling account of infamous Irish criminal Gerry Hutch.

The dramatic and compelling story of the most ruthless conflict between American Indians and whites in history, by the author of The Earth Is Weeping.

Powerful memoir of cricket, family and depression by former England cricketer Nick Compton

An urgently needed guide to the alarming rate of psychological stress experienced by girls from the age of ten through to adulthood, from the New York Times bestselling author of Untangled

A vivid cast of characters, endless intrigue and all the fun of a Golden Age mystery await you at Kilfenora House' Catherine Ryan Howard'Witty, twisty and featuring my favourite antiheroine in a long time' Alex MarwoodMurder is easy ... when it doesn't look like murder Tess Morgan has finally made her dream of restoring beautiful Kilfenora House and Gardens into a reality. But during rehearsals for the play that forms the opening weekend's flagship event, her dream turns into a nightmare when a devastating accident looks set to ruin her carefully laid plans. There are rumours that Kilfenora House is cursed, but this feels personal, and becomes increasingly terrifying when more than one body is discovered. Could someone be closing in on Tess herself? Clarissa Westmacott, ex star of stage and screen, certainly believes so, particularly when she learns that purple-flowered aconite has been picked from the Poison Garden. And Clarissa will stop at nothing to protect the friend she has come to see as a daughter...

Oli and Joe are identical twins. But they will never be the same.Beth Truman gives birth to her sons at thirty-three weeks, then checks out of the maternity hospital with them and leaves her old life behind.From the start, the differences between the twins are clear. Oli is bigger, stronger, healthier. Joe is small and weak, his future inexorably altered by the trauma of his birth.By the time the boys are grown, Beth has a new name and a thriving business, and has successfully raised her sons alone.But when the truth about their past emerges, Oli and Joe will be forced reassess everything they thought they knew about their mother, their upbringing and themselves.

'Will Self may not be the last modernist at work but at the moment he's the most fascinating of the tradition's torch bearers.' New YorkFrom one of the most unusual and distinctive writers working today, dubbed 'the most daring and delightful novelist of his generation' by the Guardian, Will Self's Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature.Self takes us with him: from the foibles of his typewriter repairman to the irradiated exclusion zone of Chernobyl, to the Australian outback and to literary forms past and future. With his characteristic intellectual brio, Self aims his inimitable eye at titans of literature like Woolf, Kafka, Orwell and Conrad. He writes movingly on W.G. Sebald's childhood in Germany and provocatively describes the elevation of William S. Burroughs's Junky from shocking pulp novel to beloved cult classic. Self also expands on his regular column in Literary Hub to ask readers how, what and ultimately why we should read in an ever-changing world. Whether he is writing on the rise of the bookshelf as an item of furniture in the nineteenth century or on the impossibility of Googling his own name in a world lived online, Self's trademark intoxicating prose and mordant, energetic humour infuse every piece.

What if pleading guilty to the murder of your own child was the only way to prove your innocence?Ten years ago Claudia had exactly the life she wanted - married to her first love, the man of her dreams, with a 10-month-old daughter, Tilly. But one day, during a moment of inattention, Tilly was taken from her, and Claudia eventually found herself jailed for the murder of her own child. Now she has finally confessed in order to secure parole so she accomplish the only thing that matters to her: find her daughter, dead or alive, and punish the person who took her. More than one person has something to lose by Claudia's release - but only one is frightened enough to kill.

From the high-rises of Canary Wharf to the turquoise pools of Miami, meet SUGAR, BABY: a story about being young, beautiful and tantalisingly sweet . . . Perfect for fans of Luster, Boy Parts, BBC's Clique and HBO's Industry.

A big, suspenseful, page-turning debut novel of teen summers and unsolved murders, by an award-winning rising Irish star

Janice Hallett meets Ben Aaronovitch in this debut crime series that will have you laughing loudly enough to raise the dead.

No other city has had so many faces and so many disasters and has reinvented itself so many times. No other city is like Berlin.The Berlin of the past 800 years has been both haven and hell. It is a city tortured by its history, where the traumatised gather and where traumas are unleashed. Each plague, each fire, each war, each act of destruction and self-destruction requires it to start again.Berlin should never have become a world metropolis. Its geography and topography spell trouble: where are the great rivers and bridges? The mountains on the horizon? Instead, it started out as a swamp and all around are sweeping plains, exposed to the Siberian winds. Over the centuries, few of the great figures who have visited have had much good to say about it. Yet now it is the destination to which the world is flocking. It has been a trading post, military barracks, industrial powerhouse, centre of science and learning, consumer paradise, hotbed of self-indulgence and promiscuity - and the laboratory for the worst experiment in horror known to man. It has now achieved global status/it is the geographical and spiritual midpoint between the rival superpowers/it is the city of refuge/it is home to 180 nationalities, and more than a quarter of the population have a migrant background. After all the episodes of disaster, redemption and reinvention, is Berlin finally at ease with itself? This is the tale of a turbulent city that in spite of itself has become a magnet for the world.