Bøger udgivet af BearManor Media

"After months of auditioning I am very proud to announce that I am a member of The Actors Studio. The greatest school of the theater. It houses great people like Marlon Brando, Julie Harris, Arthur Kennedy, Elia Kazan..." Unpublished James Dean letter to Winslow family-Summer 1952James Dean, Fairmount, Indiana & Farming: Conversations with Marcus Winslow tells the story of James Dean and the Midwestern family that raised him through the eyes of the boy who thought of him as an older brother, more than a cousin. When East of Eden was released in early 1955, James Dean instantly became a star, but tragically he died before Rebel Without a Cause (1955) and Giant (1956) solidifi ed that stardom. Coupled with never-before published letters and a treasure trove of photographs, Marcus recalls Dean and the farm and the fans and how Jimmie's incandescent fame changed the lives of the Winslow family and his hometown forever. Marcus Winslow is the President of James Dean, Inc. and still lives on the family farm where Dean was raised. Leith Adams retired from Warner Bros. in 2013 and was co-editor of James Dean: Behind the Scene (1990).

Paterson, New Jersey-March 1961. A joyous day of celebration turns into a waking nightmare when a young girl is brutally murdered. With the police making slow progress, the child's grief-stricken parents decide to launch their own investigation and uncover some ugly secrets about their family, friends, and neighbors. Among the many possible suspects, the most likely culprit proves to be the girl's own sister... but could an angelic-looking child be capable of such a ghastly crime?Originally titled Communion but also known by such monikers as Alice, Sweet Alice and Holy Terror, Alfred Sole's Catholic-themed horror-thriller has gone on to attract a well-deserved cult following. Though mostly ignored on its original, checkered theatrical release, the film is now revered among devotees of the offbeat. Architect-turned-filmmaker Alfred Sole brought a distinctive, artistic eye to bear on what could have been yet another routine potboiler. Working well outside the confines of Hollywood, he used his connections to secure atmospheric locations, while scouring the New York theater scene for the right actors to bring his quirky characters to life. The road to realizing his vision was not without complications, however. Here you will learn about his ill-fated foray into the then-profitable "porno chic" market by making his own "blue movie" in his home town; the fallout was immense and he found himself facing the possibility of jail time as well as absolute professional disgrace. Once the dust settled, he decided to try for something equally commercial but far more palatable for mainstream consumption. At a time when the likes of Tobe Hooper, George A. Romero, John Carpenter, Wes Craven, and David Cronenberg were emerging as the great new auteurs of North American horror, Alfred Sole seemed poised to join their ranks; sadly, some bad breaks ensured that lightning would not strike twice. No matter what disappointments came in its wake, Sole's "respectable" mainstream debut scaled artistic heights that leave no doubts as to his singular talents. Troy Howarth, the award-nominated author of such books as The Haunted World of Mario Bava and Assault on the System: The Nonconformist Cinema of John Carpenter, explores the genesis, production, and reception of one of the key horror films of the 1970s. In addition to a brand new, in-depth career-encompassing interview with co-writer/director Alfred Sole, Unholy Communion: Alice, Sweet Alice from Script to Screen also reproduces the complete original shooting screenplay. There's also ample analysis of the state of the genre during the counter-culture boom of the late 1960s and '70s and of the film itself, giving readers insight into what makes this such a special, stand-out piece of independent filmmaking.

FROM HELL TO HOLLYWOOD: An Encyclopedia of Warld War II Films offers the most comprehensive illustrated guide ever assembled for theatrical motion-pictures, English-language and international, dealing with the conflict that consumed America and the globe during the mid-20th century. Though United States official involvement did not begin until December, 1941, following the bombing of Pearl Harbor by Japan’s imperial air force, early battles and other precipitous moments, which led to legendary conflicts in Europe and the Pacific, can be traced back through the better part of a decade, many deriving from the unsatisfactory treaties that ended the initial Great War. This book also addresses WWII’s aftermath in America, Asia, and Europe, as varied filmmakers have portrayed that difficult period.In a unique approach to this complex, broad subject, specific films are grouped according to unifying themes that involve varied aspects of ‘The Big Picture.’ These range from training of civilians for a new, updated state-of-the-art armed forces to the impact of warfare on the development of commercial flight, also the unique roles played by spies, People’s Armies, and other misunderstood aspects of the war as writers and directors perceived them then, as well as more recent Revisionist portrayals.Included are hundreds of vivid photos, many never before printed in book form. This work is so immense that it had to be presented in two inter-dependent volumes—a first for Bear Manor Media!  This is volume 2 of 2.DOUGLAS BRODE is a screenwriter, novelist, graphic novelist, produced playwright, multi-award winning journalist, and multi-award winning educator. He created and taught the Film Classics program for The Newhouse School of Public Communications at Syracuse University until his retirement. Now Brode concentrates on turning out further books, both fiction and non-fiction. These include Deadlier Than the Male: Femme Fatales in 1960s and 1970s Cinema for Bear Manor Media. 

So you want to join the Midnight Society, huh?Remember Zeebo the clown?How about the Ghastly Grinner?Ever listen to the Dark Music?Did you want to eat wild boar with Dr. Vink and buy fake vomit from Sardo?If the answer is yes to any of these, then you, my friend, are ready to join!Strike up your own campfire, and grab this campfire companion as we relive the children's TV series that made a whole generation afraid of the dark. D.J. MacHale's Are You Afraid of the Dark? was the Twilight Zone for kids and teens growing up in the 90s, and for those who embraced the show's mix of dark chills and out-there scenarios, it has lingered in their memories way past the seven-year run on TV. The series not only constantly pushed the envelope as to what was acceptable for scary TV for children, but also gave future celebrities like Ryan Gosling (Drive, La La Land), Neve Campbell (Scream, Party of Five), Jay Baruchel (How To Train Your Dragon, This Is The End), and Hayden Christensen (Star Wars Episode 1-3) their start!

Join the journey-discover burlesque when it was part of a large theatrical world filled with dance, comedy, and live music. BURLESQUE: A Living History captures the spirit of this unique art form through hundreds of photographs and stories from many who were a part of America's most colorful past.This book highlights the careers and contributions of selected artists, many of whom were the nuts and bolts of burlesque. It also acknowledges just some of the young performers of today who are diligently working to remember the days of old.When burlesque theatres and clubs went dark, a whole world went dark with them. This book is a journey preserving just some of the history and memories of those who worked on a variety of those burlesque stages.

Beasts! Bedlam! and Babes!!!! Welcome to this literary drive-in theater, a true labor of love that presents over one hundred drive-in flicks from the late 1950's through the early 1980's. Alright folks, let us set the tone for this adventure. Dusk is falling over the area, and the neon lights of the drive-in and concession stand are calling out like beacons and ready for business. It is now time to fill in the name of your favorite drive-in, no matter the time period. SEE, NOW WASN'T THAT FUN!!! Nothing like a bit of individuality to add a personal touch to this experience. Now, it is time to sit back and enjoy this collection of crazed maniacs, freaky monsters, bad ass bikers, and sexy women. And now my fellow drive-in fanatics, it is time to showcase the films. HERE WE GO!!!!.............. Richard J. Shmelter is a writer/researcher, and podcast host, from Sagamore Hills, Ohio. His specializes in sports history, American crime history, with emphasis on the Prohibition era, and Hollywood history. He is a member of the North American branch of the International Association of Crime Writers, the American Crime Writers League, and the Pro Football Researchers Association. Beasts, Bedlam and Babes is Mr. Shmelter's ninth solo book project, and he has also helped out on three other books pertaining to professional football history. In addition to his writing projects, he hosts the podcast "Flashback" on Raiders Fan Radio that discusses the incredible, and at many times, the wild moments, in the history of the Oakland/Los Angeles/Las Vegas Raiders.

Beasts! Bedlam! and Babes!!!! Welcome to this literary drive-in theater, a true labor of love that presents over one hundred drive-in flicks from the late 1950's through the early 1980's. Alright folks, let us set the tone for this adventure. Dusk is falling over the area, and the neon lights of the drive-in and concession stand are calling out like beacons and ready for business. It is now time to fill in the name of your favorite drive-in, no matter the time period. SEE, NOW WASN'T THAT FUN!!! Nothing like a bit of individuality to add a personal touch to this experience. Now, it is time to sit back and enjoy this collection of crazed maniacs, freaky monsters, bad ass bikers, and sexy women. And now my fellow drive-in fanatics, it is time to showcase the films. HERE WE GO!!!!.............. Richard J. Shmelter is a writer/researcher, and podcast host, from Sagamore Hills, Ohio. His specializes in sports history, American crime history, with emphasis on the Prohibition era, and Hollywood history. He is a member of the North American branch of the International Association of Crime Writers, the American Crime Writers League, and the Pro Football Researchers Association. Beasts, Bedlam and Babes is Mr. Shmelter's ninth solo book project, and he has also helped out on three other books pertaining to professional football history. In addition to his writing projects, he hosts the podcast "Flashback" on Raiders Fan Radio that discusses the incredible, and at many times, the wild moments, in the history of the Oakland/Los Angeles/Las Vegas Raiders.

Is he MAD? Mark Arnold, author of If You're Cracked, You're Happy, Volumes Won and Too, has done it again with the very first COMPLETE MAD history since the 1990s. He's UNCONDITIONALLY MAD!!! This two-volume set (Part 1 and Part B) covers the entire 70+ year history of MAD magazine. Part B picks up from Editor Al Feldstein's retirement in 1984 and new Editors Nick Meglin and John Ficarra taking over. The Usual Gang of Idiots start to retire and pass on and a new generation of Idiots were added to the mix. Meglin retired in 2004 and Ficarra in 2018, when the New York operations were closed and moved to Burbank, California. MAD started over with #1 and another new Editor, Bill Morrison. It was a promising new start until the powers-that-be decided to change MAD over into a reprint title, where it remains to this day. The lawsuits, the hirings, the firings, the ghosts, the flatbugs, the spies, the FBI, the plants, the gooney birds and the celebrities are all contained here, along with many new and archival interviews with The Usual Gang of Idiots. It's a story that's UNCONDITIONALLY MAD!

Is he MAD? Mark Arnold, author of If You're Cracked, You're Happy, Volumes Won and Too, has done it again with the very first COMPLETE MAD history since the 1990s. He's UNCONDITIONALLY MAD!!! This two-volume set (Part 1 and Part B) covers the entire 70+ year history of MAD magazine. Part 1 covers from when Max C. Gaines ventured into comic book publishing in the 1930s and eventually founded E.C. Comics. E.C. started out publishing titles for small children and Bible stories, but after an unfortunate accident, son William M. Gaines took over and created legendary comic book titles such as Tales from the Crypt and Weird Science. Bill Gaines hired Harvey Kurtzman who created Two-Fisted Tales and Frontline Combat. Kurtzman wanted to increase his income, Gaines suggested adding a humor title and in 1952, MAD was born. In 1956, Kurtzman left and was replaced by former Crypt Editor, Al Feldstein. The story carries on through Feldstein's 30-year tenure as the Editor of MAD. The lawsuits, the hirings, the firings, the ghosts, the flatbugs, the spies, the FBI, the plants, the gooney birds and the celebrities are all contained here, along with many new and archival interviews with The Usual Gang of Idiots. It's a story that's UNCONDITIONALLY MAD!

Is he MAD? Mark Arnold, author of If You're Cracked, You're Happy, Volumes Won and Too, has done it again with the very first COMPLETE MAD history since the 1990s. He's UNCONDITIONALLY MAD!!! This two-volume set (Part 1 and Part B) covers the entire 70+ year history of MAD magazine. Part 1 covers from when Max C. Gaines ventured into comic book publishing in the 1930s and eventually founded E.C. Comics. E.C. started out publishing titles for small children and Bible stories, but after an unfortunate accident, son William M. Gaines took over and created legendary comic book titles such as Tales from the Crypt and Weird Science. Bill Gaines hired Harvey Kurtzman who created Two-Fisted Tales and Frontline Combat. Kurtzman wanted to increase his income, Gaines suggested adding a humor title and in 1952, MAD was born. In 1956, Kurtzman left and was replaced by former Crypt Editor, Al Feldstein. The story carries on through Feldstein's 30-year tenure as the Editor of MAD. The lawsuits, the hirings, the firings, the ghosts, the flatbugs, the spies, the FBI, the plants, the gooney birds and the celebrities are all contained here, along with many new and archival interviews with The Usual Gang of Idiots. It's a story that's UNCONDITIONALLY MAD!

Featuring exclusive interviews with director Brian DePalma, stars Sissy Spacek, Piper Laurie, Nancy Allen, Amy Irving, William Katt, P.J. Soles and more; writers Stephen King and Lawrence D. Cohen and a host of others including the late Bill Paxton who worked on the film alongside art director Jack Fisk (who also features), Like Being On Mars is a lovingly curated oral history of the horror classic Carrie (1976). Loaded with powerful insight and images that truly deliver an in depth and inside look at the creative process and the final execution of one of the most monumental seventies landmark films, this making-of account is a very honest and also often sentimental journey into the world of DePalma's adaptation of King's novel which is powered by formidable and vitally important performances from women such as Spacek and Laurie (both of whom received Oscar nominations for their roles). A must have for dedicated cinephiles and horror movie enthusiasts alike.

In 1991, Peggy Adler, author of Trilogy: Three True Stories of Scoundrels and Schemers, was retained by self-proclaimed CIA agent, arms dealer and money launderer, Richard Brenneke, to co-author his autobiography. She soon discovered evidence in his files contradicting claims regarding his presence at October Surprise conspiracy meetings and went on to out Brenneke as a con artist in a February 1992 article in the Village Voice. Adler then researched a series of additional articles for the "Voice", which went on to prove that the so-called "October Surprise" was a hoax. In mid-1992, upon learning that the United States House of Representatives had created a Task Force to Investigate Certain Allegations Concerning the Holding of American Hostages by Iran in 1980, which would be investigating whether or not there actually had been an "October Surprise", she turned over to them the seventy cartons of documents she'd hauled east from Brenneke's home in Portland, Oregon, in order to write his memoirs. Subsequently, she worked as a consultant to the Task Force and assisted in drafting and editing the Brenneke section of their final report. Chapter one of this book recounts the Brenneke story, from 1973 forward, including her own odyssey with this scoundrel. Chapter two reveals how Oliver North and Richard Secord's Iran-Contra pal, Albert Hakim, was well aware that it was possible to get money out of a Swiss bank account without ever being a signatory - for he'd facilitated just that, years before. And Chapter three traces Roger Ailes relationship to the Willie Horton commercial that helped sink George Dukakis' hope for the presidency. Additionally, the book is laden with all the necessary documentation to back up what Adler has written.

This biography traces Josh Binney's unusual film and stage career, which ranged from praise for his direction in Boston of the play Pinocchio to imprisonment in Montana for movie investment fraud. Particular attention is paid to his work in the 1940s for All American News, one of the major independent producers of films for the Black market. Binney's credits there led The Timesof London fifty years later to call him one of the "spiritual forefathers" of Spike Lee. T. Dennis Reece is a retired U.S. Department of State Foreign Service officer who served in the Soviet Union, Brazil, Saudi Arabia, the Dominican Republic, Guyana, Cabo Verde, and Washington, D.C. A graduate of Valparaiso and Purdue Universities in Indiana, he now lives in Tampa, Florida. He is a volunteer for the Goodwill-Suncoast Bookworks early literacy program and is head of the Clearwater chapter of the Sons of the Desert, the Laurel and Hardy appreciation society.

This biography traces Josh Binney's unusual film and stage career, which ranged from praise for his direction in Boston of the play Pinocchio to imprisonment in Montana for movie investment fraud. Particular attention is paid to his work in the 1940s for All American News, one of the major independent producers of films for the Black market. Binney's credits there led The Timesof London fifty years later to call him one of the "spiritual forefathers" of Spike Lee. T. Dennis Reece is a retired U.S. Department of State Foreign Service officer who served in the Soviet Union, Brazil, Saudi Arabia, the Dominican Republic, Guyana, Cabo Verde, and Washington, D.C. A graduate of Valparaiso and Purdue Universities in Indiana, he now lives in Tampa, Florida. He is a volunteer for the Goodwill-Suncoast Bookworks early literacy program and is head of the Clearwater chapter of the Sons of the Desert, the Laurel and Hardy appreciation society.

William Girdler¿s career was short, lasting just six years but even by the standards of those who toil away in the exploitation arena, he was extremely prolific, making nine features between 1972 and 1978, when he was killed in a helicopter crash in the jungle outside Manila, aged only thirty. He specialized in making the kind of films which attract the rabid cult fan, from the occult horror of his low-budget debut Asylum of Satan to the more accomplished - but even more bizarre - The Manitou in a journey that took him from Louisville, Kentucky to the Philippines via Hollywood. This is the first book about Girdler¿s films and includes contributions from a number of his collaborators, as well as extracts from treatments for some of his unmade projects. From Satan to Pam Grier and from a killer bear to a resurrected medicine man, this is the Wild World of William Girdler. Ian Cooper is the author of five books including Frightmares: A History of British Horror and The Manson Family on Film and Television. He lives in Germany.

William Girdler¿s career was short, lasting just six years but even by the standards of those who toil away in the exploitation arena, he was extremely prolific, making nine features between 1972 and 1978, when he was killed in a helicopter crash in the jungle outside Manila, aged only thirty. He specialized in making the kind of films which attract the rabid cult fan, from the occult horror of his low-budget debut Asylum of Satan to the more accomplished - but even more bizarre - The Manitou in a journey that took him from Louisville, Kentucky to the Philippines via Hollywood. This is the first book about Girdler¿s films and includes contributions from a number of his collaborators, as well as extracts from treatments for some of his unmade projects. From Satan to Pam Grier and from a killer bear to a resurrected medicine man, this is the Wild World of William Girdler. Ian Cooper is the author of five books including Frightmares: A History of British Horror and The Manson Family on Film and Television. He lives in Germany.

"Erudite, passionate, and thorough"- Guillermo del Toro "Tim is the most eloquent and well-researched critic out there... Truly an essential - the pinnacle of his profession"- Gary Tooze, DVD Beaver As editor and chief critic of Video Watchdog ("The Perfectionist's Guide to Home Video"), Tim Lucas acquired a Virgil-like reputation as the leading guide to truly underground cinema: those bizarre, elusive but revelatory movies that could then only be found through foreign and subterranean markets or swap meets. With this notoriety in mind, he was approached in 2003 by Sight and Sound, the venerable publication of the British Film Institute, to write a monthly column reviewing the most interesting new video releases not then available for sale within the UK. This column, NoZone, became a monthly feature of the magazine for nearly ten years. This book collects, updates, and annotates the full run of NoZone columns, while adding one previously unpublished. It is the first in a comprehensive new series from Bear Manor Media collecting the best of Tim Lucas's 50+ years of film-related writings, and the first such collection to appear in more than 30 years. Tim Lucas has been reviewing films professionally, with a preference for art and exploitation cinema, since the age of 15. His work has appeared in Sight and Sound, Film Comment, Fangoria, Gorezone and numerous other books and magazines, including his own influential Video Watchdog, co-published with his wife Donna from 1990 to 2018. He is the author of the multi-award-winning Mario Bava - All the Colors of the Dark, as well as The Video Watchdog Book and monographs on Videodrome, Spirits of the Dead and Succubus. An acclaimed novelist as well as the prolific commentator on approximately 200 media discs released worldwide, his achievement has been recognized with more than 20 Rondo Hatton Classic Horror Awards, including induction into the "Monster Kid" Hall of Fame.

"Erudite, passionate, and thorough"- Guillermo del Toro "Tim is the most eloquent and well-researched critic out there... Truly an essential - the pinnacle of his profession"- Gary Tooze, DVD Beaver As editor and chief critic of Video Watchdog ("The Perfectionist's Guide to Home Video"), Tim Lucas acquired a Virgil-like reputation as the leading guide to truly underground cinema: those bizarre, elusive but revelatory movies that could then only be found through foreign and subterranean markets or swap meets. With this notoriety in mind, he was approached in 2003 by Sight and Sound, the venerable publication of the British Film Institute, to write a monthly column reviewing the most interesting new video releases not then available for sale within the UK. This column, NoZone, became a monthly feature of the magazine for nearly ten years. This book collects, updates, and annotates the full run of NoZone columns, while adding one previously unpublished. It is the first in a comprehensive new series from Bear Manor Media collecting the best of Tim Lucas's 50+ years of film-related writings, and the first such collection to appear in more than 30 years. Tim Lucas has been reviewing films professionally, with a preference for art and exploitation cinema, since the age of 15. His work has appeared in Sight and Sound, Film Comment, Fangoria, Gorezone and numerous other books and magazines, including his own influential Video Watchdog, co-published with his wife Donna from 1990 to 2018. He is the author of the multi-award-winning Mario Bava - All the Colors of the Dark, as well as The Video Watchdog Book and monographs on Videodrome, Spirits of the Dead and Succubus. An acclaimed novelist as well as the prolific commentator on approximately 200 media discs released worldwide, his achievement has been recognized with more than 20 Rondo Hatton Classic Horror Awards, including induction into the "Monster Kid" Hall of Fame.

"Shirtless in Hollywood is a must read for even casual fans of Matthias Hues giving some insight behind the scenes of his most popular films as well as the competitive nature of the action movie business. It's filled with tall tales that you wouldn't believe if they were made up but as the saying goes truth is stranger than fiction and sometimes more entertaining."- The Action Elite "Shirtless in Hollywood is a fun, fast-paced and highly entertaining read!"- Arrow in the Head.com German actor, bodybuilder, martial artist, and action icon Matthias Hues has racked up over 70 screen credits in his thirty-plus years in the entertainment industry, with the villainous alien that antagonizes Dolph Lundgren in the sci-fi action classic I COME IN PEACE being his most popular role to date. Just sit back and enjoy a first-hand look into Hue's Hollywood, a world of glitter, power, fame, and fortune. It's a world where serious and talented artists flock in from around the world with dreams of making it to the top. A world that he lives in which is barely separated and yet vastly shared with hustlers, con artists, and wannabes. Matthias Hues was born in Waltrop, Germany in 1959. He worked as a bodybuilder and owned a health club in his hometown in Germany before immigrating to Hollywood in 1986. He made a name for himself in action movies with his distinctive muscle-bound frame and long blonde hair, and he survived his early days working in Gold's Gym in Venice, CA. He had a series of ups and downs in a colorful acting career which is brilliantly outlined in this memoir. Today, Matthias Hues still stars in action movies and he has added writing and producing films to his list of accomplishments.

"Shirtless in Hollywood is a must read for even casual fans of Matthias Hues giving some insight behind the scenes of his most popular films as well as the competitive nature of the action movie business. It's filled with tall tales that you wouldn't believe if they were made up but as the saying goes truth is stranger than fiction and sometimes more entertaining."- The Action Elite "Shirtless in Hollywood is a fun, fast-paced and highly entertaining read!"- Arrow in the Head.com German actor, bodybuilder, martial artist, and action icon Matthias Hues has racked up over 70 screen credits in his thirty-plus years in the entertainment industry, with the villainous alien that antagonizes Dolph Lundgren in the sci-fi action classic I COME IN PEACE being his most popular role to date. Just sit back and enjoy a first-hand look into Hue's Hollywood, a world of glitter, power, fame, and fortune. It's a world where serious and talented artists flock in from around the world with dreams of making it to the top. A world that he lives in which is barely separated and yet vastly shared with hustlers, con artists, and wannabes. Matthias Hues was born in Waltrop, Germany in 1959. He worked as a bodybuilder and owned a health club in his hometown in Germany before immigrating to Hollywood in 1986. He made a name for himself in action movies with his distinctive muscle-bound frame and long blonde hair, and he survived his early days working in Gold's Gym in Venice, CA. He had a series of ups and downs in a colorful acting career which is brilliantly outlined in this memoir. Today, Matthias Hues still stars in action movies and he has added writing and producing films to his list of accomplishments.